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We usually associate playing games with relaxation and fun, but in certain contexts, they can be deadly serious. In this image, the count of Edessa and the prince of Antioch, Crusade leaders in twelfth-century Syria, use game playing as an act of defiance, for they sit in their tent playing instead of fighting alongside an ally in an important battle. Although the checkered board suggests a chess game, close examination reveals not chess pieces but dice-perhaps more fitting as they gamble on their future.This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying ability. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.
Page data
- Page
- 4
- Source index
- 0
- Type
- photo
- Media ID
- 09233947d00d1f15
- Size
- unknown
Document data
- ID
- 9668
- Core
- obj
- Type
- object
DTO data
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"title": "Leaf from \"\"Histoire d'Outre Mer\"\": Initial A with the Count of Edessa and the Prince of Antioch Playing Dice",
"description": "We usually associate playing games with relaxation and fun, but in certain contexts, they can be deadly serious. In this image, the count of Edessa and the prince of Antioch, Crusade leaders in twelfth-century Syria, use game playing as an act of defiance, for they sit in their tent playing instead of fighting alongside an ally in an important battle. Although the checkered board suggests a chess game, close examination reveals not chess pieces but dice-perhaps more fitting as they gamble on their future.This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying ability. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.",
"provenance": "Gordon of Buthlaw, mid 19th century; Bertram, 4th Earl of Ashburnham, London, 1861, no. CLIV; Sale, Sotheby's, London, March 16, 1903, lot 689; purchased by Léon Gruel, Paris, March 16, 1903 [1]; puchased by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] Gruel and Engelmann bookplate 'No 138'",
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Context sent to Scholar
Document identity
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Document source metadata
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"description": "We usually associate playing games with relaxation and fun, but in certain contexts, they can be deadly serious. In this image, the count of Edessa and the prince of Antioch, Crusade leaders in twelfth-century Syria, use game playing as an act of defiance, for they sit in their tent playing instead of fighting alongside an ally in an important battle. Although the checkered board suggests a chess game, close examination reveals not chess pieces but dice-perhaps more fitting as they gamble on their future.This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying ability. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.",
"provenance": "Gordon of Buthlaw, mid 19th century; Bertram, 4th Earl of Ashburnham, London, 1861, no. CLIV; Sale, Sotheby's, London, March 16, 1903, lot 689; purchased by Léon Gruel, Paris, March 16, 1903 [1]; puchased by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] Gruel and Engelmann bookplate 'No 138'",
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Document source extras
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Page context
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