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lights Exent A6 THE WALL STREET JOURNAL THURSDAY, JULY 6, 1995 LEISURE & ARTS American Crafts Shine, in White House or out (1994). a blown and hot-worked glass orb Yet ironically, the collection will not re- ings of the Blue Room, appears prosaic at By BARBARA JEPSON encasing an interior globe, is based on main at the White House. No one bothered the NMAA. NASA photographs of earth from outer to check the guidelines set by the Commit- Other objects hold their own in either Washington space. And Nathan Youngblood's hand- tee for the Preservation of the White environment. Dante Marioni's "Yellow The colored-glass screen that Chester coiled "Black Carved Jar" (1991) employs House, which consider works other than Pair" (1993), two oversized, blown-glass A. Arthur commissioned for the White traditional Pueblo pottery-making tech- presidential portraits ineligible for acqui- vessels originally placed in the Yellow House from Louis Comfort Tiffany was ul- niques such as the use of pulverized horse sition unless the artist is deceased or the Oval Room, echo ancient Greek pottery in timately sold at auction. The Appalachian manure for oxygen reduction during the work is 25 years old. their classical lines, yet overthrow tradi- textiles displayed by Ellen (Mrs. firing process to achieve its ebony color. Once the Clinton White House learned tion in their height and neon yellow color. Woodrow) Wilson in the Blue Mountain "We call the smell of this Corral No. 5," he this, it pursued other options rather than Cliff Lee's celadon green "Peach Vase on Room disappeared long ago. And some explains. seek an exception to the non-legally-bind- a Pedestal" (1993), a beautiful complement 1,700 chairs from various presidential in- "White House Crafts" was the first of ing guidelines. Instead it waited until Jan- to the Oriental porcelains and furnishings teriors have been relegated to a 40,000- several exhibits conceived by Hillary Rod- uary to ask the artists for permission to in the pale gray and rose-hued Library, square-foot, off-site storage facility. His- ham Clinton and her advisers to help bring transfer the donated works to the National benefits from the opportunity for closer tory may sometimes be unkind to presi- greater visibility to American artists. It Archives for "periodic display" at the fu- scrutiny. This exquisitely wrought, wheel- dents. but it tends to treat their home fur- recognizes the Year of American Craft pro- ture Clinton Presidential Library, where thrown vessel has raised designs which nishings with indifference. claimed by President George Bush shortly they will be available for loan to museums. were carved with a miniature hacksaw af- Yet the objects in "The White House before he left office. Michael W. Monroe. A wiser choice might have been to be- ter the porcelain hardened to the consis- Collection of American Crafts." on view at who recently retired as curator-in-charge queath the collection to an institution with tency of leather. The artist, who discov- the National Museum of American Art of the Renwick Gallery, the NMAA's sepa- a demonstrated interest in crafts, such as ered a passion for porcelain during his (NMAA) of the Smithsonian Institution rately housed contemporary crafts mu- the American Crafts Museum or the Ren- third year at medical school. now does through Sept. 4. have SO far received the seum, chose the work. wick. but Mr. Monroe is not saying SO. surgery on ceramics. "It's more rewarding uncommonly good treatment they deserve. Mr. Monroe's mandate was to select Having these objects at the Clinton li- psychologically,' he says, "and I don't Each of the 72 recent works in works encompassing the diver- brary, he believes, will "expose another have to worry about being sued." clay, fiber, glass, metal or sity of today's crafts scene- segment of our population to crafts, and Even before the White House's bait- wood reflects the collective both functional and purely dec- anything that increases the audience for and-switch invitation was made known, achievements of the American orative objects from well-known crafts has nothing but positive ramifica- some of the most prominent artists crafts renaissance. which began and less established artists. But tions." were apparently unimpressed by the lure over four decades ago. his choices were limited by the size In a way, this goal of expanding access of being in the White House collection Building on the visionary and scale of the table tops. mantel- to the collection is already being met. and did not donate their finest, i.e.. most spirit, bold experimentation and pieces and other furnishings in At the NMAA exhibit, visitors can either expensive, work. Wendell Castle's whim- hard-won technical break- the formal period rooms of the see the objects in the flesh or experience sical "Presence Clock No. 7" (1990) and throughs of such pioneers as White House. It was an op- them electronically in an adjoining room Edward Moulthrop's "Rare Ashleaf Maple Peter Voulkos in clay, portunity for the curator to via a virtual-reality tour on the Inter- Spheroid" (1993) are definitely middle- Leonore Tawney in fiber, play decorator. and he did SO net (from your home computer access the drawer contributions. And the show con- Harvey Littleton in glass with tasteful imagination. World Wide Web and type http: / / tains some curatorial missteps-contrived and Wendell Castle in wood, favoring works that com- www.nmaa.si.edu/whc/americancrafts) works such as Andrea Gill's silly clay today's craft artists have bined traditional references Although the clarity of the illustrations "Pitcher" (1991) and Adrian Saxer's "Un- gone beyond mere mastery with a distinctly contempo- leaves something to be desired, the on-line titled Ewer" (1992), an unappealing mish- of their materials to a level rary sensibility. option enhances understanding of the col- mash of porcelain, feathers, plastic and a of extraordinary virtuosity. Letters sent by the White lection. Those interested in a particular fishhook. Unlike their predecessors. House asked artists to do- artist can scroll through a biographical But the majority of objects are high-cal- they no longer look to main- Vase by Sidney R. Hutter nate a piece in a particular section or click on the "media" category iber. Philip Moulthrop redeems the family stream art movements like size, color or series specified and tour faux studios where digitized, name with his impressive. lathe-turned abstract expressionism for inspiration. In- by Mr. Monroe for display "in a prominent miniature videos show some 29 of the par- "White Pine Mosaic Bowl" (1993): it con- stead, they draw on the vast palette of con- location in the White House throughout the ticipants at work. They can also view se- tains cross-sectioned disks of white pine temporary society. years." The artists responded generously. lected objects in their original White suspended in black resin, where they float Ronald Fleming's burled redwood bowl. and the collection went on view in Decem- House settings, which provides a dual per- like sparkling coins. Another standout is "New Beginnings" (1993). is fashioned ber, 1993 at the presidential residence, spective on the collection. Sidney Hutter's "White House Vase No. 1" from a log section burned in a California where it was seen by over a million visi- Not surprisingly, some of the works suf- (1993) of laminated, stacked, plate glass. It forest fire; the charred areas now provide tors. A handsomely illustrated volume en- fer by removal from their White House can be viewed as an homage to cubism or poignant tonal shading on this lathe- titled "The White House Collection of contexts. For example, David Levi's yel- as an eerie x-ray of a vase "skeleton." Sam turned vessel's intricately carved leaf American Crafts" has also been published low and blue "Bird Jar" (1993), which in- Maloof contributed one of his inimitable fronds. Josh Simpson's "Megaworld" by Abrams in conjunction with the exhibit. teracted so provocatively with the furnish- rocking chairs, which appears poised to take flight. After it leaves the NMAA, the show will travel to at least three additional loca- tions, including the Memorial Art Gallery of the University of Rochester in Rochester, N.Y. (Oct. 7 to Nov. 19), the American Craft Museum in New York City (Dec. 7, 1995 to Feb. 25, 1996) and the George Walter Vincent Smith Art Museum in Springfield, Mass. (April 4 to June 2, 1996). Ms. Jepson is a writer in New York. THE WALL STREET JOURNAL THURSDAY, JULY 6, 1995 Skin Cancer Unrelated To Ozone Depletion In a June 13 Letter to the Editor, Brent Letters to the Editor Blackwelder of Friends of the Earth as- serted that increasing skin cancer deaths have been linked to ozone depletion. This is nonsensical. Ozone depletion, per se, does not result 'Critter' Survey Has No Political Agenda in increased skin cancer incidence and mortality. It is the fear of an ozone deple- tion-induced increase in the amount of ul- In response to your June 14 Aside "An Anti-Industry Coterie Endangered Program?" about the status traviolet radiation reaching ground level and future of the National Biological Ser- Stirs Pollution Fears that is the cause for cancer concerns. But actual ultraviolet measurements show no vice. The NBS is not a counting house. We I write on behalf of the Irish Business do not propose to count or "catalog all the long-term increase. In the absence of a sta- critters in the country," as you suggest. and Employers Confederation. which rep- tistically significant increase in ultraviolet resents the interests of Irish business. in- The NBS was formed by merging the bi- radiation, the chain of causality between ological research and analysis functions of cluding the chemical industry. I refer to a ozone depletion and skin cancer is unam- various Interior Department programs. June 6 International Page article dealing biguously broken. This results in more efficiency in the use with the chemical industry in Ringask- Moreover, malignant melanoma, the of the limited scientific resources within iddy, County Cork. type of skin cancer responsible for most the department. It also insulates science The chemical and pharmaceutical in- skin cancer deaths, has been shown to be from the potentially inappropriate influ- dustry is a very important part of Ireland's largely induced by wavelengths of ultravi- ences of regulatory programs, including developing economy. Over the years an in- olet radiation that are unaffected by the the Endangered Species Act. creasing number of the world's most im- ozone layer. In addition, the increase in portant players in the industry have been skin cancer incidence Mr. Blackwelder The work of NBS provides independent attracted to Ireland as a result of the scientific investigation and analysis for refers to has been going on for most of this consideration by decision-makers whose unique mixture of skills. incentives and in- century, even predating the invention of choices may affect future management of frastructure-both physical and eco- CFCs and other man-made compounds lands and their resources. Those decision- nomic-that is available. Their experience now blamed for ozone depletion. Also, the makers. in our judgment, include the has been uniformly positive and Ireland's long lag time, about 20 years, between sun American public. Therefore. we stress economy has also had a substantial and exposure and onset of skin cancer further broad distribution and access to the work ongoing benefit. rules out ozone depletion as the cause of done by NBS. Your conclusions do an injustice to the current cancer trends. Experts believe the established industries in Cork-and by ex- A small organization with fewer than increase is due to changing lifestyles. such 2,000 employees nationwide, we focus most tension might damage further investment. as more time spent outdoors and popula- of our work on behalf of other Interior There is no relationship between the tion shifts toward sunnier areas, which agencies. We also have undertaken coop- chemical industry and pollution in the har- have led to an increase in the amount of erative efforts with several states and a bor. In terms of license compliance. the exposure to the sun. few corporate landowners, always aimed Cork pharmachem industry is more than While the increase in skin cancer inci- at increasing scientific information and its 99.4% compliant. dence and mortality is a legitimate public With reference to environmental regu- availability. health issue, it has nothing to do with lation, Ireland has one of the most strin- Above all, NBS is an information re- ozone depletion or any other environmen- gent regulatory systems in Europe, and tal concern. source, Our goal is to increase the degree to which resource decisions are based on rather than dragging its heels. in many BEN LIEBERMAN cases is far ahead of European Union di- Environmental Research Associate knowledge, rather than philosophical or rectives. political agendas. We believe that both Competitive Enterprise Institute JOHN DUNNE corporate America and the public at large Washington Director General share that goal. Irish Business and H. RONALD PULLIAM Employers Confederation Director Atmospheric Pollution Dublin National Biological Service Washington Has Declined Steadily Your article "Irish Town Gets Indus- In his June 22 Letter, Dr. Bertram The NBS ostensibly was created to do trial Revolution, But Pollution and Indig- Wolfe states that "each year in the U.S. nation as Well" is a regurgitation of disin- two things in particular: catalog the na- tion's wildlife, and stop redundant, unco- formation regarding industrial develop- alone tens of thousands of premature deaths are estimated to be caused by re- ment in Cork Harbor. The thesis is devel- ordinated research by Interior agencies. If oped on what is essentially the view of a sulting [from fossil-fuel burning] atmos- duplicative research is eliminated, that's small, unrepresentative, anti-industry co- pheric pollution." net cost reduction. Moreover, the NBS bud- It would be instructive to see these esti- terie. The facts about Cork Harbor and its get and its staff came virtually entirely mates. In "The True State Of the Planet" industrial development are very far re- from other Interior agencies, SO virtually (Free Press, 1995) p. 340, Indur M. Gok- moved from the picture presented. Your no cost was incurred to create it. account does a serious disservice to this lany, manager of Science and Engineering The NBS's mission is fact-finding only. in the Office of Policy Analysis at the U.S. beautiful area, and to the fine companies Without data, how can conclusions be from the U.S. and elsewhere that have es- Department of the Interior, is quoted as reached? Would anyone in business follows: tablished much-needed, well-run and envi- launch a new product without the context "In the United States, sulfur dioxide ronmentally responsible facilities here. market research provides? Mine certainly emissions per capita are down 60% from ROBIN O'SULLIVAN wouldn't. The data will not only help dis- Managing Director the peak in 1920. Both particulates and car- cern what species are immediately en- O'Sullivan Public Relations bon monoxide emissions per capita have dangered, but also should enable the gov- declined more or less continuously since Cork, Ireland ernment to avoid major conflicts over en- World War II- inhalable particulates (Mr. O'Sullivan is a public relations con- dangered species. If that happens, it's a down 79% since 1940 and carbon monoxide sultant to Pfizer and Sandoz.) net benefit to individuals and the econ- down 53% since 1945. Volatile organic com- omy (plant sitings, business plans, etc.). pounds emissions per capita (contributors And I can't imagine any president, re- Letters intended for publication should to smog) stayed roughly constant between gardless of party, who wouldn't want to be addressed: Letters to the Editor, The 1925 and 1970, before they declined; in 1992 avoid such conflicts. Wall Street Journal, 200 Liberty St. New they were down 36% from the peak. Nitro- As far as the "taking over private prop- York, N.Y. 10281. They can be sent by fax gen oxide per capita peaked in 1980. It is erty" propaganda in your Aside, that's just to (212) 416-2658. Because of the large vol- now down about 10% from its peak." politico-speak. I'm a businessman, but ume of mail, all letters are subject to Ambient sulfur dioxide and particulate don't go treading on the hallowed ground abridgement and those unpublished can be matter have been declining for at least the of my favorite pastimes. Like 60 million neither acknowledged nor returned. past two decades in most developed coun- other Americans I fish for fun, and like tries. many millions I also hunt. We care about ROBERT H. MOORE JR. things like the Endangered Species and Pocahontas Mining Co. Clean Water acts, but are not radical gree- Bluefield, W.Va. nie environmentalists, or whatever term is now in vogue. JAY C. KUMAR Director, Publications Fieldstone Publications Inc. THE WALL STREET JOURNAL THURSDAY, JULY 6, 1995 Washington