Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

A Seated Man Looking at Potted Peonies

1 pp

[1] See Original Kakemono List, L. 351, pg. 87, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184440-1

painting

A Shinto Priest, Three Women and a Child

3 pp

[1] See Original Screen List, L. 93, pg. 26, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184710-0

painting

A Shinto ceremony

1 pp

[1] Undated folder sheet note. See Original Screen List, pg. 31, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390185144-0

painting

A Spirit from the Hyaku Monogatari

1 pp

[1] According to the Accession List, Collections Management office, F1904.413-.428 were purchased from Kobayashi and Co. in September and October 1904. See also, Miscellaneous Reserve List, May 1917, R. 5713, Japanese Paintings, Prints, Drawings, and Reproductions, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184890-1

drawing

A Street Scene

1 pp

H. Wunderlich & Co. (1874-1912) (C.L. Freer source)

#ld1-1643390182193-1643390183185-0

painting

A Street at Saverne

2 pp

H. Wunderlich & Co. (1874-1912) (C.L. Freer source)

#ld1-1643390182193-1643390183166-0

drawing

A Street in Venice

1 pp

[1] See Original Whistler List, Paintings, pg. 25, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184644-0

A Symphony

1 pp

H. Wunderlich & Co. (1874-1912) (C.L. Freer source)

#ld1-1643390182193-1643390195504-1

painting

A Tatar horseman with a hawk

1 pp

[1] See Original Album List, pg. 41, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

#ld1-1643390182193-1643390187884-0

painting

A Tatar huntsman on his horse

3 pp

While the huntsman's face and the horse are depicted in profile, the man's body is in three-quarter view. This presents a certain incoherence in the compositional relationship between the horse and its rider. Details of the hunter's headgear and costume, as well as the sword, bow, arrows, and quiver, are nevertheless finely depicted. A rabbit hung from the saddle indicates that the rider is return

#ld1-1643390182193-1643390188020-1

painting

A Tatar soldier

1 pp

While much of northern India was under the rule of the Mughal emperors, the Deccan plateau of the south was controlled by a series of Muslim sultanates, including Ahmadnagar, which was ruled by the Nizam Shahi sultans. As in the rest of the Deccan, foreigners, or afaqis, were a major presence at the court; in fact, their strong cultural links with the Middle East, especially Iran, has often led to

#ld1-1643390182193-1643390191274-0

painting

A Tatar, a lean horse, and a dog

1 pp

Li Wenqing 李文卿 (ca. 1869-1931) (C.L. Freer source)

#ld1-1643390182193-1643390190340-0

Survos folio core type search

Freer Gallery of Art and Arthur M. Sackler Gallery

Filters

A Seated Man Looking at Potted Peonies

A Shinto Priest, Three Women and a Child

A Shinto ceremony

A Spirit from the Hyaku Monogatari

A Street Scene

A Street at Saverne

A Street in Venice

A Symphony

A Tatar horseman with a hawk

A Tatar huntsman on his horse

A Tatar soldier

A Tatar, a lean horse, and a dog