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The tile of white ground and polychrome decoration is of composite or stone paste body with overglaze colors applied by cuerda seca (dry cord) technique.This seventeenth-century tile was once part of a larger figural composition that decorated a building in early modern Iran, most likely in the Persian capital at Isfahan. The palette and cuerda seca technique of the tile exemplify ceramic manufacture of Safavid Persia (1501–1722), where the court and wealthy merchants commissioned palaces sheathed in such polychrome narrative tiles. A popular theme for architectural compositions was men and women feasting outdoors; it is likely that the present tile was part of such a compostion, which finds many parallels in seventeenth-century arts of the book. The Safavid period is appreciated as an epoch of great artistic and literary output, when images of youthful figures, like the one seen on this tile, would conjure poetic verses celebrating wine, poetry, and the beloved.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 0c95cb67a8d518ff
- Size
- unknown
Document data
- ID
- 92264
- Core
- obj
- Type
- object
DTO data
{
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"sourceUrl": "https://purl.thewalters.org/art/48.2873",
"contentType": "object",
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"title": "Tile with Image of a Man",
"description": "The tile of white ground and polychrome decoration is of composite or stone paste body with overglaze colors applied by cuerda seca (dry cord) technique.This seventeenth-century tile was once part of a larger figural composition that decorated a building in early modern Iran, most likely in the Persian capital at Isfahan. The palette and cuerda seca technique of the tile exemplify ceramic manufacture of Safavid Persia (1501–1722), where the court and wealthy merchants commissioned palaces sheathed in such polychrome narrative tiles. A popular theme for architectural compositions was men and women feasting outdoors; it is likely that the present tile was part of such a compostion, which finds many parallels in seventeenth-century arts of the book. The Safavid period is appreciated as an epoch of great artistic and literary output, when images of youthful figures, like the one seen on this tile, would conjure poetic verses celebrating wine, poetry, and the beloved.",
"provenance": "Collection of Dr. George Krotkoff; by bequest to Walters Art Museum, 2014.",
"date": "ca. 1650 (Safavid)",
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}
Context sent to Scholar
Document identity
{
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"label": "Tile with Image of a Man",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/48.2873"
}
Document source metadata
{
"id": "92264",
"sourceUrl": "https://purl.thewalters.org/art/48.2873",
"contentType": "object",
"stage": "normalized",
"title": "Tile with Image of a Man",
"description": "The tile of white ground and polychrome decoration is of composite or stone paste body with overglaze colors applied by cuerda seca (dry cord) technique.This seventeenth-century tile was once part of a larger figural composition that decorated a building in early modern Iran, most likely in the Persian capital at Isfahan. The palette and cuerda seca technique of the tile exemplify ceramic manufacture of Safavid Persia (1501–1722), where the court and wealthy merchants commissioned palaces sheathed in such polychrome narrative tiles. A popular theme for architectural compositions was men and women feasting outdoors; it is likely that the present tile was part of such a compostion, which finds many parallels in seventeenth-century arts of the book. The Safavid period is appreciated as an epoch of great artistic and literary output, when images of youthful figures, like the one seen on this tile, would conjure poetic verses celebrating wine, poetry, and the beloved.",
"provenance": "Collection of Dr. George Krotkoff; by bequest to Walters Art Museum, 2014.",
"date": "ca. 1650 (Safavid)",
"citationUrl": "https://purl.thewalters.org/art/48.2873",
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Document source extras
{
"cul": "Islamic",
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"med": "fritware ceramic with overglaze colors",
"creator_ids": [
"6747"
],
"collection_ids": [
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],
"exhibition_ids": []
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Page context
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