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This “stirrup-spout” vessel has been highly polished and incised with face of a supernatural creature shown in profile. It seems to combine elements of some of ancient Peru’s fiercest predators, with an eye (at top) which is hooded like that of a crocodile, but the prominent fangs of a feline, probably a jaguar. Cupisnique ceramics frequently show jaguars and felines, which were symbols of power associated with rulers. The “stirrup spout” was one of the most common vessel forms in pre-Columbian Peru and the Andean area. A short spout at the top is attached to two tubes which join with the vessel itself. The form is reminiscent of a stirrup for horseback riding, hence the name. The resulting container was beautiful and versatile, since the main vessel could be shaped into many different forms, with a surface that was either carefully polished or highly textured. These vessels were also practical: in the extremely dry deserts of Peru, such a narrow opening prevented evaporation of the liquid held within. The complex shape of the neck also meant that it was easy to carry: two such vessels could be tied to the ends of a cord, to be slung over a person’s shoulder or a llama’s back. Large numbers of vessels like these have been found in burials of elites on the north Coast of Peru beginning about 1800 BCE.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- d610ebac79d9db43
- Size
- unknown
Document data
- ID
- 79364
- Core
- obj
- Type
- object
DTO data
{
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"sourceUrl": "https://purl.thewalters.org/art/48.2823",
"contentType": "object",
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"title": "Stirrup Vessel with Incised Designs",
"description": "This “stirrup-spout” vessel has been highly polished and incised with face of a supernatural creature shown in profile. It seems to combine elements of some of ancient Peru’s fiercest predators, with an eye (at top) which is hooded like that of a crocodile, but the prominent fangs of a feline, probably a jaguar. Cupisnique ceramics frequently show jaguars and felines, which were symbols of power associated with rulers. The “stirrup spout” was one of the most common vessel forms in pre-Columbian Peru and the Andean area. A short spout at the top is attached to two tubes which join with the vessel itself. The form is reminiscent of a stirrup for horseback riding, hence the name. The resulting container was beautiful and versatile, since the main vessel could be shaped into many different forms, with a surface that was either carefully polished or highly textured. These vessels were also practical: in the extremely dry deserts of Peru, such a narrow opening prevented evaporation of the liquid held within. The complex shape of the neck also meant that it was easy to carry: two such vessels could be tied to the ends of a cord, to be slung over a person’s shoulder or a llama’s back. Large numbers of vessels like these have been found in burials of elites on the north Coast of Peru beginning about 1800 BCE.",
"provenance": "[Dr. Ernest Lira, Houston and Denver (?), or Dr. Peter Almendariz, Denver (?), or M. Brenner, Geneva (?)]; Paul Shepard, Tucson, Arizona [date and mode of acquisition unknown]; Economos Works of Art, Santa Fe, New Mexico [date and mode of acquisition unknown]; Private collection, 1988, by purchase; Walters Art Museum, 2009, by gift.",
"date": "1200-500 BCE (Early Horizon-Early Intermediate)",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "79364",
"sourceUrl": "https://purl.thewalters.org/art/48.2823",
"contentType": "object",
"stage": "normalized",
"title": "Stirrup Vessel with Incised Designs",
"description": "This “stirrup-spout” vessel has been highly polished and incised with face of a supernatural creature shown in profile. It seems to combine elements of some of ancient Peru’s fiercest predators, with an eye (at top) which is hooded like that of a crocodile, but the prominent fangs of a feline, probably a jaguar. Cupisnique ceramics frequently show jaguars and felines, which were symbols of power associated with rulers. The “stirrup spout” was one of the most common vessel forms in pre-Columbian Peru and the Andean area. A short spout at the top is attached to two tubes which join with the vessel itself. The form is reminiscent of a stirrup for horseback riding, hence the name. The resulting container was beautiful and versatile, since the main vessel could be shaped into many different forms, with a surface that was either carefully polished or highly textured. These vessels were also practical: in the extremely dry deserts of Peru, such a narrow opening prevented evaporation of the liquid held within. The complex shape of the neck also meant that it was easy to carry: two such vessels could be tied to the ends of a cord, to be slung over a person’s shoulder or a llama’s back. Large numbers of vessels like these have been found in burials of elites on the north Coast of Peru beginning about 1800 BCE.",
"provenance": "[Dr. Ernest Lira, Houston and Denver (?), or Dr. Peter Almendariz, Denver (?), or M. Brenner, Geneva (?)]; Paul Shepard, Tucson, Arizona [date and mode of acquisition unknown]; Economos Works of Art, Santa Fe, New Mexico [date and mode of acquisition unknown]; Private collection, 1988, by purchase; Walters Art Museum, 2009, by gift.",
"date": "1200-500 BCE (Early Horizon-Early Intermediate)",
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Document source extras
{
"cul": "Cupisnique",
"style": "Tembladera",
"med": "earthenware",
"creator_ids": [
"8559"
],
"collection_ids": [
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"exhibition_ids": []
}
Page context
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"url": "https://art.thewalters.org/images/raw/PS1_48.2823_SideB_DD_T09.jpg",
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