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Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 9873c43f692df1d0
- Size
- unknown
Document data
- ID
- 121189
- Core
- obj
- Type
- drawing
DTO data
{
"id": "121189",
"contentType": "drawing",
"title": "The Biglin Brothers Turning the Stake",
"description": "Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.",
"date": "1873",
"citation": "https://clevelandart.org/art/1942.1066",
"rights": "CC0",
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"language": "en",
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4037
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1942.1066/1942.1066_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Sheet: 35.5 x 43.1 cm (14 x 16 15/16 in.)",
"cul": [
"America"
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"accession": "1942.1066"
}
Context sent to Scholar
Document identity
{
"localId": "121189",
"label": "The Biglin Brothers Turning the Stake",
"core": "obj",
"dtoType": "drawing"
}
Document source metadata
{
"id": "121189",
"contentType": "drawing",
"title": "The Biglin Brothers Turning the Stake",
"description": "Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.",
"date": "1873",
"citation": "https://clevelandart.org/art/1942.1066",
"rights": "CC0",
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"language": "en",
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1942.1066/1942.1066_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Sheet: 35.5 x 43.1 cm (14 x 16 15/16 in.)",
"cul": [
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Document source extras
{
"tec": "graphite and brush and brown wash",
"tombstone": "The Biglin Brothers Turning the Stake, 1873. Thomas Eakins (American, 1844–1916). Graphite and brush and brown wash; sheet: 35.5 x 43.1 cm (14 x 16 15/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1942.1066",
"collection": "DR - American 19th Century",
"relatedWorks": [
{
"id": 151904,
"description": "The Biglin Brothers Turning the Stake, 1873. Thomas Eakins (American, 1844–1916). Oil on canvas; framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection, 1927.1984",
"relationship": "study for"
}
],
"citations": [
{
"citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 612",
"url": "https://archive.org/details/CMAHandbook1958/page/n114"
},
{
"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 187",
"url": "https://archive.org/details/CMAHandbook1966/page/n211"
},
{
"citation": "Gengler, Matthew. \"You Ask, We Answer.” <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 58. no. (July/August 2018): 22.",
"page_number": "Reproduced: P. 22",
"url": "https://archive.org/details/CMAMM2018-04/page/n11/mode/2up"
}
],
"url": "https://clevelandart.org/art/1942.1066",
"creditline": "Mr. and Mrs. William H. Marlatt Fund",
"updatedAt": "2026-05-29 06:14:37.605000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/1942.1066/1942.1066_print.jpg",
"sourceId": 121189,
"dept": "Drawings",
"coll": "DR - American 19th Century",
"med": "graphite and brush and brown wash",
"creatorTags": [
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Page context
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