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Source Description

Sometime after 500 CE, gold became the preferred material for fashioning personal adornments, supplanting jadeite and other green stones from which artists had made impressive pendants and necklaces for centuries. The relatively sudden appearance of gold and the specialized knowledge needed to work it imply the introduction of metallurgy from outside the region. All evidence points to northwestern Colombia as the point of origin of the metal arts, a region filled with other archaeological and art historical lines of evidence indicating a long-standing history of contacts between the two regions. Gold pendants were cast in a variety of forms, from relatively naturalistic portrayals of animals to composite creatures combining human and zoomorphic features.The necklace with effigy pendant portrays supra-natural entities composed of a variety of zoomorphic body forms. The pendant is formed from a tortoise's body with crocodile-like legs and a bifurcated tail, the latter element symbolizing shamanic power.

Scholar Source Context

Document identity
localId
80241
label
Necklace with Composite Creature
core
obj
dtoType
object
pageCount
3
Source metadata
id
80241
contentType
object
stage
normalized
title
Necklace with Composite Creature
description
Sometime after 500 CE, gold became the preferred material for fashioning personal adornments, supplanting jadeite and other green stones from which artists had made impressive pendants and necklaces for centuries. The relatively sudden appearance of gold and the specialized knowledge needed to work it imply the introduction of metallurgy from outside the region. All evidence points to northwestern Colombia as the point of origin of the metal arts, a region filled with other archaeological and art historical lines of evidence indicating a long-standing history of contacts between the two regions. Gold pendants were cast in a variety of forms, from relatively naturalistic portrayals of animals to composite creatures combining human and zoomorphic features.The necklace with effigy pendant portrays supra-natural entities composed of a variety of zoomorphic body forms. The pendant is formed from a tortoise's body with crocodile-like legs and a bifurcated tail, the latter element symbolizing shamanic power.
provenance
Stendahl Galleries, Los Angeles; purchased by John G. Bourne, Santa Fe, New Mexico, 1946; given to Walters Art Museum, 2013.
date
AD 700-1520 (Period V–VI)
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
necklaces
pendants
imageCount
3
pageCount
3
source
import
dimensionsRaw
Necklace L: 23 13/16 in. (60.5 cm); Pendant H: 3 7/16 x W: 2 11/16 x D: 13/16 in. (8.8 x 6.9 x 2 cm)
Source extras
cul
Gran Chiriquí
med
gold alloy
creator_ids
15521
collection_ids
AME
exhibition_ids
2988
3381
Page inventory
seq
1
type
photo
mediaId
c81a7230eb35f521
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
2d80d10089ef63f9
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
66960375594929e8
hasOcr
no
hasDescription
no