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Source Description

Among the great figures of the pictorial arts in the West, Francisco de Goya is one of the very few whose work as a graphic artist is arguably even more important than his paintings. Alongside a prodigious output of prints, he created eight sketchbooks of drawings over the course of 30 years. This double-sided sheet comes from the so-called Album B, or Madrid Album, which, like all of them, was scattered throughout the world in public and private collections after his death. The drawings reveal Goya’s powers of invention and observation, and his biting satire. On the recto side of the sheet, a vulgar encounter between a prostitute and a pot-bellied lecher reveals the bluntness of the Goya’s social criticism. The verso drawing is less easily pinned down, though it follows traditional iconography for representations of Saint Margaret of Cortona, a nobleman’s mistress who repented and entered a convent after her lover’s dog led her to his murdered corpse.

Scholar Source Context

Document identity
localId
157643
label
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
157643
contentType
drawing
title
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)
description
Among the great figures of the pictorial arts in the West, Francisco de Goya is one of the very few whose work as a graphic artist is arguably even more important than his paintings. Alongside a prodigious output of prints, he created eight sketchbooks of drawings over the course of 30 years. This double-sided sheet comes from the so-called Album B, or Madrid Album, which, like all of them, was scattered throughout the world in public and private collections after his death. The drawings reveal Goya’s powers of invention and observation, and his biting satire. On the recto side of the sheet, a vulgar encounter between a prostitute and a pot-bellied lecher reveals the bluntness of the Goya’s social criticism. The verso drawing is less easily pinned down, though it follows traditional iconography for representations of Saint Margaret of Cortona, a nobleman’s mistress who repented and entered a convent after her lover’s dog led her to his murdered corpse.
date
1796–97
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79974685
creators
2386
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.); Sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.)
cul
Spain
accession
1995.15
Source extras
tec
brush and gray and black washes on laid paper
tombstone
Madrid Album "B": Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), 1796–97. Francisco de Goya (Spanish, 1746–1828). Brush and gray and black washes on laid paper; image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.); sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1995.15
series
Madrid Album "B"
collection
DR - Spanish
inscriptions
inscription
recto: by artist, upper right, in gray wash: 49
inscription
verso: by artist, upper left, in gray wash: 50
didYouKnow
Much of Francisco de Goya's graphic output of drawings and prints was not made public until well after his death.
citations
citation
Mariani, Valerio, "Primo centenario dalla morte di Francesco Goya : disegni inediti" <em>Arte</em> 31 (1928): 97-108.
page_number
pp. 104-107
citation
Wehle, Harry B. Fifty Drawings by Francisco Goya. New York: The Metropolitan Museum of Art, 1938.
page_number
p. 13 (as Girl Mourning her Dead Lover" and "Young Woman Unconvinced"
citation
López-Rey, José. Goya's Caprichos: Beauty, Reason &amp; Caricature. [Princeton]: Princeton University Press, 1953. 2 vols.
page_number
1: pp. 38-39; 2: figs. 39-40.
citation
Sayre, Eleanor. A. "Eight Books of Drawings by Goya: 1," <em>Burlington Magazine</em> CVI: 730-741 (Jan. to Dec. 1964): 19-30.
page_number
no. 49-50, p. 28
citation
Gassier, Pierre, Juliet Wilson-Bareau, and François Lachenal. The Life and Complete Work of Francisco Goya: With a Catalogue Raisonné of the Paintings, Drawings and Engravings. New York: Reynal, in association with William Morrow, 1971.
page_number
cats. 413-413, p. 174
citation
Goya, Francisco, and Pierre Gassier. Drawings: The Complete Albums. New York: Praeger, 1973.
page_number
pp. 85, 86; cats. 49, 50, pp. 129-130.
citation
Camón Aznar, José. Fran. de Goya. [Zaragoza]: Instituto Camon Aznar, 1980. 4 vols.
page_number
III: nos. 49-50, p. 15
citation
"The Cleveland Museum of Art Acquires Goya and Benton Drawings," <em>Drawing </em>17 (Nov. 1995-Mar. 1996): 105-
page_number
p. 105
citation
Cleveland Museum of Art, Diane DeGrazia, and Carter E. Foster. <em>Master Drawings from the Cleveland Museum of Art.</em> Cleveland, OH: Cleveland Museum of Art in association with Rizzoli International Publications, New York, 2000.
page_number
Mentioned: P. 11, 84-87, 287; Reproduced: p. 85-86, cat. no. 51
citation
Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.
page_number
Mentioned and reproduced: P. 161
catalogueRaisonne
Gassier & Wilson 413 (recto) and 414 (verso); Gassier B.49 (recto) and B.50 (verso)
creditline
John L. Severance Fund
updatedAt
2026-05-29 08:12:10.561000
sourceId
157643
dept
Drawings
coll
DR - Spanish
med
brush and gray and black washes on laid paper
creatorTags
Latine and Hispanic Artists
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
c767a3cc84723f13