Ask the Scholar

Page 1 of 1
I can add historical knowledge about this page.

Page image

Page 1

OCR

The original documents are located in Box 6, folder "4/01/76 - Medal of Freedom Presentation for Arthur Rubinstein" of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Date ssued3/29/76 By P. Howard Revised 3/30/76 FACT SHEET Mrs. Ford's Office Event MEDAL OF FREEDOM CEREMONY Group For: Arthur Rubinstein APRIL 1, 1976 DATE/TIME Reception at 12:00 Noon - Ceremony at 1:00 p.m. - Private Luncheon at 1:25 pm Contact Pat Howard Phone Number of guests: Total approx. 200 Women X Men X Children Place State Floor Principals involved President and Mrs. Ford Participation by Principal yes (Receiving line) yes Remarks required yes GERALD R. FORD LIBERARIN Background -- REQUIREMENTS Social: Guest list yes (Social Entertainments' Office will distribute - X 2510) Invitations yes Programs no Menus no Refreshments coffee and fruit pastries and luncheon format Entertainment no Decorations/flowers yes Music yes Social Aides yes Dress Business Suits - Short Dresses for the Ladies Coat checkyes (DRR) Other -- Press: Reporters . yes Photographers yes TV Crews yes White House Photographers YES Color YES Mono. Other Technical Support: Microphones yes PA Other Rooms no Recording yes Lights no Transportation cars enter thru SW Gate Parking South Grounds Housing -- Other -- (Risers,stage,platforms) yes Project Co-ordinator Pat Howard Phone 2927 Site diagrams should be attached if technical support is heavy. THE WHITE HOUSE WASHINGTON March 25, 1976 FORD i GERALD LIBRARY TO: MRS. FORD FROM: MARIA DOWNS Enclosed are Henry's proposed menus for the small luncheon honoring Arthur Rubinstein to be held after the presentation ceremony awarding him the Medal of Freedom. Henry's thinking was because of Mr. Rubinstein's age it might be wise to serve the crab cakes or something similar. I know the cakes would be delicious but somehow this strikes me as a very special occasion that calls for something more elegant. The lamb chops may pose a problem to Mr. Rubinstein so I have included a third menu which might handle both situations. Please let me know what you would like. Friday April 2, 1976 11-15 guests 12:30 PM LUNCHEON Menu # 1 Beef Consomme Cheese Straws Crab Cakes w/ Mustard Sauce Steamed Rice Leaf Spinach Macedoine of Frest Fruit Petits fours Menu # 2 Lobster Bisque Cheese Straws Broiled Lamb Chops FORD & LIBRARY GERALD Fresh Asparagus Tossed Green Salad Strawberry Mousse Medal of Freedom Luncheon Friday, April 2, 1976 12:30 PM LUNCHEON Avocado Soup Roast Loin of Veal Broiled Tomatoes with Mushrooms String Beans Leaf Spinach Salad Lemon Mousse with Strawberries FORD & GERALD BRARY THE WHITE HOUSE WASHINGTON March 29, 1976 FOR: MRS. FORD BERALD R. FORD FROM: MARIA DOWNS LIBRARY The background on the Rubinstein children is quite interesting. Miss Alina Rubinstein is 26 and a medical student at Columbia. "Miss" Eva Rubinstein is 38 or 39 and a professional photographer. Eva was married to the William Coffin, Jr. of Yale. They have been divorced about 10 years and she has taken her maiden name. John Rubinstein is about 30 and had the lead in "Pippin." Perhaps it might be interesting to Susan or Jack to join the luncheon if they are available. I have also had a request to add Mr. and Mrs. Buchen to the luncheon because Mrs. Buchen was instrumental in this presentation. It is my belief there were others who were also instrumental such as Barbara MacGregor. When we open the door, where do we stop? The luncheon list as it stands are all requests of Mrs. Rubinstein. Please let me know whether Susan or Jack can attend and what your feeling is of expanding the luncheon. Thank you. This ageless hero, FORD Rubinstein LIBRARY GERALD He cannot go on like this forever (though some would not bet on that). In fact, there are now some troubling signs. though eventually quite sobering hours with him and was ready to receive me, all apologies. He By Donal Henahan in his suite at the Drake Hotel. The first minutes, had the flu, he said, and his wife had been as usual, were taken up in making sure the calling him to tell him to cancel his tour. "But visitor had the most comfortable, the softest seat when I am at the piano, my sickness goes away One day. in what we may only hope is the in the room. Rubinstein insisted on a plain, hard and that makes me terribly happy. I won't cancel." distant future, an archeologist sifting through the chair for, himself. "All my life I have been sitting Despite all, he managed to be vivacious and detritus of Western civilization may come upon up straight, you know. Which reminds me of full of stories I had not heard before. Since certain puzzling artifacts. A' pair of tennis sneakers, a story, a very funny story. (And off he then, I often have thought of Rubinstein in that perhaps, with 4-inch platform soles. A goose-quill goes. If you have questions to ask Rubinstein, Buffaio hotel room, trying to sleep off the flu, pen with a felt tip. A petrified senator holding you had better get them in early or it's no and at the mercy of whoever might pick up a Pentagon budget request. Or, if Western civiliza- use.) "Not long ago in Boston, they gave me the house phone. And I try to imagine how tion is lucky, some piano recordings made by what is called the Agnon Award. You know who gracious I would have been under similar circum- Arthur Rubinstein when he was on the brink Agnon was? S. Y. Agnon, the old Hebrew poet stances. Not very, I'm afraid. of 90 and still playing with astonishing vigor, who died a few years ago. He won a Nobel Grace under pressure is a gift not given to virtuosity and panache. Like Heinrich Schliemann Prize and they named this award for him. Well, most people, and for a long time now Rubinstein pondering the myths and legends of Homeric as it happened, I had been giving a concert has been graceful under the ultimate, inescapable Troy, the excavator will have a mystery on his in Jerusalem some years ago and a friend of pressure of being old. How did he get that way? hands Did benighted to see me said And more puzzling bow does he stay that way? times? him, you said, To answer those questions with confidence, We know the answer, of course. Rubinstein don't know, this is the first time in my life one would have to know exactly how to solve made his New York debut 70 years ago at Carnegie that I go to a concert. But I like how you sit the old equation in which nature and nurture Hall, performing with the Philadelphia Orchestra 80 straight at the piano'." are both unknown factors. As far as he knows, on Jan. 8, 1906. But actually he has been playing You are never far from a good laugh when Rubinstein does not come from particularly long. in public for 85 years. Although he did not make you are around Rubinstein, but his is not a lived ancestors, although the pogroms and wars his formal debut until he was 7 years old, he mindless good humor. An Academy Award-winning that swept over Poland in the last century or was performing for small audiences of family documentary film about his career, made in 1968 so seem to have made that question academic. friends in his native city of Lodz, Poland, by but released here only last year, was titled "Love of His six brothers and sisters, for instance, disap- the age of 4 and at 6 was appearing at charity Life," and It is true, he says, that "I love life un- peared along with six million other Jews during concerts. He had taken to the piano unbidden conditionally." He shrugs impatiently. "But it is World War II. Physically and mentally, he has and uncoerced, at 3, when his parents brought an not that I walk around stupidly smiling [pantomime been a living refutation of the old wives' tale old upright into their home so that two older of a slack-jawed, grinning lout]." about the weakness of children born to older sisters could take lessons. fathers: He was the seventh child, born when Thomas Mann, hardly one to be impressed by Tomorrow night, he has another recital scheduled his father was past 40, a ripe age in the Poland a stupid smile, called Rubinstein "that civilized at Carnegie Hall. Nothing special. Just one of of that day. Rubinstein's physique has often been man," and a story of my own may illustrate 20 appearances on his United States itinerary mentioned as a reason for his continuing puissance. his deep-grained civility. The city was Buffalo, where this season. And yet, each time Rubinstein steps He is not tall (5 feet 8 inches) or heavy (about on a bitter midwinter's night four years ago I 165), but he has a powerful chest, blacksmith out on a stage nowadays, it is something to went to talk with Rubinstein on the occasion note, for the man's spirit and prowess at 89 make biceps and disproportionately long legs. of his 85th birthday, the trip being necessary him a musical, not merely a gerontological, because his concert schedule at that time was Until now, at least, be has suffered from almost phenomenon. By his latest reckoning, he was born none of the usual human infirmities. He has to bring him no nearer to Manhattan. I arrived on Jan. 28. 1887. He cannot go on like this forever. at his hotel in the evening at what I believed no arthritis or rheumatic aches, and subscribes probably, although there are people who know was the agreed-upon hour, called his room and to no fanatical health-food regimen. He arises him well who would not care to bet on that. found to my horror that Rubinstein had not been at 8 or thereabouts, hungry for breakfast, but Max Wilcox, for one. Wilcox, who has produced told of our date. A' communications breakdown first does about 20 minutes of setting-up exercises. more than 60 Rubinstein records for RCA and somewhere in his entourage, I later learned. However, he gets his most stremuous exercise five concerto performances for television, has sev- Moreover, the voice on the phone instantly by playing the piano-which is perhaps exercise eral sessions planned for next month when the suggested itself as that of a man who had been enough if you play as flamboyantly as Arthur tireless Arthur is scheduled to record two more aroused from sleep. He grasped finally that I Rubinstein. According to his wife and other inti- Mozart concertos. More fuel for the Arthurise was from a newspaper, but apparently thought mates of long standing, be takes no pills of legend. it was a local one, and my attempts to explain any kind other than vitamin C. For many years, did not penetrate. But he said, "Please, can you he has enjoyed the best wines and the most The other day, while Rubinstein was stopping off in New York during a midwinter break in give me 15 minutes before coming up?" expensive cigars (two or three a day, only with coffee) and, in his sybaritic approach to daily his concert schedule, I spent several exhilarating When I arrived at his room, unexpected and, existence, has long been the Winston Churchill I am quite sure, unwanted, Rubinstein had gotten of the plano, His adherence to the Pleasure Principle into a dark blue suit, with the rosette of a is no doubt rooted somehow in his genes and Donal Henahan is a music critic for The Times. Commander of the Legion of Honor in a lapel, nurtured by a lifetime of adulation. But he also 18 Advertisement bservations The lion's share. Who reaps the most cash when gasoline pump prices rise? Actually, federal, state and local governments. They collect six times more in taxes per gallon than oil companies make. For the record, most oil companies average about 2# profit per gallon of gasoline. Fed- eral and state taxes average 12# per gallon. It may be that the gasoline pump has become America's most efficient tax collector. With his wife: Arthur and Aniela Rubinstein, at a party in New York in 1971 on the occasion of his 84th birthday. They were married in 1932. Back to basics? Yeah, well, like, uh, there was this big test, see, that, uh, these kids took to test their, you know, their writing abilities and what do you think was revealed? Youngsters now write as they talk, in mass media feels there is a pragmatic philosophical himself born again, looking at the styles of TV, newspapers and advertising. Sampling thousands of student basis for his cheery temperament and world with an ecstasy that, 68 years open nature, and his ability to sustain later, he manages to sustain. This "essays," the National Assessment of Educational Progress discovered a youthful outlook into what is, chron- is not a man glumly marking time, increased Incoherence, conceptual fuzziness and fragmented phrasing- ologically, very old age. waiting to be released from life. Three especially among seventeen-year-olds. In fact, the civility and wholehearted years ago, he published his first book, Now the good news. Oil people have been quick to point out that humanism that his audiences sense the charming memoir entitled "My many Americans-college grads among them-don't know enough about and find so appealing is completely Young Years. His newly recorded basic economics and are fuzzy on the role of profits, the need to raise unsentimental in origin and grew out complete set of Beethoven concertos capital, and the incentives of a free market. Happily, that's changing, with of Rubinstein's clear-eyed analysis, is'ont this month. universities reporting a sharp upturn in enrollment in economics courses. early on, of a hard world. He is According to Max Wilcox, who has Some schools report that basic economics has replaced biology as the a firm agnostic. "When I was a child, produced all of Rubinstein's recordings favorite field of study-apparently leaving the birds and the bees to extra- I looked and I did not see any god. since 1959, the Beethoven sessions curricular activities. I doubt if Moses saw him, really. "went terribly well." Done last year All those little girls who saw the in London with Daniel Barenboim con- Virgin. All that, no, a lie." He laughs ducting the London Philharmonic, the and waves one of the largest hands five concertos were recorded in seven- ever placed at the disposal of a great and-a-half sessions, a total of not quite. That would be very is, an octave plus four more keys. quick for anybody, but for someone "They did not convince me. Jeanne who's nearly 90, well. Wilcox d'Arc, a charming story. But not my pauses to think. "Has there ever been idea of what is. Look at those Irish a reigning piano virtuoso at this age? 5 3 people now, who produce such fine I don't think so." Saint-Saens, Isidor poetry-civilized, musical people, like Philipp, Francis Planté and others you and me. But one side is Protestant played in public when they were ap- and the other is Catholic, so they proaching or even past 90, but ap- kill each other for it. The Arabs and parently at nothing like Rubinstein's the Israelis, what do they want of level. each other? The Arabs have Mo- hammed, Israel has another fellow, Another who has worked closely so they say, sorry, but we must kill with Rubinstein-at his side, in fact, you for that. So, long ago, I decided as piano tuner and sometime page I did not see any god. We are put turner-is Stephen Borell. Formerly here on earth without being asked head technician of Steinway (and later if we want to live, just like any of Baldwin). Borell is on his own "BECAUSE BATTERIES GO DEAD IN POCKET CALCULATORS, THAT'S WHY." animal but more unfortunate because now and no longer tunes Rubinstein's ©1976 by permission of Saturday Review and Brenda Burbank. we also have this brain." Rubinstein's Steinways. But for years he traveled voice has lost its rich timbre by this with the pianist to tend his piano, time and dropped to an enervated and finds it easy to grow lyrical A quote we like. "Govern a great nation as you would cook a small fish- whisper. Then, jerking himself up about both the artist and the man. don't overdo it." Confucius straight, he brightens. "He has such a spirit, such a sense "I felt I was. left alone in the of humor, such a natural graciousness. Second time around. If you missed Eugene O'Neill's A MOON FOR THE And that tone. The Rubinstein world, forced to live." And here he MISBEGOTTEN as a Mobil Showcase Presentation last year on TV, you launches into one of his favorite sto- tone, full and sonorous at any volume might welcome seeing it this week over the Public Broadcasting Service. ries, about the time when he tried level, has been one of the distinctive to hang himself. He made the attempt features of his playing from the begin- Praised by critics as a "magnificent" production, it stars Colleen Dew- hurst and Jason Robards, and was co-directed for television by Jose in Berlin at the age of 21 when ning, and piano experts have never his career had hit bottom. It was given up trying to explain it. Borell Quintero and Gordon Rigsby. Check your TV listings for broadcast time knows all the theories-the thick in your area. a gray day in 1908. He was out of money and being dunned by hotels pads of flesh at the fingertips, the and restaurants. He could not get arm-weighted stroke, the pliant wrists -but he has a close-up observation concert engagements. He was not, for the moment, in love. So he tried to offer, too. Mobil® to hang himself in his bathroom. For- "Sitting beside him and turning tunately, the rope (his bathrobe belt) pages, I was able to watch what he broke and sent him sprawling ("If does, and I discovered something sur- I saw today such a scene on television, prising. You know the way he likes I would roar with laughter," he com- to rise off the piano bench, lift his Observations, Sex A, Mobil ON Corporation, 150 East 42 Street, New York, N.Y. 10017 ments in his memoirs). And he found hands high (Continued on Page 28) 01976 Mobile a Corporation Evelyn Holer 61 The artist at 89: Young people who hear Arthur Rubinstein this season must strain their imaginations to realize that this man was 10 years old when Brahms died. The New York Times Magazine/March 14, 1976 I was still alive. Look Continued from Page 20 "A man has the right to know still can walk and talk over the keys and bring Jove, I tell you I had a them down with what you'd time. I wanted them to what goes into the Scotch he drinks." expect to be a terrible crash. me in which part of the Well, I noticed that, just be- the soul is located but -Sir James Buchaman fore hitting the keys, be stops couldn't." for a split second and then Last year, for the first "At The House of Buchanan, Glentauchers products of the famed pushes on into them. It's done in 16 years, he went ba we still believe and blend as Glenlivet region. so fast you can barely see it, Poland, where he visited 1 but that's what happens." an event that was docume my grandfather did. "Together they combine Rubinstein enjoys the dramat- in a film titled "The o TREMS to make Buchanan's 12 the ic impact that he can provide back." He had been quit "It is a family tradition. with such high-handed tactics, prehensive about retu "A matter of family pride: Balmenach 12-year-old blended Scotch but it is not done purely for after 90 many years, d the eyes, as you can prove by which both his homeland "Pride in the excellence with heart of pure High- closing your own when be is he had changed so much of the blend which bears my land whiskies'. about to strike. In fact, an al- everything went well. "I most imperceptible pause be- very touching country, grandfather's name and mine, "For no other single- fore pushing into the keys can Benrinnes know, a very proud little . malts but Highlands are used act to cushion the tone, and Buchanan's 12. try. They have somethin if you have a piano handy you common with the Spania in Buchanan's 12. might even be able to check certain noble pride. A bit "If you choose to sample out Borell's theory for your- pid, some practical P self. "The man doesn't just might say. They will Cragganmore it, you will find it as it was sit down at a strange piano thousand strong agains when it began: and start playing." Borell army of a million Russ goes on, "He experiments for fighting with forks and sp "Subtle. a while to find out what its and I don't know what. potential is, what its charac- are already proud to I "Light. ter is. Then be adjusts with that, if they fall on the be Dailuaine "But with tempered incredible speed. That's typi- field, there will be bear cal of his whole approach to poems written in their b mellowness in both body and life, too." No man is a hero They have kept that, bouquet. to his valet, it says in Pin- now. They are the only tarch, but Arthur Rubinstein who opposed Hitler from "In your country, it is is a hero to his piano tuner. to last." Craigellachie dearly priced. If you turn on your televi- Rubinstein seldom goe sion set, you may well come for long without talking Sir James Buchanan (Lord Woolavington) "And in very limited upon this ageless hero play- itics, especially internat 1849-1935 Founder House of Buchanan supply ing a concerto by Brahms, politics in relation to 1 Chopin Beethoven in the "where have been pl "That is why, unlike Glenlossie "Because we neither can, Great Performers" series (he for nothing, you know, & also has done Grieg and Saint- last 30 years." He is out any premium blended Scotch nor will, mass-produce the Saens, for future release). by the treatment Israel Scotch that bears my grand- Musical America has named been getting in the U whisky ever sold in America, him Musician of the Year for Nations and has as we take pride in naming the father's name. 1976. Everywhere he goes respect for that body principal single malts which, Glen Elgin "And mine." someone presses a new award for all the other b or honorary degree upon him. that misgovern the P among other exceptional Last year he was invited to of the world-his peopl James Burrann take part in a symposium on of them his personal fri whiskies, go into our blend. "The Majesty of Man" at the "Look here, the United "If you know fine Scotch, Stanford University Medical tions, if you will allow Lochnagar Center, to discuss the mys- say it, is an assembly you will recognize them all. teries of human creativity. His lutely of rascals. It is "And fully appreciate why fellow panelists were scien- posed to be a gentle tists, including two Nobel club. So in this club they the whiskies selected combine 12 Prize-winners, Linus Pauling had a Stalin, heh, heh, I and Joshua Lederberg. Poor Mr. Kadar who has ki to set Buchanan's 12 apart, Teaninich innocent scientific souls don't know how many "The selection is choice. As anyone could have told sands of people in Hus them, Rubinstein does not The Czech fellow wh "Limited to 12 'Ideals'. appear on panels, he performs would like to kick. A1 "Each the product of an MEHANAAS on them. According to a those others who are no report in The Stanford for such a club, who old, established and well Mortlach Observer, the pianist waited know what it is all about respected distillery, until the others had absurdity, really." carried on for a time about Rubinstein, who was "Each and every one, from "how 1/10-volt nerve Impuls- in Parts with his wife es travel at 250 miles per Balmenach through Teaninich, two children (subseq Coleburn hour through the body," and two more arrived) is a Highland whisky. then began to talk about "his World War II broke concept of happiness and the picked up his family "And two, Cragganmore importance of emotion." As moved to the United s and Dailuaine, are cherished the reporter noted with un- like so many European concealed glee, Rubinstein gee artists, among stole the show. Recalling the Mann, Bartok, Schoe event now, Rubinstein chor- Hindemith and Strav Buchanan's 12. The Blend of Ideals. ties over how "they wanted And like so many of to poke my brain and exam- Rubinstein moved to C ine me-they seemed amazed nia, where he settled in I Blended Scotch Whisky 86.8 Proof, Heublein, Inc. Hartford, Conn. 28 LONDON Swimook LEEDS GATESHEAD haw GIVOT / MAIDSTONE With his piano: Rubinstein in 1906, when he made his Amer- ican debut. He did not make "an unforgettable impression." ly Hills in what was, by that rio. Now, of course, the Great time, his 32d home. He be- Sol is gone, too, and Rubin- came a United States citizen stein is lonelier for it. in 1946 but now lives- when "I met Hurok when I was A gentle reminder (as if you need one). he is not making the interna- 40, you know, and we were tional hotel circuit on his in- both struggling to begin. Cha- cessant tours - in homes in liapin, who was my dear Marbella on Spain's Costa del friend-my big brother al- Sol and in his prewar house most, I adored him-invited on the Avenue Foch in Paris, me to his hotel here in New If you recognize the gentleman (and who doesn't?), and if close 'to the onetime York This was of Debussy. in those for me very dark you've heard the gong (and who hasn't?), you know the pro- Many of Rubinstein's old 20's, you see. And there was ductions will be great. And they are. friends have deserted him by a little man sitting in the now and while the ranks have corner. Chaliapin treated him There is no second Rank in hotels. Not where we are with been filled by the multiplying terribly, told him to sit there, millions of us who know him don't speak, things like that. what we offer. Which is considerable. We're all you need to through his music-making, the I played 'Petroushka' on the know in London. Nobody outranks us for diversity of hotels absentee list is a glorious piano and the little man - one. Man and boy, Rubinstein who, of course, was Hurok and rates, from 5-star luxury to the brand newest budget has been close to virtually -thought It was fine." buy in town. Rank has its very special privileges for guests in all the important artists and At the time of meeting Paris and Brussels. And its pleasures in unusual resorts from public figures of the century. Hurok, Rubinstein was He was, it is startling to real- middle-aged and a notoriously the Italian Alps and Scottish Highlands to sunny Sardinia and ize, a protégé of Joseph erratic artist. Although he had the Canaries. Joachim, the man to whom made his New York debut Brahms dedicated his Violin in 1906 and had returned in Concerto, and of Paderewski, 1919 for a second try at the In all, 17 productions that will really give you a top Rank time. the only planist ever to be brass ring on the American Whether you're going to Europe for business, pleasure or the political leader of his concert carrousel, he had made both. Join the Ranks and we'll prove it to you. (Maybe we country (one makes this state- something less than an unfor- ment in full recognition of gettable impression. Technical- should say, we'll give you the shirt off our back. But after all, the fact that Harry Truman, ly, he insists (although there one picture is worth a 1,000 words.) Richard Nixon and others are those who will dispute him have been known to sit at on the basis of existing record- the instrument on occasion). ings) he was not first-class. He was befriended by Saint- So, after his marriage at 43 in Saens, rubbed elbows and 1932 to Aniela Mylnarski, he minds with Hemingway and made up his mind to become Hotels Picasso ("I knew him before a responsible fellow. He clois- Rank he was Picasso and I was tered himself in an Alpine Rubinstein") and championed The hotels the rest of Europe stays at. village and practiced 12 to the music of such friends as 16 hours a day, trying to Information and reservations: N.Y.C., call (212) 421-2353. Stravinsky, Albéniz, Grana- rebuild from the ground up Rank Hotels (Sales) Ltd., 444 Madison Avenue, New York, N.Y. 10022 Or call (212) 586-5099. LRI (Loews Reservations Inc.), dos, Falla, Szymanowski, a technique that could match 666 Fifth Avenue, New York, N. Y. 10019. Ravel, Poulenc and Milhaud his innate musicality and flair. Outside New York State, call 800-223-5560 toll-free. when these names were con- "You see, before that I was Or check the Yellow Pages and call LRI in your area toll-free. sidered part of the accursed a little too interested in other avant-garde. He even-yes, things at certain periods of ENGLAND. London: The Alexandra National, The Athenseum, The Gloucester, The Royal Garden, The even this-knew Sol: Hurok my. life. I adored literature. Royal Lancester, The White House, Gateshead: The Five Bridges. Maidstone: The Great Danes. Leeds: The Merrion. Bristol: The Unicorn. Swindon: The Wiltshire. SCOTLAND. Invernes-shire: The Coylumbridge. before Hurok was an impresa- I enjoyed hearing intelligent BELGIUM. Brussels: The Royal Windsor. FRANCE. Paris: The Westminster. ITALY. Aosta (Italian Alps): The Valle d'Aosta. SARDINA. Porto Cervo: The Romazzino. CANARY ISLANDS. Tenerife: The Medano. 30 people talk and that stopped showman: "Ah, my dear "Dark Cameroon wrapper on me from wanting to practice." Artoooor." Hurok insisted on (As others remember it, and calling Rubinstein Artur for as Rubinstein documents it publicity purposes because a cigar the size of my No. 3. in his memoirs, the problem be thought the name had was not so much literature more class than plain Arthur. as women, wine and song, "But I always signed my name call that style." to revise slightly the tradi- in Spain as Arturo, in Slavic tional recipe for oats-sowing.) countries as Artur, and in "So, here was this little America I want to be Arthur. fellow Hurok, at that time It's silly to make a fuss and putting on low-priced-cort- I feel guilty about it, but "Expensive, dark certs here in the Hippodrome. I. always preferred that." Mischa Elman, the circus, At the word "guilty," Mrs. Cameroon wrapper horse shows, Galli-Curci, ev- Rubinstein looks at her hus- is usually erything-oh, how It smelled. band reproachfully. "This Hurok remembered me from man, he is ridden with guilt. cigar reserved for Chaliapin's and came to see He feels guilty about the 5 CIGARS me. I have Titta Ruffo for wars, about being a survivor billboard." No. 3 large cigars. a concert but he is able to when so many others are But it's on sing only a few arias, so gone. And he even feels guilty would you play two items about not having played some my No. 3". on his program?" Yes, I would. great pieces of music." Rubin- As it happened, Ruffo was stein nodded glumly. "Yes, I not in voice, but I was in will die with the feeling that voice and the audience made there are at least a hundred me give two encores in the works that I might have "This is the middle of the concert. Hurok played-the Sixth Sonata of actual pack size. was very impressed. He Prokofiev, for instance, also thought my kind of personali- the First and Third concertos It disappears Capitán ty was absolutely right for But, you know I really never the country at that moment wanted to play the last sona- in your pocket." and so we made the career tas of Beethoven in public. I deTueros. together, Hurok and think these are private works, for the drawing room. The Hurok was a shrewd judge public pretends to love them Time of performing chemistry and but really it gets rather bored. it is not hard to see now The slow movement of Op. III why Rubinstein has enjoyed is sublime but in the concert such a large and fanatically hall. unless it is played in an devoted audience. Above all, absolutely sublime way, A extre Was UNITED you to wear. 00 he pays attention to a work's want to fall asleep. "line," its overall meaning and design and, as Sir Thomas Such Rubinstein attitudes Beecham once reminded an as that have always gotten orchestra, "That's all the au- him in trouble with people dience really cares about." Ru- who consider themselves binstein himself remembers more serious than he about that "even in the days when music. But while he may be This the critics used to complain temperamentally in tune with most about details, the line much of the piano literature is the was there, It jolly well was that these more somber souls there." However, the line admire, he has found much "You'll agree this is what actual size must be supported by in- of it unsuited to his public good looks ought to taste like." of a No. 3. numerable nuances of phras- needs. Until recent years, for ing, accentuation, color chang- instance, he played little Mo- That's why es and dynamic gradations zart and less Schubert, though or it will fail to please dis- when he got around to record- John Weitz the man cerning listeners and the fact ing a Schubert sonata, he is that musicians have been chose the greatest and most on the go Rubinstein's most dedicated challenging of them all, the goes for it." fans throughout his career. posthumous B-flat. He isn't It is not given to every planist very good at explaining why to please both the finest musi- he favored Brahms or Chopin. clans of his time and Sol "I always had the feeling that Hurok's millions. music is good to be heard Try Capitán cigars. Mild imported filler. but not too much spoken about. That's why I didn't Cameroon wrapper. Sensible price. rs. Rubinstein, a M write so much about music A choice of four shapes. lively blonde in my book. I find them pretty woman who is 23 funny, actually, those little Capitán years younger books that musicians write than her husband, had joined about how they play." He the conversation by this time casts his astonishingly pliable and put in, "We miss him face into the caricature of The first cigar styled by very much, Hurok. He was so a men's fashion designer. funny about that 'Artur' busi- a philosopher-pedant and pon- ness." Rubinstein nodded and derously intones, "I was read- immediately slipped into his ing one day more of Schopen- Sol Hurok impression, rum- hauer, and then I played the bling in the familiar tone of Chaconne a little-ah, slow- the Ukrainian immigrant- A throwaway joke, deliv- BERT PALEY, LTD. ered with the timing of the loved Brahms, can be annoy- born comedian. ingly Prussian. "Do you know Despite a career-long that Brahms broke off his PART OF addiction to the music of friendship with a Viennese Beethoven, Brahms and Schu- doctor, a great patron of the mann, Rubinstein seems to arts, because that doctor once have grown increasingly dis- THE AFTER SIX invited Massenet to dinner? turbed about the nation that Massenet had come to Vienna FORD LIBRARY produced them. He has not to produce his opera Werth- played in public on German FAMILY er.' Brahms said to his friend, y soil since the beginning of 'How could you tolerate that World War 1, when he became dirt, that so-called music? You How do you recognize a member of the GERALD outraged at the treatment of are no friend of mine. tHe After Six family? the Belgians by the German didn't even go to the doctor's You can't. invaders. For a while after funeral. I was absolutely furi- Not if what you look for is on the surface. the holocaust of World War ous when I read that. I spat II, he even refused to get Because the brands in the After Six family blood, because I adore out of planes when they Brahms. But he was always are as different as a tux and a leather jacket. touched down in Germany for rude, terribly rude, a vicious But beneath the surface there is a strong brief stopovers. fellow, if you like. But what similarity, a dedication to the old tailoring However, in 1963, he gave R can you do about it? You know verities. You can't have great fashion special concert in the Nether- how rude he was to Clara without great fit. And you can't have great lands, just across the German Schumann at the close of her life? Last year I swallowed fit without great sewmanship. border, to which bus-loads of his German admirers were eight volumes of Max Kal- Bert Paley reflects that devotion to brought, simply to show that beck's biography of Brahms, details in the superlative way their leather he clearly distinguishes the absolutely, day by day. He wear is handled. You'll find this Bert Paley people of any country from tells those stories on chamois suede jacket with Roman the fools and scoundrels who Brahms." Rubinstein talks striped pockets featured at Finchleys, N.Y.; rule them. He has faith in heatedly, not about some his- them, even now. "Why should torical figure, but about a Marsh's, Huntington, L.I., N.Y.; Morville I be cynical? My public contemporary whose life be- Clothes, Philadelphia; Capper & Capper, is individuals, made up of came intertwined, through Chicago; Al Baskin, Chicago andother people who love music. I hate Joachim, with his own. fine stores everywhere. OR CALL TOLL all the nations in the world We have moved to the din- FREE (800) 523-4554. because can you ever really ing table by now, and Mrs. believe one word that their Rubinstein is revealing to me For an interesting booklet on Bert Paley and the other well-known divisions of After Six, Inc., write leaders say? Hypocrites! Rus- one of the possible answers to 1290 Avenue of the Americas, N.Y.C. 10019. sia, for instance-250 million to the mystery of her hus- BERT PALEY. LTD/A DIVISION OF SIX, INC. /Amerteen Stock Exchange Symbol: TUX. Russians, and 240 million are band's physical and mental slaves. Revolutions are al- resilience-his eating habits. ways made by decent people, "For many years I have but right away cooked for him. I am a profes- Because Rubinstein has sional cook, I love it. You never been able to treat music know, this new fat-free as one of the abstract scienc- French cuisine they are talk- es, his ideas about composers ing about, I like it very much and their works seem to con- because I have always done flict at times or overlap into it. I take off all the grease, politics. Even Brahms, his be- all the fats, and at the end Those who know London know where to find the perfect time. LOEWS CHURCHILL With his impresario: The pianist with the late Sol Hurok, whose PORTMAN SQUARE LONDON W1 shrewd management helped Rubinstein to win great fame. FOR RESERVATIONS. SEE YOUR TRAVEL AGENT OR CHECK THE YELLOW PAGES AND CALL LRI ILOEWS RESERVATIONS INC) TOLL FREE IN YOUR AREA The New York Times Magazine/March 11,1976 35 "We Begg to differ." John Begg is an un- usual Scotch. A little lighter, a little smoother. If you can call a Scotch Juhm Basa "rich," we'll call it that, too. John Begg Scotch. 131 years of quality. With his audience: Rubinstein acknowledges applause after a Carnegie Hell concert, 1974. I put in a little cream here I couldn't see the keys," Ru- pieces, including about 40 and there." binstein says. The trouble, concertos. The Rubinsteins laugh a lot, which has been growing in- Something has been nagging IMPORTED loudly and with gusto, and creasingly more serious in the at my own memory during seem to enjoy each other's this discussion and, after leav- last few years and now af- jokes enormously. "For 43 ing the Rubinsteins, I go home years, all my married life, fects both eyes, seems to date and look up my notes from 1 have cooked that way. He from a time when Rubinstein that 1972 interview in Buffa- is a very easy fellow to feed. was hospitalized by an attack lo. I find a few sentences Good appetite. He loves chick- of shingles. A type of eye that hadn't seemed important en, so I have a million ways failure that is not helped by enough to include in the ar- ONE QUART to cook it. He could eat it glasses, it is caused by a ticle I wrote then but which every day and not complain. hardening of blood vessels in now leap out of the page. He doesn't very much like the eyeball. Rubinstein has Rubinstein had been good-na- red: meat." Rubinstein drops been left with only dim periph- turedly defending his flam- ESTD. 1845 his jaw, hunches over his eral vision. Moreover, as has boyant style of playing. his plate and gives his imitation become increasingly evident way of leaning back, gazing of your average American during our conversation, the at the celling and lifting his gourmand tearing at a bloody hearing in his right ear is hands high off the keyboard. John Begg steak, complete with cave- just about gone. "As you know, I was always man growis and digestive But Rubinstein's reservoir the champion of wrong notes, sound effects. But then the of good humor seems bottom- but I don't care because 1 winds of Rubinstein's moods less and his élan does not need the impact that I can change again. "You know," desert him even at this dark get in this way," he had said. Blue Cap he says quietly, "I would like turn of events. "Of course, "I must confess, in fact, that to continue writing-but no, it is very bad for me, this my dream is to play whole BLENDED SCOTCH WHISKY it is too late now, I am too thing of the eyes, because, pieces, maybe whole pro- old, and my eyes next to music and my family, grams, without looking at the 100% SCOTCH WHISKIES Mrs. Rubinstein winces, I love books the most. So my keys once." Distilled and Blended in Scorland and the reason quickly wife will have to read to me The dream is now reality. SHIPPED BY. becomes clear: Rubinstein is now. We are making plans Perhaps there will again be John GLASGOW BEGG LTD SCOTLAND losing his sight. "Shall we for this new kind of life. a few wrong notes? Perhaps. ROYAL tell?" Mrs. Rubinstein asks Naturally, I regret this very But Rosina Lhevinne, herself is her husband. He smiles and much, but what can you do? one of the famous pianists shrugs. "Why not, after all," I am getting old and these and teachers of her time, long she goes on, "when it is really things happen to one at this ago had the last word on more wonderful that you play time. I still will enjoy every that. To a student who men- without And so the sus- day, and keep on playing if 1 tioned Rubinstein's occasional pected but still startling facts can." Fortunately, he has a wrong notes, Lhevinne re- come out. photographic memory in sponded dreamily, "Ah, yes, 86 Proof, Imported by and bottled in U.S. for James M, McCunn & Co., N.Y. "For the last six concerts which is stored hundreds of but what wrong notes." 20 38 C T OF tl m in all ag esd lon one obli tudi mar vice ingn tor state to re 30 fault. an Ori mittec Budge earor future rowing state posed TARD United Press International clusive anier Arthur Rubinstein by a bust of himself that was unveiled at Carnegie Hall yesterday The ",VII night ,I&W ber pa 2:11 as bi Notes on People resen Sena the agrees al- e Rubinstein's Bustin Carnegie pr of Seventy years after he Mr. Ozawa, who will con- head of the teamsters' union at made his American debut in tinue as director of the Bos has been missing since July Carnegie Hall, Arthur Rubin- ton Symphony, reached on 30 and is believed dead, but pa stein unveiled a bust of him- tour in Hanover, Germany, the suit does not seek certi- W self there yesterday. The 89- fication of his death. In ad- in said, he was "happy about year-old pianist, scheduled to my orchestra's very good dition to normal duties as re play a recital there Monday, feeling about Maestro de administrator, according to was described by Isaac Stern, Waart and wish him and my her petition, Mrs. Hoffa fo the violinist and president of musicians a big success and needs "to commence certain lid Carnegie Hall, as "the per- a happy time making music litigation in order to defend S6 son who has contributed valuable property interests in together." more than anyone else to this of the estate which are now S house." A spokesman said Adela Holzer, a Broadway being challenged." Mr. Rubinstein had played producer for the last eight there "at least once a year" years, said yesterday she was The 23-year-old son of since his first appearance. quitting show business be- Senator James S. Abourezk, The pianist said he loved the cause she was unable to get the South Dakota Democrat, bust, sculpted by Nathan "the necessary artistic help." confirmed yesterday that he Rapaport, "because it doesn't She will close "Me Jack, You had received food stamps but look like me but the way Jill" Sunday, after 16 preview called press reports about the I should look." performances, in the after- matter "cheap sensaiona math of her dismissal of the ism." The Washington Po Horold T said Wednesdav that Char Rubenetein THE PRESIDENT OF THE UNITED STATES OF AMERICA Awards this Presidential Medal of Freedom With Distinction 917 GERALD R. FORD to ARTHUR RUBINSTEIN Musician, gentleman, and bon vivant, Arthur Rubinstein has shared his singular and deeply personal mastery of the piano throughout the world. For over seven decades, his ceaseless vitality, his luminous spirit and his profound depth of mind have brought a fresh sparkle to the lives of people everywhere. His audiences love him; his colleagues and friends revere him; and his country, the United States of America, is proud to proclaim him as a giant among artists and men. There is no scenario because they won't know until 10:00 if or not Rubenstein will play the piano. 12:10 The President will come upstairs to get Mrs. Ford 12:15 The President and Mrs. Ford will join Mr. and Mrs. Rubenstein and children in the Red Room 12:20 Rubenstein children proceed four principals entering East Room (Mrs. Ford will sit on the platform with the Rubensteins. President Speaks and presents medal GERALD R. FORD Rubenstein Speaks Rubenstein May play piano 12:50 If he plays there will be brief mingling (5 min. with the principals and guests) There will be a receiving line in the hall after seremony 1:20 President goes up to the luncheon which is in the Yellow Over Room 2:20 Luncheon ends 3:15 pm PSA Taping NOT FOR RELEASE Guest list for the reception to be given by the President and Mrs. Ford on the occasion of the Presentation of the Presidential Medal of Freedom to Arthur Rubinstein on Thursday, April 1, 1976 at twelve o'clock Mr. and Mrs. Arthur Rubinstein Miss Alina Rubinstein Daughter of Mr. and Mrs. Arthur Rubinstein Miss Eva Rubinstein Daughter of Mr. and Mrs. Arthur Rubinstein Mr. and Mrs. John Rubinstein Son and daughter-in-law of Mr. and Mrs. Arthur Rubinstein His Excellency The Ambassador of Austria and Mrs. Halusa His Excellency The Ambassador of Belgium and Mrs. Van Cauwenberg His Excellency The British Ambassador and Lady Ramsbotham His Excellency The Ambassador of Chile and Mrs. Trucco Mrs. Jacques Kosciusko-Morizet Wife of the Ambassador of France The Honorable Niels Hansen Charge d'affaires, Embassy of the Federal Republic of Germany His Excellency Simcha Dinitz Ambassador of Israel Mrs. Roberto Gaja Wife of the Ambassador of Italy The Honorable Emile Tydeman and Mrs. Tydeman Charge d'affaires, Embassy of the Netherlands His Excellency The Ambassador of the Polish People's Republic and Mrs. Trampczynski His Excellency The Ambassador of Portugal and Mrs. Themido Dr. Gheorghe Ionita Counselor, Embassy of the Socialist Republic of Romania His Excellency The Ambassador of Spain and Mrs. Alba His Excellency The Ambassador of Sweden and Mrs. Wachtmeister FORD of GERALD LIBRARY Mrs. Dean Acheson, Washington, D. C. Mr. and Mrs. Joe Allbritton Publisher, The Washington Star Mr. and Mrs. Philip Werner Amram, Washington, D. C. - 2 - 4/1/76 Mr. Walter Anderson Music program director, National Endowment for the Arts Mr. and Mrs. Hugh Auchincloss, Washington, D. C. Mr. and Mrs. Percy Aycock, McLean, Virginia Campbell Music Company, Inc. Mrs. Robert Low Bacon, Washington, D. C. Mrs. Philip Barry, Washington, D. C. The Honorable Jacob D. Beam and Mrs. Beam, Washington, D. C. Captain Peter Belin, USN, retired, and Mrs. Belin, Washington, D. C. Mr. Samuel Ellison Belk III, Washington, D. C. Mrs. Luis Bolin, Washington, D. C. The Honorable Daniel J. Boorstin and Mrs. Boorstin Librarian of Congress Donna Julia Brambilla, Washington, D. C. The Honorable Philip W. Buchen and Mrs. Buchen Counsel to the President The Honorable Ellsworth Bunker and Mrs. Bunker Ambassador at Large; Mrs--The Honorable Carol C. Laise, Director General of the Foreign Service The Honorable W. Randolph Burgess, Washington, D. C. Mr. Paul Callaway, Washington, D. C. Mrs. Harvey L. Cliburn, Shreveport, Louisiana Mother of Mr. Van Cliburn Mr. Van Cliburn, Shreveport, Louisiana Concert pianist The Honorable Michael Collins and Mrs. Collins Director, National Air and Space Museum Mr. William M. Cook, Washington, D. C. Mrs. Oscar S. Cox, Washington, D. C. Mr. and Mrs. Raymond E. Cox, Washington, D. C. Mr. and Mrs. Martin Feinstein Executive Director of Performing Arts, JFK Center for the Performing Arts DEPART FORD Mr. and Mrs. Edward T. Folliard, Washington, D. C. Medal of Freedom recipient 1970 LIBRARY The Honorable Leonard Garment, Washington, D. C. Mr. George Gelles, Washington, D. C. The Washington Star Mr. and Mrs. Vladimir Gelvans, Forest Hills, New York Mr--American Ballet Theater Mr. and Mrs. Kenneth Glancy, New York, New York President RCA/Victor Records Mrs. Philip L. Graham, Washington, D. C. Publisher, The Washington Post Miss Judy Gruber, Washington, D. C. Mr. and Mrs. Roger Hall, New York, New York Chairman, Hurok Concerts, Inc. - 3 - 4/1/76 The Honorable Bryce N. Harlow, Arlington, Virginia Mr. John K. Havemeyer, Washington, D. C. Mr. and Mrs. J. Patrick Hayes President, Washington Performing Arts Society Dr. Richard Hubbard Howland, Washington, D. C. Mr. and Mrs. William Hunter, Bethesda, Maryland Mrs--President, Opera Society of Washington The Honorable Jacob K. Javits, U. S. Senate, and Mrs. Javits (New York) Mr. George Lasocki, Washington, D. C. Mr. George London, Washington, D. C. Washington Opera Society The Honorable Clark MacGregor and Mrs. MacGregor, Washington, D. C. Mr. Peter Malatesta, McLean, Virginia The Honorable Charles McC. Mathias, U. S. Senate, and Mrs. Mathias (Maryland) The Honorable Joseph M. McDade, House of Representatives, and Mrs. McDade (Pennsylvania) Mr. and Mrs. Norman Nadel, New York, New York Scripps Howard Newspapers Mr. and Mrs. Garrison Norton, Washington, D. C. Mrs. Virginia Page, Washington, D. C. The Honorable Claiborne Pell, U. S. Senate, and Mrs. Pell (Rhode Island) Mr. and Mrs. Frederick Peterson, Jenkintown, Pennsylvania The Honorable Raymond Price, Washington, D. C. Miss Linda Reynolds, Washington, D. C. The Honorable John J. Richardson, Jr. and Mrs. Richardson Assistant Secretary of State for Educational and Cultural Affairs Dr. and Mrs. S. Dillon Ripley II Secretary, Smithsonian Institution Mr. and Mrs. Donald Sanders, Washington, D. C. Associated Press Miss Lisa Sergio, Washington, D. C. Mr. and Mrs. Thomas Z. Shepard, New York, New York Division Vice President, RCA Red Seal Mrs. Jouett Shouse, Washington, D. C. Mrs. John Farr Simmons, Washington, D. C. Mr. and Mrs. Hobart A. Spalding, Washington, D. C. FORD & Lib, GERALD Mr. John Steinway, Long Island City, New York President, Steinway Piano Company The Honorable Roger L. Stevens and Mrs. Stevens, Washington, D. C. Chairman, JFK Center for the Performing Arts Mr. Justice Stewart Associate Justice of the Supreme Court Mr. and Mrs. Michael Straight, Bethesda, Maryland Deputy Chairman, National Endowment for the Arts - 4 - 4/1/76 Mr. John S. Thacher, Washington, D. C. The Honorable William Royall Tyler, Washington, D. C. The Honorable Jack J. Valenti and Mrs. Valenti President, Motion Picture Association Dr. Charles H. Watts, Jr., Washington, D. C. Mr. and Mrs. Max Wilcox, New York, New York Recording producer The Honorable Stanley Woodward and Mrs. Woodward, Washington, D. C. Mr. Walter Zachariasiewicz, Chevy Chase, Maryland American Council of Polish Cultural Clubs GERALD R. FORD LIBRARY - 5 - 4/1/76 White House staff William Baroody James Cannon Foster Chanock James Connor Eleanor Connors Eva Daughtrey John Dunn Michael Duval Roland Elliott Max Friedersdorf David Gergen Robert Hartmann To hear from: Eliska Hasek Jerry Jones James Cavanaugh Bobbie Kilberg Robert Goldwin Mildred Leonard Burt Malkiel James Lynn John Marsh Theodore Marrs William Seidman Sarah Massengale Robert McFarlane Milt Mitler Jackie Mooneyhan Ronald Nessen William Nicholson Robert Orben Richard Parsons Susan Porter Eric Rosenberger Teresa Rosenberger Edward Schmults Brent Scowcroft William Selovar James Shuman Pat Taylor Mr. & Mrs. Wayne Vallis GERALD R. FORD LIBRARY Margita White Kathie Wooten - 6 - 4/1/76 To hear from: The Honorable Henry A. Kissinger Secretary of State The Honorable David K. E. Bruce and Mrs. Bruce Medal of Freedom recipient 1976 Mr. and Mrs. Antal Dorati Musical director, National Symphony Orchestra Miss Kay Murphy Halle, Washington, D. C. Miss Carol V. Harford, Arlington, Virginia Mr. and Mrs. John H. Kauffmann, Washington, D. C. (former Publisher of The Washington Star) Mrs. Charles MacArthur (Helen Hayes) The Honorable Charles H. Percy, U. S. Senate, and Mrs. Percy (Illinois) Mr. and Mrs. Andre Previn London Symphony Orchestra The Honorable H. Chapman Rose and Mrs. Rose, Washington, D. C. FORD de GERALD LIBRARY LUNCHEON - April 1, 1976 Mrs. Robert Low Bacon Mr. William M. Cook Mr. John Rubinstein Mrs. Arthur Rubinstein MRS. FORD THE PRESIDENT Mr. Arthur Rubinstein Miss Eva Rubinstein Miss Alina Rubinstein Mrs. John Rubinstein The Secretary of State FORD & LIBRARY GERATO ENTRANCE yellow Ovah Room - - Miss Alina Rubinstein -- 26 years old, medical student, Columbia University Miss Eva Rubinstein -- 38 years old, professional photographer - Eva was married to Rev. William Coffin of Yale Divinity School but has been divorced from him for 10 years - assumed maiden name. John Rubinstein -- 30 years old - has had a lead role in "Pippin." Mrs. John Rubinstein -- wife of son. Mrs. Robert Low Bacon -- grande dame - Washington society - - Rubinsteins' are house guests of Mrs. Bacon. William Cook -- Stock Broker, Merrill, Lynch, Pierce, Fenner and Smith - long time friend of the Rubinsteins - has acted as liaison for this event. GERALD R FORD TIBRANA (Gergen) March 31, 1976 Brief Background Notes on Arthur Rubinstein Arthur Rubinstein was born 89 years ago in Lodz, Poland, the seventh child in his family. His father owned a hand-loom factory. He was recognized as a prodigy while still a child, and by the time he was eight had given his first concert --- for charity. Soon thereafter he began studying under a great Hungarian violinist, Joachim (who was a friend of Brahms). At the age of 16, he made his first appearance in the U.S. playing in Philadelphia, in Carnegie Hall, and elsewhere. That was in 1906 -- 70 years ago! For the next 25 years he played in several continents. Audiences loved him, especially Spanish-speaking ones, because of his great exuberance and zest, but he always fell below his recognized talents. It was said that he paid too much attention to women, wine and song -- in that order -- and not very much to his practice. He became much more serious about his music in the 1930s, especially after he married the daughter of a Polish conductor, Aniela Mlynarski. She has been a great influence upon his life. Rubinstein really became a great figure upon the American scene when, after an absence of 10 years, the impressario Sol Hurok brought him back here in 1937. He was a smashing success and has been returning regularly to the U.S. ever since - and his fame has been steadily growing. He has since been decorated by practically every major country in the world. The U.S., his adopted country, is about the last to recognize him --- a sore point in the art world. *** Great, good humor and a love of life have always been two of the Rubinstein trademarks. He is regarded as a very fine conversationalist, interested in almost everything --- including foreign affairs. GERALD *** One of the saddest parts of Rubinstein's career for his fans is his rapidly growing blindness. On this tour of the U.S., it is said that he cannot really see the keyboard. He is limited mostly to peripheral vision. His hearing is also impaired in his right ear. (He will be shown a copy of the President's remarks prior to the Thursday ceremony so that he will understand what has been said and can respond appropriately.) His music now is played from memory -- and he can play some 200 pieces by heart. *** (Gergen) 2 March 31, 1976 Another enormous influence upon his life has been the two world wars. He was personally aware of German brutality in Belgium during the WW I, and in WW II, his six brothers and sisters disappeared in concentration camps along with six million other Jews. Since WW I, he has refused to play in Germany and for many years he refused even to get off airplanes when they stopped there for refueling. He is also a very close friend of the Israelis and has been highly decorated there. *** Rubinstein was living in Paris with his wife and two children (two more came later) when WW II broke out. He picked up his family and moved to the U.S. like so many other European refugee artists (Thomas Mann, Bartok, Schoenberg, Hindemith and Stravinsky). Like many of them, he settled in California (Beverly Hills) in what for him was his 32nd home. In 1946 he became an American citizen, and it is said that his citizenship papers are his proudest possession. Since then, the Rubinsteins have re-established a regular home in Paris, but his children remain here along with many of his fans and memories. *** Rubinstein enjoys telling of another Polish pianist who went into politics . -- Paderewski. R. FORD 1189 After WW I, Paderewski went to Versailles for the Peace Conference as the Polish premier. He was introduced to Clemenceau, the French premier, and Clemenceau said, "Aren't you the famous Paderewski?" "Yes." = "The musician, the pianist?" "Yes." "And you are now the Premier of Poland?" "Yes." "Well," said Clemenceau, "what a downfall." *** Abroad, his name is spelled Artur Rubinstein -- a Hurok twist. Here in the U.S., it's Arthur. *** REMARKS FOR ARTHUR RUBINSTEIN PRESENTATION Ladies and Gentlemen: I want to welcome all of you to the White House this afternoon. Many of you have been here from time to time over the years, and as long as Betty and I are here, I hope you will regard it as a "home away from home." As most of you know, the Medal of Freedom is the highest civilian honor that it is within the power of a President of the United States to bestow. I feel deeply privileged today to act on behalf of all Americans in presenting that medal to one of the giants of our time. The legend of Arthur Rubinstein has been built upon many pillars. GERMITO R. FORD By the account of critics, he is the greatest master of the piano living today -- a musician as thoroughly familiar with Chopin and Beethoven as with interpretations of more modern Spanish and impressionist pieces. It is difficult for many of us to believe that Arthur Rubinstein made his New York debut in Carnegie Hall some 70 years ago. He was a young man then and by his own account, he was not yet the artist that he knew he could be. But in the years that have passed since then --- through his extraordinary dedication and through the support of his lovely wife and family -- who are with us today --- he has turned his vision and interpretations into an uncompromising standard of musical excellence. Yet to millions of fans across the globe, Arthur Rubinstein R. has given something more than the joy of music. He has alsgand FORD LIBRARY given the joy of life itself. "I love life unconditionally, he has said, and he has communicated that sheer delight to generation after generation. It was his late and very fine friend, Sol Hurok, who wrote after first hearing Mr. Rubinstein in 1921: "The power of his 3 personality and the sense of grandeur and poetry that enveloped his playing filled me with almost unbearable excitement." The multitudes who have packed concert halls in Europe, in the Soviet Union, in Latin America, and in the United States -- they too have felt that "unbearable excitement" from this man. Finally, I would say this about the Arthur Rubinstein legend. Here in the United States we feel a special affection and bond with him because in 1946 -- some 30 years ago -- he chose to make America his home. Arthur Rubinstein has been decorated and celebrated in almost every land, but it is said that above all else he R. FORD values the document that made him an American. GERALD All of us who have been touched by his grace and kindness, his love, his generosity and his warmth of humor will always be grateful that he chose to share our citizenship. I know that many of you here today have long looked for- ward to this moment, and I feel proud that on this 200th anniversary of our nation, I have the privilege to present this 4 medal to one of our greatest national treasures: Mr. Arthur Rubinstein. And now, Mr. Rubinstein, if you will please step forward, I will read the citation and present the Medal of Freedom. FORD & GERALD LII

Page data

Page
1
Source index
0
Type
document
Media ID
1ac96566509af0e7
Size
unknown

Document data

ID
4515828
Core
doc
Type
document
DTO data
{
    "id": "4515828",
    "sourceUrl": "https://catalog.archives.gov/id/4515828",
    "contentType": "document",
    "title": "4/01/76 - Medal of Freedom Presentation for Arthur Rubinstein",
    "citationUrl": "https://catalog.archives.gov/id/4515828",
    "collections": [
        "Betty Ford White House Papers",
        "Local Events Files"
    ],
    "subjects": [
        "First ladies",
        "Medal of Freedom"
    ],
    "iiifBase": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "thumbnailUrl": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "largeImageUrl": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "imageCount": 1,
    "hasImages": true,
    "source": "import",
    "hasTranscription": false
}

Context sent to Scholar

Document identity
{
    "localId": "4515828",
    "label": "4/01/76 - Medal of Freedom Presentation for Arthur Rubinstein",
    "core": "doc",
    "dtoType": "document",
    "citationUrl": "https://catalog.archives.gov/id/4515828"
}
Document source metadata
{
    "id": "4515828",
    "sourceUrl": "https://catalog.archives.gov/id/4515828",
    "contentType": "document",
    "title": "4/01/76 - Medal of Freedom Presentation for Arthur Rubinstein",
    "citationUrl": "https://catalog.archives.gov/id/4515828",
    "collections": [
        "Betty Ford White House Papers",
        "Local Events Files"
    ],
    "subjects": [
        "First ladies",
        "Medal of Freedom"
    ],
    "iiifBase": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "thumbnailUrl": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "largeImageUrl": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "imageCount": 1,
    "hasImages": true,
    "source": "import",
    "hasTranscription": false
}
Document source extras
{
    "url": "https://catalog.archives.gov/id/4515828",
    "naId": 4515828,
    "coverageEndDate": {
        "logicalDate": "1976-04-01",
        "month": 4,
        "year": 1976
    },
    "coverageStartDate": {
        "day": 1,
        "logicalDate": "1976-04-01",
        "month": 4,
        "year": 1976
    },
    "levelOfDescription": "fileUnit",
    "recordType": "description",
    "ocrSource": "nara-archive"
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "document",
    "url": "https://s3.amazonaws.com/NARAprodstorage/lz/presidential-libraries/ford/grf-0018/573382/4515828.pdf",
    "mediaId": "1ac96566509af0e7",
    "ocrText": "The original documents are located in Box 6, folder \"4/01/76 - Medal of Freedom\nPresentation for Arthur Rubinstein\" of the Betty Ford White House Papers, 1973-1977 at\nthe Gerald R. Ford Presidential Library.\nCopyright Notice\nThe copyright law of the United States (Title 17, United States Code) governs the making of\nphotocopies or other reproductions of copyrighted material. Betty Ford donated to the United States\nof America her copyrights in all of her unpublished writings in National Archives collections.\nWorks prepared by U.S. Government employees as part of their official duties are in the public\ndomain. The copyrights to materials written by other individuals or organizations are presumed to\nremain with them. If you think any of the information displayed in the PDF is subject to a valid\ncopyright claim, please contact the Gerald R. Ford Presidential Library.\nDate ssued3/29/76\nBy P. Howard\nRevised 3/30/76\nFACT SHEET\nMrs. Ford's Office\nEvent MEDAL OF FREEDOM CEREMONY\nGroup For: Arthur Rubinstein\nAPRIL 1, 1976\nDATE/TIME Reception at 12:00 Noon - Ceremony at 1:00 p.m. - Private Luncheon at 1:25\npm\nContact Pat Howard\nPhone\nNumber of guests: Total approx. 200 Women\nX\nMen X\nChildren\nPlace State Floor\nPrincipals involved President and Mrs. Ford\nParticipation by Principal\nyes\n(Receiving line) yes\nRemarks required\nyes\nGERALD R. FORD LIBERARIN\nBackground\n--\nREQUIREMENTS\nSocial:\nGuest list yes (Social Entertainments' Office will distribute - X 2510)\nInvitations yes\nPrograms no\nMenus no\nRefreshments coffee and fruit pastries and luncheon format\nEntertainment no\nDecorations/flowers\nyes\nMusic yes\nSocial Aides\nyes\nDress Business Suits - Short Dresses for the Ladies\nCoat checkyes (DRR)\nOther\n--\nPress:\nReporters . yes\nPhotographers yes\nTV Crews yes\nWhite House Photographers YES\nColor YES Mono.\nOther\nTechnical\nSupport:\nMicrophones\nyes\nPA Other Rooms\nno\nRecording\nyes\nLights no\nTransportation cars enter thru SW Gate\nParking South Grounds\nHousing\n--\nOther\n--\n(Risers,stage,platforms)\nyes\nProject Co-ordinator\nPat Howard\nPhone 2927\nSite diagrams should be attached if technical support is heavy.\nTHE WHITE HOUSE\nWASHINGTON\nMarch 25, 1976\nFORD i GERALD LIBRARY\nTO:\nMRS. FORD\nFROM:\nMARIA DOWNS\nEnclosed are Henry's proposed menus for the small\nluncheon honoring Arthur Rubinstein to be held after\nthe presentation ceremony awarding him the Medal\nof Freedom.\nHenry's thinking was because of Mr. Rubinstein's\nage it might be wise to serve the crab cakes or\nsomething similar. I know the cakes would be delicious\nbut somehow this strikes me as a very special occasion\nthat calls for something more elegant. The lamb chops\nmay pose a problem to Mr. Rubinstein so I have\nincluded a third menu which might handle both situations.\nPlease let me know what you would like.\nFriday\nApril 2, 1976\n11-15 guests\n12:30 PM\nLUNCHEON\nMenu # 1\nBeef Consomme\nCheese Straws\nCrab Cakes w/ Mustard Sauce\nSteamed Rice\nLeaf Spinach\nMacedoine of Frest Fruit\nPetits fours\nMenu # 2\nLobster Bisque\nCheese Straws\nBroiled Lamb Chops\nFORD & LIBRARY GERALD\nFresh Asparagus\nTossed Green Salad\nStrawberry Mousse\nMedal of Freedom Luncheon\nFriday, April 2, 1976\n12:30 PM\nLUNCHEON\nAvocado Soup\nRoast Loin of Veal\nBroiled Tomatoes with Mushrooms\nString Beans\nLeaf Spinach Salad\nLemon Mousse with Strawberries\nFORD & GERALD BRARY\nTHE WHITE HOUSE\nWASHINGTON\nMarch 29, 1976\nFOR:\nMRS. FORD\nBERALD R. FORD\nFROM:\nMARIA DOWNS\nLIBRARY\nThe background on the Rubinstein children is quite interesting. Miss Alina\nRubinstein is 26 and a medical student at Columbia. \"Miss\" Eva Rubinstein\nis 38 or 39 and a professional photographer. Eva was married to the William\nCoffin, Jr. of Yale. They have been divorced about 10 years and she has\ntaken her maiden name. John Rubinstein is about 30 and had the lead in \"Pippin.\"\nPerhaps it might be interesting to Susan or Jack to join the luncheon if they\nare available.\nI have also had a request to add Mr. and Mrs. Buchen to the luncheon because\nMrs. Buchen was instrumental in this presentation. It is my belief there were\nothers who were also instrumental such as Barbara MacGregor. When we\nopen the door, where do we stop? The luncheon list as it stands are all requests\nof Mrs. Rubinstein.\nPlease let me know whether Susan or Jack can attend and what your feeling is\nof expanding the luncheon.\nThank you.\nThis ageless hero,\nFORD\nRubinstein\nLIBRARY\nGERALD\nHe cannot go on like this forever (though some\nwould not bet on that). In fact, there are now some troubling signs.\nthough eventually quite sobering hours with him\nand was ready to receive me, all apologies. He\nBy Donal Henahan\nin his suite at the Drake Hotel. The first minutes,\nhad the flu, he said, and his wife had been\nas usual, were taken up in making sure the\ncalling him to tell him to cancel his tour. \"But\nvisitor had the most comfortable, the softest seat\nwhen I am at the piano, my sickness goes away\nOne day. in what we may only hope is the\nin the room. Rubinstein insisted on a plain, hard\nand that makes me terribly happy. I won't cancel.\"\ndistant future, an archeologist sifting through the\nchair for, himself. \"All my life I have been sitting\nDespite all, he managed to be vivacious and\ndetritus of Western civilization may come upon\nup straight, you know. Which reminds me of\nfull of stories I had not heard before. Since\ncertain puzzling artifacts. A' pair of tennis sneakers,\na story, a very funny story.\n(And\noff\nhe\nthen, I often have thought of Rubinstein in that\nperhaps, with 4-inch platform soles. A goose-quill\ngoes. If you have questions to ask Rubinstein,\nBuffaio hotel room, trying to sleep off the flu,\npen with a felt tip. A petrified senator holding\nyou had better get them in early or it's no\nand at the mercy of whoever might pick up\na Pentagon budget request. Or, if Western civiliza-\nuse.) \"Not long ago in Boston, they gave me\nthe house phone. And I try to imagine how\ntion is lucky, some piano recordings made by\nwhat is called the Agnon Award. You know who\ngracious I would have been under similar circum-\nArthur Rubinstein when he was on the brink\nAgnon was? S. Y. Agnon, the old Hebrew poet\nstances. Not very, I'm afraid.\nof 90 and still playing with astonishing vigor,\nwho died a few years ago. He won a Nobel\nGrace under pressure is a gift not given to\nvirtuosity and panache. Like Heinrich Schliemann\nPrize and they named this award for him. Well,\nmost people, and for a long time now Rubinstein\npondering the myths and legends of Homeric\nas it happened, I had been giving a concert\nhas been graceful under the ultimate, inescapable\nTroy, the excavator will have a mystery on his\nin Jerusalem some years ago and a friend of\npressure of being old. How did he get that way?\nhands\nDid\nbenighted\nto\nsee\nme\nsaid\nAnd more puzzling bow does he stay that way?\ntimes?\nhim,\nyou\nsaid,\nTo answer those questions with confidence,\nWe know the answer, of course. Rubinstein\ndon't know, this is the first time in my life\none would have to know exactly how to solve\nmade his New York debut 70 years ago at Carnegie\nthat I go to a concert. But I like how you sit\nthe old equation in which nature and nurture\nHall, performing with the Philadelphia Orchestra\n80 straight at the piano'.\"\nare both unknown factors. As far as he knows,\non Jan. 8, 1906. But actually he has been playing\nYou are never far from a good laugh when\nRubinstein does not come from particularly long.\nin public for 85 years. Although he did not make\nyou are around Rubinstein, but his is not a\nlived ancestors, although the pogroms and wars\nhis formal debut until he was 7 years old, he\nmindless good humor. An Academy Award-winning\nthat swept over Poland in the last century or\nwas performing for small audiences of family\ndocumentary film about his career, made in 1968\nso seem to have made that question academic.\nfriends in his native city of Lodz, Poland, by\nbut released here only last year, was titled \"Love of\nHis six brothers and sisters, for instance, disap-\nthe age of 4 and at 6 was appearing at charity\nLife,\" and It is true, he says, that \"I love life un-\npeared along with six million other Jews during\nconcerts. He had taken to the piano unbidden\nconditionally.\" He shrugs impatiently. \"But it is\nWorld War II. Physically and mentally, he has\nand uncoerced, at 3, when his parents brought an\nnot that I walk around stupidly smiling [pantomime\nbeen a living refutation of the old wives' tale\nold upright into their home so that two older\nof a slack-jawed, grinning lout].\"\nabout the weakness of children born to older\nsisters could take lessons.\nfathers: He was the seventh child, born when\nThomas Mann, hardly one to be impressed by\nTomorrow night, he has another recital scheduled\nhis father was past 40, a ripe age in the Poland\na stupid smile, called Rubinstein \"that civilized\nat Carnegie Hall. Nothing special. Just one of\nof that day. Rubinstein's physique has often been\nman,\" and a story of my own may illustrate\n20 appearances on his United States itinerary\nmentioned as a reason for his continuing puissance.\nhis deep-grained civility. The city was Buffalo, where\nthis season. And yet, each time Rubinstein steps\nHe is not tall (5 feet 8 inches) or heavy (about\non a bitter midwinter's night four years ago I\n165), but he has a powerful chest, blacksmith\nout on a stage nowadays, it is something to\nwent to talk with Rubinstein on the occasion\nnote, for the man's spirit and prowess at 89 make\nbiceps and disproportionately long legs.\nof his 85th birthday, the trip being necessary\nhim a musical, not merely a gerontological,\nbecause his concert schedule at that time was\nUntil now, at least, be has suffered from almost\nphenomenon. By his latest reckoning, he was born\nnone of the usual human infirmities. He has\nto bring him no nearer to Manhattan. I arrived\non Jan. 28. 1887. He cannot go on like this forever.\nat his hotel in the evening at what I believed\nno arthritis or rheumatic aches, and subscribes\nprobably, although there are people who know\nwas the agreed-upon hour, called his room and\nto no fanatical health-food regimen. He arises\nhim well who would not care to bet on that.\nfound to my horror that Rubinstein had not been\nat 8 or thereabouts, hungry for breakfast, but\nMax Wilcox, for one. Wilcox, who has produced\ntold of our date. A' communications breakdown\nfirst does about 20 minutes of setting-up exercises.\nmore than 60 Rubinstein records for RCA and\nsomewhere in his entourage, I later learned.\nHowever, he gets his most stremuous exercise\nfive concerto performances for television, has sev-\nMoreover, the voice on the phone instantly\nby playing the piano-which is perhaps exercise\neral sessions planned for next month when the\nsuggested itself as that of a man who had been\nenough if you play as flamboyantly as Arthur\ntireless Arthur is scheduled to record two more\naroused from sleep. He grasped finally that I\nRubinstein. According to his wife and other inti-\nMozart concertos. More fuel for the Arthurise\nwas from a newspaper, but apparently thought\nmates of long standing, be takes no pills of\nlegend.\nit was a local one, and my attempts to explain\nany kind other than vitamin C. For many years,\ndid not penetrate. But he said, \"Please, can you\nhe has enjoyed the best wines and the most\nThe other day, while Rubinstein was stopping\noff in New York during a midwinter break in\ngive me 15 minutes before coming up?\"\nexpensive cigars (two or three a day, only with\ncoffee) and, in his sybaritic approach to daily\nhis concert schedule, I spent several exhilarating\nWhen I arrived at his room, unexpected and,\nexistence, has long been the Winston Churchill\nI am quite sure, unwanted, Rubinstein had gotten\nof the plano, His adherence to the Pleasure Principle\ninto a dark blue suit, with the rosette of a\nis no doubt rooted somehow in his genes and\nDonal Henahan is a music critic for The Times.\nCommander of the Legion of Honor in a lapel,\nnurtured by a lifetime of adulation. But he also\n18\nAdvertisement\nbservations\nThe lion's share. Who reaps the most\ncash when gasoline pump prices\nrise? Actually, federal, state and\nlocal governments. They collect six\ntimes more in taxes per gallon than\noil companies make. For the record,\nmost oil companies average about 2# profit per gallon of gasoline. Fed-\neral and state taxes average 12# per gallon. It may be that the gasoline\npump has become America's most efficient tax collector.\nWith his wife: Arthur and Aniela Rubinstein, at a party in New York in 1971\non the occasion of his 84th birthday. They were married in 1932.\nBack to basics? Yeah, well, like, uh, there was this big test, see, that, uh,\nthese kids took to test their, you know, their writing abilities and what do\nyou think was revealed? Youngsters now write as they talk, in mass media\nfeels there is a pragmatic philosophical\nhimself born again, looking at the\nstyles of TV, newspapers and advertising. Sampling thousands of student\nbasis for his cheery temperament and\nworld with an ecstasy that, 68 years\nopen nature, and his ability to sustain\nlater, he manages to sustain. This\n\"essays,\" the National Assessment of Educational Progress discovered\na youthful outlook into what is, chron-\nis not a man glumly marking time,\nincreased Incoherence, conceptual fuzziness and fragmented phrasing-\nologically, very old age.\nwaiting to be released from life. Three\nespecially among seventeen-year-olds.\nIn fact, the civility and wholehearted\nyears ago, he published his first book,\nNow the good news. Oil people have been quick to point out that\nhumanism that his audiences sense\nthe charming memoir entitled \"My\nmany Americans-college grads among them-don't know enough about\nand find so appealing is completely\nYoung Years. His newly recorded\nbasic economics and are fuzzy on the role of profits, the need to raise\nunsentimental in origin and grew out\ncomplete set of Beethoven concertos\ncapital, and the incentives of a free market. Happily, that's changing, with\nof Rubinstein's clear-eyed analysis,\nis'ont this month.\nuniversities reporting a sharp upturn in enrollment in economics courses.\nearly on, of a hard world. He is\nAccording to Max Wilcox, who has\nSome schools report that basic economics has replaced biology as the\na firm agnostic. \"When I was a child,\nproduced all of Rubinstein's recordings\nfavorite field of study-apparently leaving the birds and the bees to extra-\nI looked and I did not see any god.\nsince 1959, the Beethoven sessions\ncurricular activities.\nI doubt if Moses saw him, really.\n\"went terribly well.\" Done last year\nAll those little girls who saw the\nin London with Daniel Barenboim con-\nVirgin. All that, no, a lie.\" He laughs\nducting the London Philharmonic, the\nand waves one of the largest hands\nfive concertos were recorded in seven-\never placed at the disposal of a great\nand-a-half sessions, a total of not\nquite. That would be very\nis, an octave plus four more keys.\nquick for anybody, but for someone\n\"They did not convince me. Jeanne\nwho's nearly 90, well. Wilcox\nd'Arc, a charming story. But not my\npauses to think. \"Has there ever been\nidea of what is. Look at those Irish\na reigning piano virtuoso at this age?\n5\n3\npeople now, who produce such fine\nI don't think so.\" Saint-Saens, Isidor\npoetry-civilized, musical people, like\nPhilipp, Francis Planté and others\nyou and me. But one side is Protestant\nplayed in public when they were ap-\nand the other is Catholic, so they\nproaching or even past 90, but ap-\nkill each other for it. The Arabs and\nparently at nothing like Rubinstein's\nthe Israelis, what do they want of\nlevel.\neach other? The Arabs have Mo-\nhammed, Israel has another fellow,\nAnother who has worked closely\nso they say, sorry, but we must kill\nwith Rubinstein-at his side, in fact,\nyou for that. So, long ago, I decided\nas piano tuner and sometime page\nI did not see any god. We are put\nturner-is Stephen Borell. Formerly\nhere on earth without being asked\nhead technician of Steinway (and later\nif we want to live, just like any\nof Baldwin). Borell is on his own\n\"BECAUSE BATTERIES GO DEAD IN POCKET CALCULATORS, THAT'S WHY.\"\nanimal but more unfortunate because\nnow and no longer tunes Rubinstein's\n©1976 by permission of Saturday Review and Brenda Burbank.\nwe also have this brain.\" Rubinstein's\nSteinways. But for years he traveled\nvoice has lost its rich timbre by this\nwith the pianist to tend his piano,\ntime and dropped to an enervated\nand finds it easy to grow lyrical\nA quote we like. \"Govern a great nation as you would cook a small fish-\nwhisper. Then, jerking himself up\nabout both the artist and the man.\ndon't overdo it.\" Confucius\nstraight, he brightens.\n\"He has such a spirit, such a sense\n\"I felt I was. left alone in the\nof humor, such a natural graciousness.\nSecond time around. If you missed Eugene O'Neill's A MOON FOR THE\nAnd\nthat\ntone.\nThe Rubinstein\nworld, forced to live.\" And here he\nMISBEGOTTEN as a Mobil Showcase Presentation last year on TV, you\nlaunches into one of his favorite sto-\ntone, full and sonorous at any volume\nmight welcome seeing it this week over the Public Broadcasting Service.\nries, about the time when he tried\nlevel, has been one of the distinctive\nto hang himself. He made the attempt\nfeatures of his playing from the begin-\nPraised by critics as a \"magnificent\" production, it stars Colleen Dew-\nhurst and Jason Robards, and was co-directed for television by Jose\nin Berlin at the age of 21 when\nning, and piano experts have never\nhis career had hit bottom. It was\ngiven up trying to explain it. Borell\nQuintero and Gordon Rigsby. Check your TV listings for broadcast time\nknows all the theories-the thick\nin your area.\na gray day in 1908. He was out\nof money and being dunned by hotels\npads of flesh at the fingertips, the\nand restaurants. He could not get\narm-weighted stroke, the pliant wrists\n-but he has a close-up observation\nconcert engagements. He was not,\nfor the moment, in love. So he tried\nto offer, too.\nMobil®\nto hang himself in his bathroom. For-\n\"Sitting beside him and turning\ntunately, the rope (his bathrobe belt)\npages, I was able to watch what he\nbroke and sent him sprawling (\"If\ndoes, and I discovered something sur-\nI saw today such a scene on television,\nprising. You know the way he likes\nI would roar with laughter,\" he com-\nto rise off the piano bench, lift his\nObservations, Sex A, Mobil ON Corporation, 150 East 42 Street, New York, N.Y. 10017\nments in his memoirs). And he found\nhands high (Continued on Page 28)\n01976 Mobile a Corporation\nEvelyn Holer\n61\nThe artist at 89: Young people who hear Arthur Rubinstein this season must strain their imaginations to realize that this man was 10 years old when Brahms died.\nThe New York Times Magazine/March 14, 1976\nI was still alive. Look\nContinued from Page 20\n\"A man has the right to know\nstill can walk and talk\nover the keys and bring\nJove, I tell you I had a\nthem down with what you'd\ntime. I wanted them to\nwhat goes into the Scotch he drinks.\"\nexpect to be a terrible crash.\nme in which part of the\nWell, I noticed that, just be-\nthe soul is located but\n-Sir James Buchaman\nfore hitting the keys, be stops\ncouldn't.\"\nfor a split second and then\nLast year, for the first\n\"At The House of Buchanan,\nGlentauchers\nproducts of the famed\npushes on into them. It's done\nin 16 years, he went ba\nwe still believe and blend as\nGlenlivet region.\nso fast you can barely see it,\nPoland, where he visited 1\nbut that's what happens.\"\nan event that was docume\nmy grandfather did.\n\"Together they combine\nRubinstein enjoys the dramat-\nin a film titled \"The o\nTREMS\nto make Buchanan's 12 the\nic impact that he can provide\nback.\" He had been quit\n\"It is a family tradition.\nwith such high-handed tactics,\nprehensive about retu\n\"A matter of family pride:\nBalmenach\n12-year-old blended Scotch\nbut it is not done purely for\nafter 90 many years, d\nthe eyes, as you can prove by\nwhich both his homeland\n\"Pride in the excellence\nwith heart of pure High-\nclosing your own when be is\nhe had changed so much\nof the blend which bears my\nland whiskies'.\nabout to strike. In fact, an al-\neverything went well. \"I\nmost imperceptible pause be-\nvery touching country,\ngrandfather's name and mine,\n\"For no other single-\nfore pushing into the keys can\nBenrinnes\nknow, a very proud little .\nmalts but Highlands are used\nact to cushion the tone, and\nBuchanan's 12.\ntry. They have somethin\nif you have a piano handy you\ncommon with the Spania\nin Buchanan's 12.\nmight even be able to check\ncertain noble pride. A bit\n\"If you choose to sample\nout Borell's theory for your-\npid, some practical P\nself. \"The man doesn't just\nmight say. They will\nCragganmore\nit, you will find it as it was\nsit down at a strange piano\nthousand strong agains\nwhen it began:\nand start playing.\" Borell\narmy of a million Russ\ngoes on, \"He experiments for\nfighting with forks and sp\n\"Subtle.\na while to find out what its\nand I don't know what.\npotential is, what its charac-\nare already proud to I\n\"Light.\nter is. Then be adjusts with\nthat, if they fall on the be\nDailuaine\n\"But with tempered\nincredible speed. That's typi-\nfield, there will be bear\ncal of his whole approach to\npoems written in their b\nmellowness in both body and\nlife, too.\" No man is a hero\nThey have kept that,\nbouquet.\nto his valet, it says in Pin-\nnow. They are the only\ntarch, but Arthur Rubinstein\nwho opposed Hitler from\n\"In your country, it is\nis a hero to his piano tuner.\nto last.\"\nCraigellachie\ndearly priced.\nIf you turn on your televi-\nRubinstein seldom goe\nsion set, you may well come\nfor long without talking\nSir James Buchanan (Lord Woolavington)\n\"And in very limited\nupon this ageless hero play-\nitics, especially internat\n1849-1935 Founder House of Buchanan\nsupply\ning a concerto by Brahms,\npolitics in relation to 1\nChopin Beethoven in the\n\"where have been pl\n\"That is why, unlike\nGlenlossie\n\"Because we neither can,\nGreat Performers\" series (he\nfor nothing, you know, &\nalso has done Grieg and Saint-\nlast 30 years.\" He is out\nany premium blended Scotch\nnor will, mass-produce the\nSaens, for future release).\nby the treatment Israel\nScotch that bears my grand-\nMusical America has named\nbeen getting in the U\nwhisky ever sold in America,\nhim Musician of the Year for\nNations and has as\nwe take pride in naming the\nfather's name.\n1976. Everywhere he goes\nrespect for that body\nprincipal single malts which,\nGlen\nElgin\n\"And mine.\"\nsomeone presses a new award\nfor all the other b\nor honorary degree upon him.\nthat misgovern the P\namong other exceptional\nLast year he was invited to\nof the world-his peopl\nJames Burrann\ntake part in a symposium on\nof them his personal fri\nwhiskies, go into our blend.\n\"The Majesty of Man\" at the\n\"Look here, the United\n\"If you know fine Scotch,\nStanford University Medical\ntions, if you will allow\nLochnagar\nCenter, to discuss the mys-\nsay it, is an assembly\nyou will recognize them all.\nteries of human creativity. His\nlutely of rascals. It is\n\"And fully appreciate why\nfellow panelists were scien-\nposed to be a gentle\ntists, including two Nobel\nclub. So in this club they\nthe whiskies selected combine\n12\nPrize-winners, Linus Pauling\nhad a Stalin, heh, heh, I\nand Joshua Lederberg. Poor\nMr. Kadar who has ki\nto set Buchanan's 12 apart,\nTeaninich\ninnocent scientific souls\ndon't know how many\n\"The selection is choice.\nAs anyone could have told\nsands of people in Hus\nthem, Rubinstein does not\nThe Czech fellow wh\n\"Limited to 12 'Ideals'.\nappear on panels, he performs\nwould like to kick. A1\n\"Each the product of an\nMEHANAAS\non them. According to a\nthose others who are no\nreport in The Stanford\nfor such a club, who\nold, established and well\nMortlach\nObserver, the pianist waited\nknow what it is all about\nrespected distillery,\nuntil the others had\nabsurdity, really.\"\ncarried on for a time about\nRubinstein, who was\n\"Each and every one, from\n\"how 1/10-volt nerve Impuls-\nin Parts with his wife\nes travel at 250 miles per\nBalmenach through Teaninich,\ntwo children (subseq\nColeburn\nhour through the body,\" and\ntwo more arrived)\nis a Highland whisky.\nthen began to talk about \"his\nWorld War II broke\nconcept of happiness and the\npicked up his family\n\"And two, Cragganmore\nimportance of emotion.\" As\nmoved to the United s\nand Dailuaine, are cherished\nthe reporter noted with un-\nlike so many European\nconcealed glee, Rubinstein\ngee artists, among\nstole the show. Recalling the\nMann, Bartok, Schoe\nevent now, Rubinstein chor-\nHindemith and Strav\nBuchanan's 12. The Blend of Ideals.\nties over how \"they wanted\nAnd like so many of\nto poke my brain and exam-\nRubinstein moved to C\nine me-they seemed amazed\nnia, where he settled in I\nBlended Scotch Whisky 86.8 Proof, Heublein, Inc. Hartford, Conn.\n28\nLONDON\nSwimook\nLEEDS\nGATESHEAD\nhaw\nGIVOT\n/\nMAIDSTONE\nWith his piano: Rubinstein in 1906, when he made his Amer-\nican debut. He did not make \"an unforgettable impression.\"\nly Hills in what was, by that\nrio. Now, of course, the Great\ntime, his 32d home. He be-\nSol is gone, too, and Rubin-\ncame a United States citizen\nstein is lonelier for it.\nin 1946 but now lives- when\n\"I met Hurok when I was\nA gentle reminder (as if you need one).\nhe is not making the interna-\n40, you know, and we were\ntional hotel circuit on his in-\nboth struggling to begin. Cha-\ncessant tours - in homes in\nliapin, who was my dear\nMarbella on Spain's Costa del\nfriend-my big brother al-\nSol and in his prewar house\nmost, I adored him-invited\non the Avenue Foch in Paris,\nme to his hotel here in New\nIf you recognize the gentleman (and who doesn't?), and if\nclose 'to the onetime\nYork\nThis\nwas\nof Debussy.\nin those for me very dark\nyou've heard the gong (and who hasn't?), you know the pro-\nMany of Rubinstein's old\n20's, you see. And there was\nductions will be great. And they are.\nfriends have deserted him by\na little man sitting in the\nnow and while the ranks have\ncorner. Chaliapin treated him\nThere is no second Rank in hotels. Not where we are with\nbeen filled by the multiplying\nterribly, told him to sit there,\nmillions of us who know him\ndon't speak, things like that.\nwhat we offer. Which is considerable. We're all you need to\nthrough his music-making, the\nI played 'Petroushka' on the\nknow in London. Nobody outranks us for diversity of hotels\nabsentee list is a glorious\npiano and the little man -\none. Man and boy, Rubinstein\nwho, of course, was Hurok\nand rates, from 5-star luxury to the brand newest budget\nhas been close to virtually\n-thought It was fine.\"\nbuy in town. Rank has its very special privileges for guests in\nall the important artists and\nAt the time of meeting\nParis and Brussels. And its pleasures in unusual resorts from\npublic figures of the century.\nHurok, Rubinstein was\nHe was, it is startling to real-\nmiddle-aged and a notoriously\nthe Italian Alps and Scottish Highlands to sunny Sardinia and\nize, a protégé of Joseph\nerratic artist. Although he had\nthe Canaries.\nJoachim, the man to whom\nmade his New York debut\nBrahms dedicated his Violin\nin 1906 and had returned in\nConcerto, and of Paderewski,\n1919 for a second try at the\nIn all, 17 productions that will really give you a top Rank time.\nthe only planist ever to be\nbrass ring on the American\nWhether you're going to Europe for business, pleasure or\nthe political leader of his\nconcert carrousel, he had made\nboth. Join the Ranks and we'll prove it to you. (Maybe we\ncountry (one makes this state-\nsomething less than an unfor-\nment in full recognition of\ngettable impression. Technical-\nshould say, we'll give you the shirt off our back. But after all,\nthe fact that Harry Truman,\nly, he insists (although there\none picture is worth a 1,000 words.)\nRichard Nixon and others\nare those who will dispute him\nhave been known to sit at\non the basis of existing record-\nthe instrument on occasion).\nings) he was not first-class.\nHe was befriended by Saint-\nSo, after his marriage at 43 in\nSaens, rubbed elbows and\n1932 to Aniela Mylnarski, he\nminds with Hemingway and\nmade up his mind to become\nHotels\nPicasso (\"I knew him before\na responsible fellow. He clois-\nRank\nhe was Picasso and I was\ntered himself in an Alpine\nRubinstein\") and championed\nThe hotels the rest of Europe stays at.\nvillage and practiced 12 to\nthe music of such friends as\n16 hours a day, trying to\nInformation and reservations: N.Y.C., call (212) 421-2353.\nStravinsky, Albéniz, Grana-\nrebuild from the ground up\nRank Hotels (Sales) Ltd., 444 Madison Avenue, New York, N.Y. 10022\nOr call (212) 586-5099. LRI (Loews Reservations Inc.),\ndos, Falla, Szymanowski,\na technique that could match\n666 Fifth Avenue, New York, N. Y. 10019.\nRavel, Poulenc and Milhaud\nhis innate musicality and flair.\nOutside New York State, call 800-223-5560 toll-free.\nwhen these names were con-\n\"You see, before that I was\nOr check the Yellow Pages and call LRI in your area toll-free.\nsidered part of the accursed\na little too interested in other\navant-garde. He even-yes,\nthings at certain periods of\nENGLAND. London: The Alexandra National, The Athenseum, The Gloucester, The Royal Garden, The\neven this-knew Sol: Hurok\nmy. life. I adored literature.\nRoyal Lancester, The White House, Gateshead: The Five Bridges. Maidstone: The Great Danes. Leeds: The\nMerrion. Bristol: The Unicorn. Swindon: The Wiltshire. SCOTLAND. Invernes-shire: The Coylumbridge.\nbefore Hurok was an impresa-\nI enjoyed hearing intelligent\nBELGIUM. Brussels: The Royal Windsor. FRANCE. Paris: The Westminster. ITALY. Aosta (Italian Alps):\nThe Valle d'Aosta. SARDINA. Porto Cervo: The Romazzino. CANARY ISLANDS. Tenerife: The Medano.\n30\npeople talk and that stopped\nshowman: \"Ah, my dear\n\"Dark Cameroon wrapper on\nme from wanting to practice.\"\nArtoooor.\" Hurok insisted on\n(As others remember it, and\ncalling Rubinstein Artur for\nas Rubinstein documents it\npublicity purposes because\na cigar the size of my No. 3.\nin his memoirs, the problem\nbe thought the name had\nwas not so much literature\nmore class than plain Arthur.\nas women, wine and song,\n\"But I always signed my name\ncall that style.\"\nto revise slightly the tradi-\nin Spain as Arturo, in Slavic\ntional recipe for oats-sowing.)\ncountries as Artur, and in\n\"So, here was this little\nAmerica I want to be Arthur.\nfellow Hurok, at that time\nIt's silly to make a fuss and\nputting on low-priced-cort-\nI feel guilty about it, but\n\"Expensive, dark\ncerts here in the Hippodrome.\nI. always preferred that.\"\nMischa Elman, the circus,\nAt the word \"guilty,\" Mrs.\nCameroon wrapper\nhorse shows, Galli-Curci, ev-\nRubinstein looks at her hus-\nis usually\nerything-oh, how It smelled.\nband reproachfully. \"This\nHurok remembered me from\nman, he is ridden with guilt.\ncigar\nreserved for\nChaliapin's and came to see\nHe feels guilty about the\n5 CIGARS\nme. I have Titta Ruffo for\nwars, about being a survivor\nbillboard.\"\nNo. 3\nlarge cigars.\na concert but he is able to\nwhen so many others are\nBut it's on\nsing only a few arias, so\ngone. And he even feels guilty\nwould you play two items\nabout not having played some\nmy No. 3\".\non his program?\" Yes, I would.\ngreat pieces of music.\" Rubin-\nAs it happened, Ruffo was\nstein nodded glumly. \"Yes, I\nnot in voice, but I was in\nwill die with the feeling that\nvoice and the audience made\nthere are at least a hundred\nme give two encores in the\nworks that I might have\n\"This is the\nmiddle of the concert. Hurok\nplayed-the Sixth Sonata of\nactual pack size.\nwas very impressed. He\nProkofiev, for instance, also\nthought my kind of personali-\nthe First and Third concertos\nIt disappears\nCapitán\nty was absolutely right for\nBut, you know I really never\nthe country at that moment\nwanted to play the last sona-\nin your pocket.\"\nand so we made the career\ntas of Beethoven in public. I\ndeTueros.\ntogether, Hurok and\nthink these are private works,\nfor the drawing room. The\nHurok was a shrewd judge\npublic pretends to love them\nTime\nof performing chemistry and\nbut really it gets rather bored.\nit is not hard to see now\nThe slow movement of Op. III\nwhy Rubinstein has enjoyed\nis sublime but in the concert\nsuch a large and fanatically\nhall. unless it is played in an\ndevoted audience. Above all,\nabsolutely sublime way, A\nextre Was UNITED you to wear. 00\nhe pays attention to a work's\nwant to fall asleep.\n\"line,\" its overall meaning\nand design and, as Sir Thomas\nSuch Rubinstein attitudes\nBeecham once reminded an\nas that have always gotten\norchestra, \"That's all the au-\nhim in trouble with people\ndience really cares about.\" Ru-\nwho consider themselves\nbinstein himself remembers\nmore serious than he about\nthat \"even in the days when\nmusic. But while he may be\nThis\nthe critics used to complain\ntemperamentally in tune with\nmost about details, the line\nmuch of the piano literature\nis the\nwas there, It jolly well was\nthat these more somber souls\nthere.\" However, the line\nadmire, he has found much\n\"You'll agree this is what\nactual size\nmust be supported by in-\nof it unsuited to his public\ngood looks ought to taste like.\"\nof a No. 3.\nnumerable nuances of phras-\nneeds. Until recent years, for\ning, accentuation, color chang-\ninstance, he played little Mo-\nThat's why\nes and dynamic gradations\nzart and less Schubert, though\nor it will fail to please dis-\nwhen he got around to record-\nJohn Weitz\nthe man\ncerning listeners and the fact\ning a Schubert sonata, he\nis that musicians have been\nchose the greatest and most\non the go\nRubinstein's most dedicated\nchallenging of them all, the\ngoes for it.\"\nfans throughout his career.\nposthumous B-flat. He isn't\nIt is not given to every planist\nvery good at explaining why\nto please both the finest musi-\nhe favored Brahms or Chopin.\nclans of his time and Sol\n\"I always had the feeling that\nHurok's millions.\nmusic is good to be heard\nTry Capitán cigars. Mild imported filler.\nbut not too much spoken\nabout. That's why I didn't\nCameroon wrapper. Sensible price.\nrs. Rubinstein, a\nM\nwrite so much about music\nA choice of four shapes.\nlively\nblonde\nin my book. I find them pretty\nwoman who is 23\nfunny, actually, those little\nCapitán\nyears younger\nbooks that musicians write\nthan her husband, had joined\nabout how they play.\" He\nthe conversation by this time\ncasts his astonishingly pliable\nand put in, \"We miss him\nface into the caricature of\nThe first cigar styled by\nvery much, Hurok. He was so\na men's fashion designer.\nfunny about that 'Artur' busi-\na philosopher-pedant and pon-\nness.\" Rubinstein nodded and\nderously intones, \"I was read-\nimmediately slipped into his\ning one day more of Schopen-\nSol Hurok impression, rum-\nhauer, and then I played the\nbling in the familiar tone of\nChaconne a little-ah, slow-\nthe Ukrainian immigrant-\nA throwaway joke, deliv-\nBERT PALEY, LTD.\nered with the timing of the\nloved Brahms, can be annoy-\nborn comedian.\ningly Prussian. \"Do you know\nDespite a career-long\nthat Brahms broke off his\nPART OF\naddiction to the music of\nfriendship with a Viennese\nBeethoven, Brahms and Schu-\ndoctor, a great patron of the\nmann, Rubinstein seems to\narts, because that doctor once\nhave grown increasingly dis-\nTHE AFTER SIX\ninvited Massenet to dinner?\nturbed about the nation that\nMassenet had come to Vienna\nFORD\nLIBRARY\nproduced them. He has not\nto produce his opera Werth-\nplayed in public on German\nFAMILY\ner.' Brahms said to his friend,\ny\nsoil since the beginning of\n'How could you tolerate that\nWorld War 1, when he became\ndirt, that so-called music? You\nHow do you recognize a member of the\nGERALD\noutraged at the treatment of\nare no friend of mine. tHe\nAfter Six family?\nthe Belgians by the German\ndidn't even go to the doctor's\nYou can't.\ninvaders. For a while after\nfuneral. I was absolutely furi-\nNot if what you look for is on the surface.\nthe holocaust of World War\nous when I read that. I spat\nII, he even refused to get\nBecause the brands in the After Six family\nblood, because I adore\nout of planes when they\nBrahms. But he was always\nare as different as a tux and a leather jacket.\ntouched down in Germany for\nrude, terribly rude, a vicious\nBut beneath the surface there is a strong\nbrief stopovers.\nfellow, if you like. But what\nsimilarity, a dedication to the old tailoring\nHowever, in 1963, he gave R\ncan you do about it? You know\nverities. You can't have great fashion\nspecial concert in the Nether-\nhow rude he was to Clara\nwithout great fit. And you can't have great\nlands, just across the German\nSchumann at the close of her\nlife? Last year I swallowed\nfit without great sewmanship.\nborder, to which bus-loads of\nhis German admirers were\neight volumes of Max Kal-\nBert Paley reflects that devotion to\nbrought, simply to show that\nbeck's biography of Brahms,\ndetails in the superlative way their leather\nhe clearly distinguishes the\nabsolutely, day by day. He\nwear is handled. You'll find this Bert Paley\npeople of any country from\ntells those stories on\nchamois suede jacket with Roman\nthe fools and scoundrels who\nBrahms.\" Rubinstein talks\nstriped pockets featured at Finchleys, N.Y.;\nrule them. He has faith in\nheatedly, not about some his-\nthem, even now. \"Why should\ntorical figure, but about a\nMarsh's, Huntington, L.I., N.Y.; Morville\nI be cynical? My public\ncontemporary whose life be-\nClothes, Philadelphia; Capper & Capper,\nis individuals, made up of\ncame intertwined, through\nChicago; Al Baskin, Chicago andother\npeople who love music. I hate\nJoachim, with his own.\nfine stores everywhere. OR CALL TOLL\nall the nations in the world\nWe have moved to the din-\nFREE (800) 523-4554.\nbecause can you ever really\ning table by now, and Mrs.\nbelieve one word that their\nRubinstein is revealing to me\nFor an interesting booklet on Bert Paley and the\nother well-known divisions of After Six, Inc., write\nleaders say? Hypocrites! Rus-\none of the possible answers\nto 1290 Avenue of the Americas, N.Y.C. 10019.\nsia, for instance-250 million\nto the mystery of her hus-\nBERT PALEY. LTD/A DIVISION OF SIX, INC. /Amerteen Stock Exchange Symbol: TUX.\nRussians, and 240 million are\nband's physical and mental\nslaves. Revolutions are al-\nresilience-his eating habits.\nways made by decent people,\n\"For many years I have\nbut right away\ncooked for him. I am a profes-\nBecause Rubinstein has\nsional cook, I love it. You\nnever been able to treat music\nknow, this new fat-free\nas one of the abstract scienc-\nFrench cuisine they are talk-\nes, his ideas about composers\ning about, I like it very much\nand their works seem to con-\nbecause I have always done\nflict at times or overlap into\nit. I take off all the grease,\npolitics. Even Brahms, his be-\nall the fats, and at the end\nThose who\nknow London\nknow where\nto find the\nperfect time.\nLOEWS\nCHURCHILL\nWith his impresario: The pianist with the late Sol Hurok, whose\nPORTMAN SQUARE LONDON W1\nshrewd management helped Rubinstein to win great fame.\nFOR RESERVATIONS. SEE YOUR TRAVEL AGENT OR CHECK THE YELLOW PAGES AND CALL LRI ILOEWS RESERVATIONS INC) TOLL FREE IN YOUR AREA\nThe New York Times Magazine/March 11,1976\n35\n\"We Begg\nto\ndiffer.\"\nJohn Begg is an un-\nusual Scotch. A little lighter,\na little smoother. If you\ncan call a Scotch\nJuhm Basa\n\"rich,\" we'll call it\nthat, too.\nJohn Begg\nScotch. 131 years\nof quality.\nWith his audience: Rubinstein acknowledges applause after a Carnegie Hell concert, 1974.\nI put in a little cream here I couldn't see the keys,\" Ru- pieces, including about 40\nand there.\"\nbinstein says. The trouble,\nconcertos.\nThe Rubinsteins laugh a lot,\nwhich has been growing in-\nSomething has been nagging\nIMPORTED\nloudly and with gusto, and\ncreasingly more serious in the\nat my own memory during\nseem to enjoy each other's\nthis discussion and, after leav-\nlast few years and now af-\njokes enormously. \"For 43\ning the Rubinsteins, I go home\nyears, all my married life,\nfects both eyes, seems to date\nand look up my notes from\n1 have cooked that way. He\nfrom a time when Rubinstein\nthat 1972 interview in Buffa-\nis a very easy fellow to feed.\nwas hospitalized by an attack\nlo. I find a few sentences\nGood appetite. He loves chick-\nof shingles. A type of eye\nthat hadn't seemed important\nen, so I have a million ways\nfailure that is not helped by\nenough to include in the ar-\nONE QUART\nto cook it. He could eat it\nglasses, it is caused by a\nticle I wrote then but which\nevery day and not complain.\nhardening of blood vessels in\nnow leap out of the page.\nHe doesn't very much like\nthe eyeball. Rubinstein has\nRubinstein had been good-na-\nred: meat.\" Rubinstein drops\nbeen left with only dim periph-\nturedly defending his flam-\nESTD.\n1845\nhis jaw, hunches over his\neral vision. Moreover, as has\nboyant style of playing. his\nplate and gives his imitation\nbecome increasingly evident\nway of leaning back, gazing\nof your average American\nduring our conversation, the\nat the celling and lifting his\ngourmand tearing at a bloody\nhearing in his right ear is\nhands high off the keyboard.\nJohn Begg\nsteak, complete with cave-\njust about gone.\n\"As you know, I was always\nman growis and digestive\nBut Rubinstein's reservoir\nthe champion of wrong notes,\nsound effects. But then the\nof good humor seems bottom-\nbut I don't care because 1\nwinds of Rubinstein's moods\nless and his élan does not\nneed the impact that I can\nchange again. \"You know,\"\ndesert him even at this dark\nget in this way,\" he had said.\nBlue Cap\nhe says quietly, \"I would like\nturn of events. \"Of course,\n\"I must confess, in fact, that\nto continue writing-but no,\nit is very bad for me, this\nmy dream is to play whole\nBLENDED SCOTCH WHISKY\nit is too late now, I am too\nthing of the eyes, because,\npieces, maybe whole pro-\nold, and my eyes\nnext to music and my family,\ngrams, without looking at the\n100% SCOTCH WHISKIES\nMrs. Rubinstein winces,\nI love books the most. So my\nkeys once.\"\nDistilled and Blended in Scorland\nand the reason quickly\nwife will have to read to me\nThe dream is now reality.\nSHIPPED BY.\nbecomes clear: Rubinstein is\nnow. We are making plans\nPerhaps there will again be\nJohn GLASGOW BEGG LTD\nSCOTLAND\nlosing his sight. \"Shall we\nfor this new kind of life.\na few wrong notes? Perhaps.\nROYAL\ntell?\" Mrs. Rubinstein asks\nNaturally, I regret this very\nBut Rosina Lhevinne, herself\nis\nher husband. He smiles and\nmuch, but what can you do?\none of the famous pianists\nshrugs. \"Why not, after all,\"\nI am getting old and these\nand teachers of her time, long\nshe goes on, \"when it is really\nthings happen to one at this\nago had the last word on\nmore wonderful that you play\ntime. I still will enjoy every\nthat. To a student who men-\nwithout\nAnd so the sus-\nday, and keep on playing if 1\ntioned Rubinstein's occasional\npected but still startling facts\ncan.\" Fortunately, he has a\nwrong notes, Lhevinne re-\ncome out.\nphotographic memory in\nsponded dreamily, \"Ah, yes,\n86 Proof, Imported by and bottled in U.S. for James M, McCunn & Co., N.Y.\n\"For the last six concerts\nwhich is stored hundreds of\nbut what wrong notes.\"\n20\n38\nC\nT\nOF\ntl\nm\nin\nall\nag\nesd\nlon\none\nobli\ntudi\nmar\nvice\ningn\ntor\nstate\nto re\n30\nfault.\nan\nOri\nmittec\nBudge\nearor\nfuture\nrowing\nstate\nposed\nTARD\nUnited Press International\nclusive\nanier\nArthur Rubinstein by a bust of himself that was unveiled at Carnegie Hall yesterday\nThe\n\",VII\nnight\n,I&W\nber pa\n2:11\nas bi\nNotes on People\nresen\nSena\nthe\nagrees\nal-\ne\nRubinstein's Bustin Carnegie\npr\nof\nSeventy years after he\nMr. Ozawa, who will con-\nhead of the teamsters' union\nat\nmade his American debut in\ntinue as director of the Bos\nhas been missing since July\nCarnegie Hall, Arthur Rubin-\nton Symphony, reached on\n30 and is believed dead, but\npa\nstein unveiled a bust of him-\ntour in Hanover, Germany,\nthe suit does not seek certi-\nW\nself there yesterday. The 89-\nfication of his death. In ad-\nin\nsaid, he was \"happy about\nyear-old pianist, scheduled to\nmy orchestra's very good\ndition to normal duties as\nre\nplay a recital there Monday,\nfeeling about Maestro de\nadministrator, according to\nwas described by Isaac Stern,\nWaart and wish him and my\nher petition, Mrs. Hoffa\nfo\nthe violinist and president of\nmusicians a big success and\nneeds \"to commence certain\nlid\nCarnegie Hall, as \"the per-\na happy time making music\nlitigation in order to defend\nS6\nson who has contributed\nvaluable property interests\nin\ntogether.\"\nmore than anyone else to this\nof the estate which are now\nS\nhouse.\" A spokesman said\nAdela Holzer, a Broadway\nbeing challenged.\"\nMr. Rubinstein had played\nproducer for the last eight\nthere \"at least once a year\"\nyears, said yesterday she was\nThe 23-year-old son of\nsince his first appearance.\nquitting show business be-\nSenator James S. Abourezk,\nThe pianist said he loved the\ncause she was unable to get\nthe South Dakota Democrat,\nbust, sculpted by Nathan\n\"the necessary artistic help.\"\nconfirmed yesterday that he\nRapaport, \"because it doesn't\nShe will close \"Me Jack, You\nhad received food stamps but\nlook like me but the way\nJill\" Sunday, after 16 preview\ncalled press reports about the\nI should look.\"\nperformances, in the after-\nmatter \"cheap sensaiona\nmath of her dismissal of the\nism.\" The Washington Po\nHorold\nT\nsaid Wednesdav that Char\nRubenetein\nTHE PRESIDENT OF THE UNITED STATES OF AMERICA\nAwards this\nPresidential Medal of Freedom\nWith Distinction\n917 GERALD R. FORD\nto\nARTHUR RUBINSTEIN\nMusician, gentleman, and bon vivant, Arthur Rubinstein has\nshared his singular and deeply personal mastery of the piano\nthroughout the world. For over seven decades, his ceaseless\nvitality, his luminous spirit and his profound depth of mind have\nbrought a fresh sparkle to the lives of people everywhere. His\naudiences love him; his colleagues and friends revere him; and\nhis country, the United States of America, is proud to proclaim him\nas a giant among artists and men.\nThere is no scenario because they won't know until 10:00 if\nor not Rubenstein will play the piano.\n12:10 The President will come upstairs to get Mrs. Ford\n12:15 The President and Mrs. Ford will join Mr. and Mrs. Rubenstein\nand children in the Red Room\n12:20 Rubenstein children proceed four principals entering\nEast Room (Mrs. Ford will sit on the platform with\nthe Rubensteins.\nPresident Speaks and presents medal\nGERALD R. FORD\nRubenstein Speaks\nRubenstein May play piano\n12:50 If he plays there will be brief mingling (5 min. with\nthe principals and guests)\nThere will be a receiving line in the hall after seremony\n1:20 President goes up to the luncheon which is in the Yellow\nOver Room\n2:20 Luncheon ends\n3:15 pm PSA Taping\nNOT FOR RELEASE\nGuest list for the reception to be given by the President and Mrs. Ford on\nthe occasion of the Presentation of the Presidential Medal of Freedom to\nArthur Rubinstein on Thursday, April 1, 1976 at twelve o'clock\nMr. and Mrs. Arthur Rubinstein\nMiss Alina Rubinstein\nDaughter of Mr. and Mrs. Arthur Rubinstein\nMiss Eva Rubinstein\nDaughter of Mr. and Mrs. Arthur Rubinstein\nMr. and Mrs. John Rubinstein\nSon and daughter-in-law of Mr. and Mrs. Arthur Rubinstein\nHis Excellency The Ambassador of Austria\nand Mrs. Halusa\nHis Excellency The Ambassador of Belgium\nand Mrs. Van Cauwenberg\nHis Excellency The British Ambassador\nand Lady Ramsbotham\nHis Excellency The Ambassador of Chile\nand Mrs. Trucco\nMrs. Jacques Kosciusko-Morizet\nWife of the Ambassador of France\nThe Honorable Niels Hansen\nCharge d'affaires, Embassy of the Federal\nRepublic of Germany\nHis Excellency Simcha Dinitz\nAmbassador of Israel\nMrs. Roberto Gaja\nWife of the Ambassador of Italy\nThe Honorable Emile Tydeman and Mrs. Tydeman\nCharge d'affaires, Embassy of the Netherlands\nHis Excellency The Ambassador of the Polish People's Republic\nand Mrs. Trampczynski\nHis Excellency The Ambassador of Portugal\nand Mrs. Themido\nDr. Gheorghe Ionita\nCounselor, Embassy of the Socialist Republic of Romania\nHis Excellency The Ambassador of Spain\nand Mrs. Alba\nHis Excellency The Ambassador of Sweden\nand Mrs. Wachtmeister\nFORD of GERALD LIBRARY\nMrs. Dean Acheson, Washington, D. C.\nMr. and Mrs. Joe Allbritton\nPublisher, The Washington Star\nMr. and Mrs. Philip Werner Amram, Washington, D. C.\n- 2 - 4/1/76\nMr. Walter Anderson\nMusic program director, National Endowment for the Arts\nMr. and Mrs. Hugh Auchincloss, Washington, D. C.\nMr. and Mrs. Percy Aycock, McLean, Virginia\nCampbell Music Company, Inc.\nMrs. Robert Low Bacon, Washington, D. C.\nMrs. Philip Barry, Washington, D. C.\nThe Honorable Jacob D. Beam and Mrs. Beam, Washington, D. C.\nCaptain Peter Belin, USN, retired, and Mrs. Belin, Washington, D. C.\nMr. Samuel Ellison Belk III, Washington, D. C.\nMrs. Luis Bolin, Washington, D. C.\nThe Honorable Daniel J. Boorstin and Mrs. Boorstin\nLibrarian of Congress\nDonna Julia Brambilla, Washington, D. C.\nThe Honorable Philip W. Buchen and Mrs. Buchen\nCounsel to the President\nThe Honorable Ellsworth Bunker and Mrs. Bunker\nAmbassador at Large; Mrs--The Honorable Carol C. Laise,\nDirector General of the Foreign Service\nThe Honorable W. Randolph Burgess, Washington, D. C.\nMr. Paul Callaway, Washington, D. C.\nMrs. Harvey L. Cliburn, Shreveport, Louisiana\nMother of Mr. Van Cliburn\nMr. Van Cliburn, Shreveport, Louisiana\nConcert pianist\nThe Honorable Michael Collins and Mrs. Collins\nDirector, National Air and Space Museum\nMr. William M. Cook, Washington, D. C.\nMrs. Oscar S. Cox, Washington, D. C.\nMr. and Mrs. Raymond E. Cox, Washington, D. C.\nMr. and Mrs. Martin Feinstein\nExecutive Director of Performing Arts, JFK Center for the\nPerforming Arts\nDEPART\nFORD\nMr. and Mrs. Edward T. Folliard, Washington, D. C.\nMedal of Freedom recipient 1970\nLIBRARY\nThe Honorable Leonard Garment, Washington, D. C.\nMr. George Gelles, Washington, D. C.\nThe Washington Star\nMr. and Mrs. Vladimir Gelvans, Forest Hills, New York\nMr--American Ballet Theater\nMr. and Mrs. Kenneth Glancy, New York, New York\nPresident RCA/Victor Records\nMrs. Philip L. Graham, Washington, D. C.\nPublisher, The Washington Post\nMiss Judy Gruber, Washington, D. C.\nMr. and Mrs. Roger Hall, New York, New York\nChairman, Hurok Concerts, Inc.\n- 3 - 4/1/76\nThe Honorable Bryce N. Harlow, Arlington, Virginia\nMr. John K. Havemeyer, Washington, D. C.\nMr. and Mrs. J. Patrick Hayes\nPresident, Washington Performing Arts Society\nDr. Richard Hubbard Howland, Washington, D. C.\nMr. and Mrs. William Hunter, Bethesda, Maryland\nMrs--President, Opera Society of Washington\nThe Honorable Jacob K. Javits, U. S. Senate, and Mrs. Javits\n(New York)\nMr. George Lasocki, Washington, D. C.\nMr. George London, Washington, D. C.\nWashington Opera Society\nThe Honorable Clark MacGregor and Mrs. MacGregor, Washington, D. C.\nMr. Peter Malatesta, McLean, Virginia\nThe Honorable Charles McC. Mathias, U. S. Senate, and Mrs. Mathias\n(Maryland)\nThe Honorable Joseph M. McDade, House of Representatives,\nand Mrs. McDade (Pennsylvania)\nMr. and Mrs. Norman Nadel, New York, New York\nScripps Howard Newspapers\nMr. and Mrs. Garrison Norton, Washington, D. C.\nMrs. Virginia Page, Washington, D. C.\nThe Honorable Claiborne Pell, U. S. Senate, and Mrs. Pell (Rhode Island)\nMr. and Mrs. Frederick Peterson, Jenkintown, Pennsylvania\nThe Honorable Raymond Price, Washington, D. C.\nMiss Linda Reynolds, Washington, D. C.\nThe Honorable John J. Richardson, Jr. and Mrs. Richardson\nAssistant Secretary of State for Educational and Cultural Affairs\nDr. and Mrs. S. Dillon Ripley II\nSecretary, Smithsonian Institution\nMr. and Mrs. Donald Sanders, Washington, D. C.\nAssociated Press\nMiss Lisa Sergio, Washington, D. C.\nMr. and Mrs. Thomas Z. Shepard, New York, New York\nDivision Vice President, RCA Red Seal\nMrs. Jouett Shouse, Washington, D. C.\nMrs. John Farr Simmons, Washington, D. C.\nMr. and Mrs. Hobart A. Spalding, Washington, D. C.\nFORD & Lib, GERALD\nMr. John Steinway, Long Island City, New York\nPresident, Steinway Piano Company\nThe Honorable Roger L. Stevens and Mrs. Stevens, Washington, D. C.\nChairman, JFK Center for the Performing Arts\nMr. Justice Stewart\nAssociate Justice of the Supreme Court\nMr. and Mrs. Michael Straight, Bethesda, Maryland\nDeputy Chairman, National Endowment for the Arts\n- 4 - 4/1/76\nMr. John S. Thacher, Washington, D. C.\nThe Honorable William Royall Tyler, Washington, D. C.\nThe Honorable Jack J. Valenti and Mrs. Valenti\nPresident, Motion Picture Association\nDr. Charles H. Watts, Jr., Washington, D. C.\nMr. and Mrs. Max Wilcox, New York, New York\nRecording producer\nThe Honorable Stanley Woodward and Mrs. Woodward, Washington, D. C.\nMr. Walter Zachariasiewicz, Chevy Chase, Maryland\nAmerican Council of Polish Cultural Clubs\nGERALD R. FORD LIBRARY\n- 5 - 4/1/76\nWhite House staff\nWilliam Baroody\nJames Cannon\nFoster Chanock\nJames Connor\nEleanor Connors\nEva Daughtrey\nJohn Dunn\nMichael Duval\nRoland Elliott\nMax Friedersdorf\nDavid Gergen\nRobert Hartmann\nTo hear from:\nEliska Hasek\nJerry Jones\nJames Cavanaugh\nBobbie Kilberg\nRobert Goldwin\nMildred Leonard\nBurt Malkiel\nJames Lynn\nJohn Marsh\nTheodore Marrs\nWilliam Seidman\nSarah Massengale\nRobert McFarlane\nMilt Mitler\nJackie Mooneyhan\nRonald Nessen\nWilliam Nicholson\nRobert Orben\nRichard Parsons\nSusan Porter\nEric Rosenberger\nTeresa Rosenberger\nEdward Schmults\nBrent Scowcroft\nWilliam Selovar\nJames Shuman\nPat Taylor\nMr. & Mrs. Wayne Vallis\nGERALD R. FORD LIBRARY\nMargita White\nKathie Wooten\n- 6 - 4/1/76\nTo hear from:\nThe Honorable Henry A. Kissinger\nSecretary of State\nThe Honorable David K. E. Bruce and Mrs. Bruce\nMedal of Freedom recipient 1976\nMr. and Mrs. Antal Dorati\nMusical director, National Symphony Orchestra\nMiss Kay Murphy Halle, Washington, D. C.\nMiss Carol V. Harford, Arlington, Virginia\nMr. and Mrs. John H. Kauffmann, Washington, D. C.\n(former Publisher of The Washington Star)\nMrs. Charles MacArthur (Helen Hayes)\nThe Honorable Charles H. Percy, U. S. Senate, and Mrs. Percy\n(Illinois)\nMr. and Mrs. Andre Previn\nLondon Symphony Orchestra\nThe Honorable H. Chapman Rose and Mrs. Rose, Washington, D. C.\nFORD de GERALD LIBRARY\nLUNCHEON - April 1, 1976\nMrs. Robert Low Bacon\nMr. William M. Cook\nMr. John Rubinstein\nMrs. Arthur Rubinstein\nMRS. FORD\nTHE PRESIDENT\nMr. Arthur Rubinstein\nMiss Eva Rubinstein\nMiss Alina Rubinstein\nMrs. John Rubinstein\nThe Secretary of State\nFORD & LIBRARY GERATO\nENTRANCE\nyellow Ovah\nRoom - -\nMiss Alina Rubinstein -- 26 years old, medical student, Columbia University\nMiss Eva Rubinstein -- 38 years old, professional photographer - Eva was\nmarried to Rev. William Coffin of Yale Divinity School but has been divorced\nfrom him for 10 years - assumed maiden name.\nJohn Rubinstein -- 30 years old - has had a lead role in \"Pippin.\"\nMrs. John Rubinstein -- wife of son.\nMrs. Robert Low Bacon -- grande dame - Washington society - - Rubinsteins'\nare house guests of Mrs. Bacon.\nWilliam Cook -- Stock Broker, Merrill, Lynch, Pierce, Fenner and Smith -\nlong time friend of the Rubinsteins - has acted as liaison for this event.\nGERALD R FORD TIBRANA\n(Gergen)\nMarch 31, 1976\nBrief Background Notes on Arthur Rubinstein\nArthur Rubinstein was born 89 years ago in Lodz, Poland,\nthe seventh child in his family. His father owned a hand-loom\nfactory.\nHe was recognized as a prodigy while still a child, and by\nthe time he was eight had given his first concert --- for charity.\nSoon thereafter he began studying under a great Hungarian\nviolinist, Joachim (who was a friend of Brahms).\nAt the age of 16, he made his first appearance in the\nU.S. playing in Philadelphia, in Carnegie Hall, and elsewhere.\nThat was in 1906 -- 70 years ago!\nFor the next 25 years he played in several continents.\nAudiences loved him, especially Spanish-speaking ones, because\nof his great exuberance and zest, but he always fell below his\nrecognized talents. It was said that he paid too much attention\nto women, wine and song -- in that order -- and not very much to\nhis practice.\nHe became much more serious about his music in the 1930s,\nespecially after he married the daughter of a Polish conductor,\nAniela Mlynarski. She has been a great influence upon his life.\nRubinstein really became a great figure upon the American\nscene when, after an absence of 10 years, the impressario\nSol Hurok brought him back here in 1937. He was a smashing\nsuccess and has been returning regularly to the U.S. ever since -\nand his fame has been steadily growing.\nHe has since been decorated by practically every major\ncountry in the world. The U.S., his adopted country, is about\nthe last to recognize him --- a sore point in the art world.\n***\nGreat, good humor and a love of life have always been two\nof the Rubinstein trademarks. He is regarded as a very fine\nconversationalist, interested in almost everything --- including\nforeign affairs.\nGERALD\n***\nOne of the saddest parts of Rubinstein's career for his fans\nis his rapidly growing blindness. On this tour of the U.S., it\nis said that he cannot really see the keyboard. He is limited\nmostly to peripheral vision. His hearing is also impaired in\nhis right ear. (He will be shown a copy of the President's remarks\nprior to the Thursday ceremony so that he will understand what\nhas been said and can respond appropriately.) His music now is\nplayed from memory -- and he can play some 200 pieces by heart.\n***\n(Gergen)\n2\nMarch 31, 1976\nAnother enormous influence upon his life has been the\ntwo world wars. He was personally aware of German brutality\nin Belgium during the WW I, and in WW II, his six brothers and\nsisters disappeared in concentration camps along with six\nmillion other Jews. Since WW I, he has refused to play in\nGermany and for many years he refused even to get off\nairplanes when they stopped there for refueling.\nHe is also a very close friend of the Israelis and has\nbeen highly decorated there.\n***\nRubinstein was living in Paris with his wife and two\nchildren (two more came later) when WW II broke out. He picked\nup his family and moved to the U.S. like so many other European\nrefugee artists (Thomas Mann, Bartok, Schoenberg, Hindemith\nand Stravinsky). Like many of them, he settled in California\n(Beverly Hills) in what for him was his 32nd home.\nIn 1946 he became an American citizen, and it is said\nthat his citizenship papers are his proudest possession.\nSince then, the Rubinsteins have re-established a regular\nhome in Paris, but his children remain here along with many\nof his fans and memories.\n***\nRubinstein enjoys telling of another Polish pianist who\nwent into politics . -- Paderewski.\nR. FORD 1189\nAfter WW I, Paderewski went to Versailles for the Peace\nConference as the Polish premier.\nHe was introduced to Clemenceau, the French premier, and\nClemenceau said, \"Aren't you the famous Paderewski?\"\n\"Yes.\"\n=\n\"The musician, the pianist?\"\n\"Yes.\"\n\"And you are now the Premier of Poland?\"\n\"Yes.\"\n\"Well,\" said Clemenceau, \"what a downfall.\"\n***\nAbroad, his name is spelled Artur Rubinstein -- a Hurok twist.\nHere in the U.S., it's Arthur.\n***\nREMARKS FOR ARTHUR RUBINSTEIN PRESENTATION\nLadies and Gentlemen:\nI want to welcome all of you to the White House this\nafternoon. Many of you have been here from time to time over\nthe years, and as long as Betty and I are here, I hope you\nwill regard it as a \"home away from home.\"\nAs most of you know, the Medal of Freedom is the highest\ncivilian honor that it is within the power of a President of\nthe United States to bestow.\nI feel deeply privileged today to act on behalf of all\nAmericans in presenting that medal to one of the giants of our\ntime.\nThe legend of Arthur Rubinstein has been built upon many\npillars.\nGERMITO R. FORD\nBy the account of critics, he is the greatest master of\nthe piano living today -- a musician as thoroughly familiar with\nChopin and Beethoven as with interpretations of more modern\nSpanish and impressionist pieces.\nIt is difficult for many of us to believe that Arthur\nRubinstein made his New York debut in Carnegie Hall some\n70 years ago.\nHe was a young man then and by his own account, he was\nnot yet the artist that he knew he could be. But in the years\nthat have passed since then --- through his extraordinary\ndedication and through the support of his lovely wife and\nfamily -- who are with us today --- he has turned his vision\nand interpretations into an uncompromising standard of musical\nexcellence.\nYet to millions of fans across the globe, Arthur Rubinstein\nR.\nhas given something more than the joy of music. He has alsgand\nFORD\nLIBRARY\ngiven the joy of life itself. \"I love life unconditionally,\nhe has said, and he has communicated that sheer delight to\ngeneration after generation.\nIt was his late and very fine friend, Sol Hurok, who wrote\nafter first hearing Mr. Rubinstein in 1921: \"The power of his\n3\npersonality and the sense of grandeur and poetry that enveloped\nhis playing filled me with almost unbearable excitement.\"\nThe multitudes who have packed concert halls in Europe,\nin the Soviet Union, in Latin America, and in the United States --\nthey too have felt that \"unbearable excitement\" from this man.\nFinally, I would say this about the Arthur Rubinstein legend.\nHere in the United States we feel a special affection and bond\nwith him because in 1946 -- some 30 years ago -- he chose to\nmake America his home.\nArthur Rubinstein has been decorated and celebrated in\nalmost every land, but it is said that above all else he\nR.\nFORD\nvalues the document that made him an American.\nGERALD\nAll of us who have been touched by his grace and kindness,\nhis love, his generosity and his warmth of humor will always\nbe grateful that he chose to share our citizenship.\nI know that many of you here today have long looked for-\nward to this moment, and I feel proud that on this 200th\nanniversary of our nation, I have the privilege to present this\n4\nmedal to one of our greatest national treasures:\nMr. Arthur Rubinstein.\nAnd now, Mr. Rubinstein, if you will please step forward,\nI will read the citation and present the Medal of Freedom.\nFORD & GERALD LII"
}