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At age 20, Claude-Joseph Vernet traveled to Italy, where he remained for two decades, painting landscape views of the Roman countryside and stormy, imaginary seascapes for Italian aristocrats and wealthy French and British tourists. Vernet populated his paintings with contemporary figures based on sketches from life, such as the three shown here. Drawn at different times in different media, together they form an amusing glimpse of Italian street life in the 1700s.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- c0399c4aee5c8fef
- Size
- unknown
Document data
- ID
- 162721
- Core
- obj
- Type
- drawing
DTO data
{
"id": "162721",
"contentType": "drawing",
"title": "Sheet of Studies: Seated Man, Head of a Dog, Seated Woman",
"description": "At age 20, Claude-Joseph Vernet traveled to Italy, where he remained for two decades, painting landscape views of the Roman countryside and stormy, imaginary seascapes for Italian aristocrats and wealthy French and British tourists. Vernet populated his paintings with contemporary figures based on sketches from life, such as the three shown here. Drawn at different times in different media, together they form an amusing glimpse of Italian street life in the 1700s.",
"date": "1700s",
"citation": "https://clevelandart.org/art/2003.265",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
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"creators": [
1986
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"imageCount": 1,
"source": "import",
"dimensionsRaw": "Sheet: 12.4 x 12.7 cm (4 7/8 x 5 in.)",
"cul": [
"France, 18th century"
],
"accession": "2003.265"
}
Context sent to Scholar
Document identity
{
"localId": "162721",
"label": "Sheet of Studies: Seated Man, Head of a Dog, Seated Woman",
"core": "obj",
"dtoType": "drawing"
}
Document source metadata
{
"id": "162721",
"contentType": "drawing",
"title": "Sheet of Studies: Seated Man, Head of a Dog, Seated Woman",
"description": "At age 20, Claude-Joseph Vernet traveled to Italy, where he remained for two decades, painting landscape views of the Roman countryside and stormy, imaginary seascapes for Italian aristocrats and wealthy French and British tourists. Vernet populated his paintings with contemporary figures based on sketches from life, such as the three shown here. Drawn at different times in different media, together they form an amusing glimpse of Italian street life in the 1700s.",
"date": "1700s",
"citation": "https://clevelandart.org/art/2003.265",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
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],
"creators": [
1986
],
"genreSpecific": [
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],
"iiifBase": "https://openaccess-cdn.clevelandart.org/2003.265/2003.265_web.jpg",
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2003.265/2003.265_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Sheet: 12.4 x 12.7 cm (4 7/8 x 5 in.)",
"cul": [
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}
Document source extras
{
"tec": "red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman)",
"tombstone": "Sheet of Studies: Seated Man, Head of a Dog, Seated Woman, 1700s. Claude-Joseph Vernet (French, 1714–1789). Red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman); sheet: 12.4 x 12.7 cm (4 7/8 x 5 in.). The Cleveland Museum of Art, Bequest of Nicholas J. Velloney, 2003.265",
"collection": "DR - French",
"inscriptions": [
{
"inscription": "lower left, in graphite: 178 ; lower left, in graphite: 113"
}
],
"didYouKnow": "Claude-Joseph Vernet was first trained as an artist by his father, who was an artisan specializing in carriage decorations.",
"url": "https://clevelandart.org/art/2003.265",
"creditline": "Bequest of Nicholas J. Velloney",
"updatedAt": "2026-05-29 08:27:04.871000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/2003.265/2003.265_print.jpg",
"sourceId": 162721,
"dept": "Drawings",
"coll": "DR - French",
"med": "red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman)",
"creatorTags": [
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Page context
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