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Source Description

The miniature on this box replicates a recurrent image in Russian enamels, Viktor Vasnetsov's popular painting, A Vitiaz (Knight) at the Crossroads or Warrior at the Crossroads (1882). In the twilight, a bogatyr mounted on a white horse gazes across a battlefield pondering which direction to take. He has been identified as the 12th-century Kievan Rus warrior, Il'ia Muromets, who is mentioned in the byliny, the Russian folk stories. A highlight of the Fabergé box is the exceptionally fine filigree enamel. On the front face appears a stylized griffin with a darting red tongue flanked by swans. Birds with long tails are depicted on the ends of the box. A distinctive feature is the manner in which the filigree and painted enamel designs invade the painted scene on the left side and along the bottom. These patterns are executed in a silver overlay rather than in wire filigree. Unlike the Fabergé box in which the miniature is painted in glossy enamel (44.917), the Marshak example has a matte surface. Among the decorative elements on the face of the lid are sunflowers and a pair of owls and below, a line of mountains. An almost identical box with the owls flanking the central scene is in the Jerome and Rita Gans Collection of Russian enamel, inv. 98.12.

Scholar Source Context

Document identity
localId
82277
label
Box with a Miniature: Warrior at the Crossroads
core
obj
dtoType
object
pageCount
2
Source metadata
id
82277
contentType
object
stage
normalized
title
Box with a Miniature: Warrior at the Crossroads
description
The miniature on this box replicates a recurrent image in Russian enamels, Viktor Vasnetsov's popular painting, A Vitiaz (Knight) at the Crossroads or Warrior at the Crossroads (1882). In the twilight, a bogatyr mounted on a white horse gazes across a battlefield pondering which direction to take. He has been identified as the 12th-century Kievan Rus warrior, Il'ia Muromets, who is mentioned in the byliny, the Russian folk stories. A highlight of the Fabergé box is the exceptionally fine filigree enamel. On the front face appears a stylized griffin with a darting red tongue flanked by swans. Birds with long tails are depicted on the ends of the box. A distinctive feature is the manner in which the filigree and painted enamel designs invade the painted scene on the left side and along the bottom. These patterns are executed in a silver overlay rather than in wire filigree. Unlike the Fabergé box in which the miniature is painted in glossy enamel (44.917), the Marshak example has a matte surface. Among the decorative elements on the face of the lid are sunflowers and a pair of owls and below, a line of mountains. An almost identical box with the owls flanking the central scene is in the Jerome and Rita Gans Collection of Russian enamel, inv. 98.12.
provenance
Jean M. Riddell, Washington, D.C.; by bequest to Walters Art Museum, 2010.
date
1908-1917
rightsUri
CC0
language
en
genreSpecific
Enamels
boxes (containers)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
3.7
height
10.5
depth
8.6
dimensionsRaw
H: 1 7/16 x W: 4 1/8 x D: 3 3/8 in. (3.7 x 10.48 x 8.55 cm)
Source extras
inscriptions
[Symbols] On base: circular kokoshnik
kokoshnik right (1908-1917)
88; [Mark] In Cyrillic: I. Marshak
v (for Kiev); [Marks] Inside lid in Cyrillic: I Marshak
88
med
silver gilding, painted filigree and glossy enamel
creator_ids
18992
6213
31640
collection_ids
EAN
exhibition_ids
2761
Page inventory
seq
1
type
photo
mediaId
e2fa4aa5a96e7971
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
d5b6c970c689d0da
hasOcr
no
hasDescription
no