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Source Description
A plaque in glossy enamel replicates "The Right of the Lord," a painting by the cosmopolitan Russian artist Vasilii Polenov (1844-1927). The scene is set in Brittany: standing on the threshold of his castle, a lord, flanked by his hounds, addresses an elderly man who is introducing his three daughters. The Droit de Seigneur, (1874), or The Right of the Lord, (Prava gospodina) illustrates an undocumented custom, that purportedly flourished in the Middle Ages: the right of the lord of the manor to spend the "first night" with one of his tenant's daughters. Polenov painted this work while pursuing his academic training in Paris and exhibited it in the Salon of 1874 (in the Tretiakov State Gallery, Moscow, inv. no. 2651). The en plein counter enamel inside the lid is engraved with flowers and tendrils. The rim of the lid is enameled in black with vegetal motifs executed in silver gilt filigree. Similar decoration is repeated on the box's corners. On the side faces, blossoms are rendered in red, green, and blue painted enamel. These, in turn, are flanked by blue areas with fern-like foliage.
Scholar Source Context
Document identity
localId
82296
label
Casket with Miniature: The Right of the Lord
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
82296
sourceUrl
contentType
object
stage
normalized
title
Casket with Miniature: The Right of the Lord
description
A plaque in glossy enamel replicates "The Right of the Lord," a painting by the cosmopolitan Russian artist Vasilii Polenov (1844-1927). The scene is set in Brittany: standing on the threshold of his castle, a lord, flanked by his hounds, addresses an elderly man who is introducing his three daughters. The Droit de Seigneur, (1874), or The Right of the Lord, (Prava gospodina) illustrates an undocumented custom, that purportedly flourished in the Middle Ages: the right of the lord of the manor to spend the "first night" with one of his tenant's daughters. Polenov painted this work while pursuing his academic training in Paris and exhibited it in the Salon of 1874 (in the Tretiakov State Gallery, Moscow, inv. no. 2651). The en plein counter enamel inside the lid is engraved with flowers and tendrils. The rim of the lid is enameled in black with vegetal motifs executed in silver gilt filigree. Similar decoration is repeated on the box's corners. On the side faces, blossoms are rendered in red, green, and blue painted enamel. These, in turn, are flanked by blue areas with fern-like foliage.
provenance
Sale, Sotheby's, New York, June 12, 1996, Lot. 234; Jean M. Riddell, Washington, D.C., June 13, 1996, by purchase [Leo Kaplan, New York, as agent]; Walters Art Museum, 2010, by bequest.
date
1899-1908
citationUrl
rightsUri
CC0
language
en
genreSpecific
boxes (containers)
caskets (personal gear)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
6.4
height
13
depth
9.2
dimensionsRaw
H: 2 1/2 × W: 5 1/8 × D: 3 5/8 in. (6.35 × 13.02 × 9.21 cm)
Source extras
inscriptions
[Symbol] kokoshnik left; 84; [Mark] In Cyrillic: EL
FR; [Inventory number] 1224
med
silver gilding, filigree, painted filigree and en plein enamel
creator_ids
6213
collection_ids
EAN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
ed6231221bfeb286