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Source Description

Joseph Goupy played a significant role in cultivating a taste for Italian art in 18th-century Britain. Here, Goupy copied an oil painting by Salvator Rosa now in the Devonshire Collection at Chatsworth. Copying from Old Masters was a venerated practice in the 18th century. In addition to being an essential aspect of artistic training, the circulation of great works of art served to educate connoisseurs and to shape public opinion. Goupy’s luminous gouaches were highly prized, fetching prices considerably higher than original portraits of the period.

Scholar Source Context

Document identity
localId
145195
label
Jacob's Dream
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
145195
contentType
drawing
title
Jacob's Dream
description
Joseph Goupy played a significant role in cultivating a taste for Italian art in 18th-century Britain. Here, Goupy copied an oil painting by Salvator Rosa now in the Devonshire Collection at Chatsworth. Copying from Old Masters was a venerated practice in the 18th century. In addition to being an essential aspect of artistic training, the circulation of great works of art served to educate connoisseurs and to shape public opinion. Goupy’s luminous gouaches were highly prized, fetching prices considerably higher than original portraits of the period.
date
c. 1720
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79923196
creators
1316
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Sheet: 28.5 x 42 cm (11 1/4 x 16 9/16 in.)
cul
England, 18th century
accession
1970.362
Source extras
tec
gouache
tombstone
Jacob's Dream, c. 1720. Joseph Goupy (British, 1686–before.1770). Gouache; sheet: 28.5 x 42 cm (11 1/4 x 16 9/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1970.362
supportMaterials
description
brown kidskin
collection
DR - British
didYouKnow
This drawing was formerly attributed to the Venetian landscape painter Marco Ricci (1676-1730), who worked periodically in England during the early 18th century.
citations
citation
Langdon, Helen. Salvator Rosa Paint and Performance. London: Reaktion Books, Limited, 2022. .
citation
Lee, Sherman E. "The Year in Review for 1971." <em>The Bulletin of the Cleveland Museum of Art</em> 59, no. 1 (1972): 3-46.
page_number
Mentioned: p. 43 no. 100; Reproduced: p. 17
url
www.jstor.org/stable/25152412
citation
Pignatti, Terisio. <em>Disegni antichi del Museo Correr di Venezia</em>. Vicenza: Neri Pozza, 1980.
page_number
Mentioned: vol. 1, p. 33
citation
Miller, Michael J. <em>Drawing: A Glossary of Materials: Selections from the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 1987.
page_number
Mentioned and reproduced: p. 4
citation
Robertson, Bruce, and Robert Dance. "Joseph Goupy and the Art of the Copy." <em>Bulletin of the Cleveland Museum of Art</em> 75, no. 10 (1988): 354-75.
page_number
Mentioned: pp. 354-75; Reproduced: p. 354
citation
Lemonedes, Heather. <em>British Drawings: The Cleveland Museum of Art. </em>Exh. Cat. Cleveland, OH: Cleveland Museum of Art, 2013.
page_number
Mentioned: pp. 22-23, 146, no. 6; Reproduced: p. 23
creditline
Mr. and Mrs. Charles G. Prasse Collection
updatedAt
2026-05-29 07:27:25.456000
sourceId
145195
dept
Drawings
coll
DR - British
med
gouache
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
7ca5a724bb1781cc