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Source Description

Nollekens, a favorite sculptor of portrait busts in the England of his day, produced his first bust of Charles James Fox the Younger (1749-1806) in 1791 (now in the Hermitage, Saint Petersburg). Fox, a liberal, was leader of the House of Commons under the Prime Ministership of Rockingham and a great orator. He strongly opposed war with the American colonies and supported the French Revolution. The bust of Fox had originally been commissioned from Nollekens for the 4th Earl Fitzwilliam's mausoleum (the Rockingham Mausoleum). However, Empress Catherine the Great requested it as a memorial of Fox's help to Russia in the Russo-Turkish War when he had been Foreign Minister. She reputedly had twelve busts of Fox to give as gifts (see John Thomas Smith, "Nollekens and His Times," 1917, vol. 2, p. 12). The bust proved one of Nollekens most successful works and was copied widely. David Wilson has suggested that the Walters' bust is a copy made in Rome, ca. 1818 (see Wilson, "Nollekens and Fox in the Temple: The 'Armitstead' Bust'," British Art Journal, 4:3 (Autumn 2003), pp. 65-79, especially notes 33 and 108).

Scholar Source Context

Document identity
localId
25635
label
Bust of Charles James Fox
core
obj
dtoType
sculpture
pageCount
2
Source metadata
id
25635
contentType
sculpture
stage
normalized
title
Bust of Charles James Fox
description
Nollekens, a favorite sculptor of portrait busts in the England of his day, produced his first bust of Charles James Fox the Younger (1749-1806) in 1791 (now in the Hermitage, Saint Petersburg). Fox, a liberal, was leader of the House of Commons under the Prime Ministership of Rockingham and a great orator. He strongly opposed war with the American colonies and supported the French Revolution. The bust of Fox had originally been commissioned from Nollekens for the 4th Earl Fitzwilliam's mausoleum (the Rockingham Mausoleum). However, Empress Catherine the Great requested it as a memorial of Fox's help to Russia in the Russo-Turkish War when he had been Foreign Minister. She reputedly had twelve busts of Fox to give as gifts (see John Thomas Smith, "Nollekens and His Times," 1917, vol. 2, p. 12). The bust proved one of Nollekens most successful works and was copied widely. David Wilson has suggested that the Walters' bust is a copy made in Rome, ca. 1818 (see Wilson, "Nollekens and Fox in the Temple: The 'Armitstead' Bust'," British Art Journal, 4:3 (Autumn 2003), pp. 65-79, especially notes 33 and 108).
provenance
Catherine of Russia (?) [said to have come from her collection]; Douglas H. Gordon, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1949, by gift.
date
ca. 1818
rightsUri
CC0
language
en
genreSpecific
Sculpture
portraits
busts
imageCount
2
pageCount
2
source
import
dimensionsRaw
H: 27 9/16 in. (70 cm)
Source extras
cul
English
med
white marble
creator_ids
5410
collection_ids
EAN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
a7546a2357a37370
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
b5ed81e3b0d75f3d
hasOcr
no
hasDescription
no