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Samson, in classical armor, brandishes the ass's jawbone as he grasps the head of his victim. On the ground lies the corpse of another Philistine. At the right a party of horsemen, armed with lances and axes, tries to defend their comrade. A tree-topped hillock is at the left.The composition is copied after the enameled plaque of the same subject in the museum of Dijon (no. 1555, dimensions 0.08 x 0.10 cm), which is impressed with the stamp used in the workshop of the Pénicaud at the time of Jean II. Our plaque is inferior in draughtsmanship and modeling to the Dijon example. It is difficult to decide whether with Walters plaque should be attributed to Jean Pénicaud III or given to an anonymous master of the second third of the 16th century who had been formed in the workshop of the Pénicaud.

Page data

Page
1
Source index
0
Type
photo
Media ID
d78f1a56bd9f3a6e
Size
unknown

Document data

ID
8261
Core
obj
Type
object
DTO data
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    "sourceUrl": "https://purl.thewalters.org/art/44.37",
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    "stage": "normalized",
    "title": "Samson Fighting the Philistines",
    "description": "Samson, in classical armor, brandishes the ass's jawbone as he grasps the head of his victim. On the ground lies the corpse of another Philistine. At the right a party of horsemen, armed with lances and axes, tries to defend their comrade. A tree-topped hillock is at the left.The composition is copied after the enameled plaque of the same subject in the museum of Dijon (no. 1555, dimensions 0.08 x 0.10 cm), which is impressed with the stamp used in the workshop of the Pénicaud at the time of Jean II. Our plaque is inferior in draughtsmanship and modeling to the Dijon example. It is difficult to decide whether with Walters plaque should be attributed to Jean Pénicaud III or given to an anonymous master of the second third of the 16th century who had been formed in the workshop of the Pénicaud.",
    "provenance": "Harding (?); Henry Walters, Baltimore [date and mode of acquistion unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "3rd quarter 16th century (Baroque)",
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    "dimensionsRaw": "H: 2 3/8 x W: 4 5/16 in. (6 x 10.9 cm)"
}

Context sent to Scholar

Document identity
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    "localId": "8261",
    "label": "Samson Fighting the Philistines",
    "core": "obj",
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    "citationUrl": "https://purl.thewalters.org/art/44.37"
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Document source metadata
{
    "id": "8261",
    "sourceUrl": "https://purl.thewalters.org/art/44.37",
    "contentType": "object",
    "stage": "normalized",
    "title": "Samson Fighting the Philistines",
    "description": "Samson, in classical armor, brandishes the ass's jawbone as he grasps the head of his victim. On the ground lies the corpse of another Philistine. At the right a party of horsemen, armed with lances and axes, tries to defend their comrade. A tree-topped hillock is at the left.The composition is copied after the enameled plaque of the same subject in the museum of Dijon (no. 1555, dimensions 0.08 x 0.10 cm), which is impressed with the stamp used in the workshop of the Pénicaud at the time of Jean II. Our plaque is inferior in draughtsmanship and modeling to the Dijon example. It is difficult to decide whether with Walters plaque should be attributed to Jean Pénicaud III or given to an anonymous master of the second third of the 16th century who had been formed in the workshop of the Pénicaud.",
    "provenance": "Harding (?); Henry Walters, Baltimore [date and mode of acquistion unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "3rd quarter 16th century (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/44.37",
    "rightsUri": "CC0",
    "language": "en",
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    "imageCount": 1,
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Document source extras
{
    "med": "painted enamel on copper",
    "creator_ids": [
        "7913"
    ],
    "collection_ids": [
        "BAR"
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    "exhibition_ids": []
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Page context
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