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Source Description

Friedrich Preller studied in Weimer, Dresden, and Antwerp before winning a stipend from Grand Duke Karl Alexander von Sachsen-Weimar to study in Rome. During his years in Italy (1828-31), he formed important ideas about landscape painting that would develop into a long career in Germany as a landscape painter. Like his teacher in Italy, the painter Joseph Anton Koch, Preller was inspired by the area known as La Serpentara around the picturesque mountain village of Olevano, southeast of Rome. He made numerous trips there and was especially struck by the oak forest depicted in this drawing. He inscribed the drawing with the locale and date (2 June 1829) in its lower left corner. His lively pen work leaves the lightest areas in outline only, so that the white of the paper helps record the fresh and bright atmosphere of the scene, set in relief by darker areas of firm, parallel hatching. Preller later wrote about the area around Olevano: "Nowhere was the organic coherence in nature so clear as there, and my observation was mainly directed toward that."

Scholar Source Context

Document identity
localId
145764
label
La Serpentara near Olevano
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
145764
contentType
drawing
title
La Serpentara near Olevano
description
Friedrich Preller studied in Weimer, Dresden, and Antwerp before winning a stipend from Grand Duke Karl Alexander von Sachsen-Weimar to study in Rome. During his years in Italy (1828-31), he formed important ideas about landscape painting that would develop into a long career in Germany as a landscape painter. Like his teacher in Italy, the painter Joseph Anton Koch, Preller was inspired by the area known as La Serpentara around the picturesque mountain village of Olevano, southeast of Rome. He made numerous trips there and was especially struck by the oak forest depicted in this drawing. He inscribed the drawing with the locale and date (2 June 1829) in its lower left corner. His lively pen work leaves the lightest areas in outline only, so that the white of the paper helps record the fresh and bright atmosphere of the scene, set in relief by darker areas of firm, parallel hatching. Preller later wrote about the area around Olevano: "Nowhere was the organic coherence in nature so clear as there, and my observation was mainly directed toward that."
date
1829
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79923704
creators
11958
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Sheet: 40.8 x 54 cm (16 1/16 x 21 1/4 in.)
cul
Germany, 19th century
accession
1971.12
Source extras
tec
pen and brown ink over black chalk
tombstone
La Serpentara near Olevano, 1829. Friedrich Preller (German, 1804–1878). Pen and brown ink over black chalk; sheet: 40.8 x 54 cm (16 1/16 x 21 1/4 in.). The Cleveland Museum of Art, Delia E. Holden Fund, 1971.12
supportMaterials
description
cream(3) laid paper
collection
DR - German
inscriptions
inscription
by artist, lower left, in brown ink: Olevano / alla Serpentara il 2 di Guinio / 1829.
didYouKnow
Like many of his German contemporaries in the early 19th century, here Friedrich Preller relied on precise pen lines only without use of brushwork or wash.
citations
citation
C. G. Boerner (firm). Neue Lagerliste Nr. 56. Graphik - Zeichnungen 1971. C.G. Boerner: Dusseldorf, 1971.
page_number
no. 132, p. 128.
citation
Cleveland Museum of Art. "The Year in Review for 1971," The Bulletin of the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art. Vol. LIX / No. 1 (January, 1972): pp. 3-47.
page_number
no. 97, p. 43
citation
Cleveland Museum of Art, Diane DeGrazia, and Carter E. Foster.<em> Master Drawings from the Cleveland Museum of Art. </em>Cleveland, OH: Cleveland Museum of Art in association with Rizzoli International Publications, New York, 2000.
page_number
Mentioned: cat. no. 65, p. 10, pp.160-161, p. 293; Reproduced: p. 161
citation
<em>Friedrich Nerly von Erfurt in Die Welt: Die Gemälde Und Ölstudien Des Nerly-Bestandes Im Angermuseum Erfurt.</em> Edited by Claudia Denk, Berlin, Erfurt: Deutscher Kunstverlag; Angermuseum Erfurt, 2024.
page_number
Mentioned and reproduced: p. 134-136, abbr. 3d.2
creditline
Delia E. Holden Fund
updatedAt
2026-05-29 07:28:40.245000
sourceId
145764
dept
Drawings
coll
DR - German
med
pen and brown ink over black chalk
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
57b38846d847e894