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Source Description

In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind. In <em>Boy with Anchor</em>, the massive anchor pointing toward the sea foreshadows the weight of the boy’s maritime destiny. The work is an early example of Homer's talent for evoking atmospheric effects and his interest in technical variety. Presumably working outdoors, Homer layered fluent washes of blue, gray, and brown transparent watercolor over his graphite underdrawing to flesh out the beach and sky. He built up the hot, pebble-studded surface of the beach by using dense gouache to draw textural detail and created the broken cloud pattern in the sky by lightly blotting his wet blue wash. The picture’s formal tensions between warm and cool colors, outline and wash, and transparency and opacity mirror the emotional tension of the scene.

Scholar Source Context

Document identity
localId
131337
label
Boy with Anchor
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
131337
contentType
drawing
title
Boy with Anchor
description
In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind. In <em>Boy with Anchor</em>, the massive anchor pointing toward the sea foreshadows the weight of the boy’s maritime destiny. The work is an early example of Homer's talent for evoking atmospheric effects and his interest in technical variety. Presumably working outdoors, Homer layered fluent washes of blue, gray, and brown transparent watercolor over his graphite underdrawing to flesh out the beach and sky. He built up the hot, pebble-studded surface of the beach by using dense gouache to draw textural detail and created the broken cloud pattern in the sky by lightly blotting his wet blue wash. The picture’s formal tensions between warm and cool colors, outline and wash, and transparency and opacity mirror the emotional tension of the scene.
date
1873
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60781286
creators
3143
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.)
cul
America
accession
1954.128
Source extras
tec
watercolor and gouache with graphite
tombstone
Boy with Anchor, 1873. Winslow Homer (American, 1836–1910). Watercolor and gouache with graphite; sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1954.128
supportMaterials
description
beige(2) wove paper
collection
DR - American 19th Century
inscriptions
inscription
signed, lower right, in black watercolor: homer 1873; signed, lower right, in black watercolor: homer 18[illegible, partially painted out]
didYouKnow
The mottled texture of the sky is an example of Homer’s blotting technique—a subtractive process in which he applied a wash of water, sprinkled some breadcrumbs, and then gently rubbed the paper with his fingers in order to absorb the extra color, leaving behind a granulated texture.
citations
citation
“Accessions of American and Canadian Museums, October - December, 1953.” <em>The Art Quarterly</em> 17, no. 2 (Summer 1954): 179-190.
page_number
Mentioned: p. 180
citation
Francis, Henry S. "Recent Additions to the Collection of Homer." The Bulletin of the Cleveland Museum of Art 42, no. 3 (1955): 51-54.
page_number
Mentioned and Reproduced: p. 52-53
citation
The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.
page_number
Mentioned and Reproduced: cat. no. 561
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.
page_number
Reproduced: p. 186
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.
page_number
Reproduced: p. 186
citation
The Cleveland Museum of Art, Celeste Adams, Rita Myers, and Adele Z. Silver. <em>An Introduction to American Art in the Cleveland Museum of Art. </em>Cleveland: The Cleveland Museum of Art, 1972.
page_number
Mentioned and Reproduced: pp. 10-11.
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
page_number
Reproduced: p. 231
citation
Hendricks, Gordon. <em>The Life and Work of Winslow Homer</em>. New York: Harry N. Abram, 1979.
page_number
Reproduced: Plate CL-554, p. 318
citation
The Cleveland Museum of Art and Michael J. Miller.<em> Drawing, A Glossary of Materials: Selections from the Cleveland Museum of Art. </em>Cleveland: The Cleveland Museum of Art, 1987.
page_number
Mentioned and Reproduced: pp. 17-18
citation
Terra Museum of American Art, Chicago, D. Scott Atkinson, and Jochen Wierich. <em>Winslow Homer in Gloucester. </em>New York: Rizzoli International Publications, Inc., 1990.
page_number
Mentioned and Reproduced: p. 41, fig. 31
citation
Placidi, Kathleen S. "Beyond Bootblacks: "The Boat Builder" and the Art of John George Brown." The Bulletin of the Cleveland Museum of Art 77, no. 10 (1990): 366-82.
page_number
Reproduced and Mentioned: p. 370-71
citation
Cikovsky, Nicolai, Franklin Kelly, and Winslow Homer. <em>Winslow Homer. </em>Washington: National Gallery of Art, 1995.
page_number
Mentioned and Reproduced: no. 68, p. 137
citation
Cleveland Museum of Art, Diane DeGrazia, and Carter E. Foster. <em>Master Drawings from the Cleveland Museum of Art.</em> Cleveland, OH: Cleveland Museum of Art in association with Rizzoli International Publications, New York, 2000.
page_number
Mentioned and Reproduced: cat. no. 86, p. 8, pp. 208-209, p. 295
citation
Johns, Elizabeth. <em>Winslow Homer: The Nature of Observation</em>. Berkeley: University of California Press, 2002.
page_number
Mentioned and Reproduced: no. 45, p. 75
citation
The Art Institute of Chicago, Martha Tedeschi, and Kristi Dahm. <em>Watercolors by Winslow Homer: The Color of Light</em>. New Haven: Yale University Press, 2008.
page_number
Mentioned and Reproduced: p. 44, p. 46, no. 11
citation
Glaubinger, Jane and Lemonedes, Heather. “Treasures on Paper: The Crème de la crème of the museum’s prints and drawings collection is now on view.” <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 2 (March/April 2014): 6-9.
page_number
Mentioned: p. 9
creditline
Norman O. Stone and Ella A. Stone Memorial Fund
updatedAt
2026-06-16 11:13:04.766000
sourceId
131337
dept
Drawings
coll
DR - American 19th Century
med
watercolor and gouache with graphite
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
2ff94506b01eba7b