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Source Description
Sometime after 500 CE, gold became the preferred material for fashioning personal adornments, supplanting jadeite and other green stones from which artists had made impressive pendants and necklaces for centuries. The relatively sudden appearance of gold and the specialized knowledge needed to work it imply the introduction of metallurgy from outside the region. All evidence points to northwestern Colombia as the point of origin of the metal arts, a region filled with other archaeological and art historical lines of evidence indicating a long-standing history of contacts between the two regions. Gold pendants were cast in a variety of forms, from relatively naturalistic portrayals of animals to composite creatures combining human and zoomorphic features. The frog may be a totem, symbolic of transformational abilities or special connections to the supernatural.
Scholar Source Context
Document identity
localId
80405
label
Frog Effigy Pendant
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
80405
contentType
object
stage
normalized
title
Frog Effigy Pendant
description
Sometime after 500 CE, gold became the preferred material for fashioning personal adornments, supplanting jadeite and other green stones from which artists had made impressive pendants and necklaces for centuries. The relatively sudden appearance of gold and the specialized knowledge needed to work it imply the introduction of metallurgy from outside the region. All evidence points to northwestern Colombia as the point of origin of the metal arts, a region filled with other archaeological and art historical lines of evidence indicating a long-standing history of contacts between the two regions. Gold pendants were cast in a variety of forms, from relatively naturalistic portrayals of animals to composite creatures combining human and zoomorphic features. The frog may be a totem, symbolic of transformational abilities or special connections to the supernatural.
provenance
Throckmorton Fine Art, New York; purchased by John G. Bourne, Sante Fe, 2001; given to John G. Bourne Foundation, 2001 [1]; given to Walters Art Museum, 2013.[1] according to Bourne Foundation accounts
date
700-1520 CE (Period V–VI)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
pendants
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
11.9
height
9.6
depth
3.5
dimensionsRaw
H: 4 11/16 x W: 3 3/4 x D: 1 3/8 in. (11.9 x 9.6 x 3.5 cm)
Source extras
cul
Veraguas-Gran Chiriquí or Coclé
med
cast gold alloy
creator_ids
15521
collection_ids
AME
exhibition_ids
2988
3381
Single page context
seq
1
pageIndex
0
type
photo
mediaId
c9c1352bf3fdc262