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The story of Ishikawa Heisuke, who is depicted at Kameyama, is not known. Kameyama is one of the fifty-three stations along the Tokaido highway between Kyoto and Edo (Old Tokyo). After the great popular success of Hiroshige's views of the fifty-three stopping places, many print-makers turned out prints that were variations on the theme.

Page data

Page
1
Source index
0
Type
photo
Media ID
1ad768a6cb46eb48
Size
unknown

Document data

ID
1603
Core
obj
Type
print
DTO data
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    "sourceUrl": "https://purl.thewalters.org/art/95.758",
    "contentType": "print",
    "stage": "normalized",
    "title": "Tokaido Gojusan Tsugi no Uchi",
    "description": "The story of Ishikawa Heisuke, who is depicted at Kameyama, is not known. Kameyama is one of the fifty-three stations along the Tokaido highway between Kyoto and Edo (Old Tokyo). After the great popular success of Hiroshige's views of the fifty-three stopping places, many print-makers turned out prints that were variations on the theme.",
    "provenance": "Robert S. Shaull [date and mode of acquisition unknown]; Walters Art Museum, 1990, by bequest.",
    "date": "1852 (late Edo)",
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    "dimensionsRaw": "13 x 8 3/4 in. (33.02 x 22.23 cm)",
    "style": "Utagawa School"
}

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Document identity
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    "core": "obj",
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Document source metadata
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    "sourceUrl": "https://purl.thewalters.org/art/95.758",
    "contentType": "print",
    "stage": "normalized",
    "title": "Tokaido Gojusan Tsugi no Uchi",
    "description": "The story of Ishikawa Heisuke, who is depicted at Kameyama, is not known. Kameyama is one of the fifty-three stations along the Tokaido highway between Kyoto and Edo (Old Tokyo). After the great popular success of Hiroshige's views of the fifty-three stopping places, many print-makers turned out prints that were variations on the theme.",
    "provenance": "Robert S. Shaull [date and mode of acquisition unknown]; Walters Art Museum, 1990, by bequest.",
    "date": "1852 (late Edo)",
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    "style": "Utagawa School"
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Document source extras
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Page context
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