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Source Description

Andean cultures are located close to some of the most arid deserts in the world, and perhaps the natural mummification that ancient peoples there observed inspired them to adapt their mortuary practices to augment natural processes. In many cultures of the region, bodies were carefully prepared to last for centuries or millennia, and were buried with elaborate offerings, always including large quantities of textiles. Since bodies were usually buried in an upright fetal position (with head on knees), when wrapped with layers and layers of lavish textiles, the mummy bundles did not have a clear head to act as a focal point for veneration. Therefore, “false heads” of wrapped textiles were created for the top of such bundles, and in some cases wooden masks, showing a stylized face, were tied on to such bundles. For the Chancay people, these were not portraitlike, but had very simplified features, with wide, diamond-shaped eyes and long straight noses, as well as frequently including a “wig” of hair that hangs down on either side of the face. More elaborate textiles are also often wrapped around the top of such masks, imitating the turbanlike headcoverings worn by the Chancay. These are often painted red, a color associated with purifying or commemorative rituals in the Andes. In this case, it seems that even the mask itself was later wrapped in even more textiles, which through the centuries have left a patterned impression on the mask.

Scholar Source Context

Document identity
localId
79419
label
Mummy Mask with Wig
core
obj
dtoType
object
pageCount
2
Source metadata
id
79419
contentType
object
stage
normalized
title
Mummy Mask with Wig
description
Andean cultures are located close to some of the most arid deserts in the world, and perhaps the natural mummification that ancient peoples there observed inspired them to adapt their mortuary practices to augment natural processes. In many cultures of the region, bodies were carefully prepared to last for centuries or millennia, and were buried with elaborate offerings, always including large quantities of textiles. Since bodies were usually buried in an upright fetal position (with head on knees), when wrapped with layers and layers of lavish textiles, the mummy bundles did not have a clear head to act as a focal point for veneration. Therefore, “false heads” of wrapped textiles were created for the top of such bundles, and in some cases wooden masks, showing a stylized face, were tied on to such bundles. For the Chancay people, these were not portraitlike, but had very simplified features, with wide, diamond-shaped eyes and long straight noses, as well as frequently including a “wig” of hair that hangs down on either side of the face. More elaborate textiles are also often wrapped around the top of such masks, imitating the turbanlike headcoverings worn by the Chancay. These are often painted red, a color associated with purifying or commemorative rituals in the Andes. In this case, it seems that even the mask itself was later wrapped in even more textiles, which through the centuries have left a patterned impression on the mask.
provenance
New World Antiquities, San Francisco; purchased by a private collection, 1988; given to Walters Art Museum, 2009.
date
1000-1450 (Late Intermediate)
rightsUri
CC0
language
en
genreSpecific
Wood
masks (costume)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
30.5
height
20.3
depth
4.8
dimensionsRaw
H: 12 x W: 8 x D: 1 7/8 in. (30.5 x 20.3 x 4.8 cm)
Source extras
cul
Chancay
med
wood, textile, hair, paint, cinnabar
creator_ids
31453
collection_ids
AME
exhibition_ids
3532
Page inventory
seq
1
type
photo
mediaId
3cb07ae132b4003c
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
f011622fa271b7f8
hasOcr
no
hasDescription
no