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Source Description

Flemish artist Lieven Cruyl made a number of drawings of emblematic vistas of Rome for the Roman publisher Giovanni Battista de Rossi, of which ten were published as etchings in 1666. <em>The Piazza Farnese</em> features architecture designed by Michelangelo, who completed the Palazzo Farnese after the death of its original designer, Antonio da Sangallo, in 1546. His main contribution was the third story and the significantly protruding cornice at the top of the facade, which dramatically hangs over the front of the building, like sculpture.

Scholar Source Context

Document identity
localId
122990
label
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
122990
contentType
drawing
title
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
description
Flemish artist Lieven Cruyl made a number of drawings of emblematic vistas of Rome for the Roman publisher Giovanni Battista de Rossi, of which ten were published as etchings in 1666. <em>The Piazza Farnese</em> features architecture designed by Michelangelo, who completed the Palazzo Farnese after the death of its original designer, Antonio da Sangallo, in 1546. His main contribution was the third story and the significantly protruding cornice at the top of the facade, which dramatically hangs over the front of the building, like sculpture.
date
1664
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80019568
creators
12435
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.)
cul
Flanders
accession
1943.257
Source extras
tec
pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
tombstone
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257
collection
DR - Flemish
inscriptions
inscription
recto: signed, lower right, in brown ink: [artist's monogram: LC] inv. et delin. / 1664. ; by artist, upper center, in brown ink: Prospetto della Piazza Farnesia. ; by artist, througout composition, in brown ink: [the letters A-D] ; by artist, lower left, in brown ink: A. Palatium Farnesiorum. B. Duo Fontes aream anteriorem mundantes. / C. Oratorium S. Brigitte Nationis Sweciæ / D. Palatium Em: Cardinalis Antonij Barberini. verso: ON STRIPS OF PAPER MOUNTED TO PERIMETER, lower center, in graphite: A20971 ; lower right, in graphite: E. 1
citations
citation
<em>Watercolors by the Masters: Dürer to Cézanne</em>. Exh. Cat. Minneapolis: Minneapolis Institute of Arts, 1952.
page_number
Mentioned: no. 19
creditline
Dudley P. Allen Fund
updatedAt
2026-05-29 06:19:41.590000
sourceId
122990
dept
Drawings
coll
DR - Flemish
med
pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
874666ef6742c722