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Source Description

Although he identified himself first and foremost as a sculptor, John Flaxman’s greatest fame and most lasting influence rest with his drawings. Engravings made after his spare designs illustrating classical epics by Homer, Dante, and Hesiod became the most celebrated work in his oeuvre and spread his stylized linearity widely. This highly finished, signed and dated drawing was made while Flaxman was in Rome and needed to supplement his income while trying to obtain commissions for sculpture. Flaxman chose an obscure classical subject: the famous Trojan shepherd, Paris, with his first love, the nymph Oenone. The scene takes place on Mount Ida, in an idyllic time of peace before Paris was called upon to judge the beauty of the goddesses Hera, Athena, and Aphrodite, thus instigating the Trojan War.

Scholar Source Context

Document identity
localId
166628
label
Paris and Oenone
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
166628
contentType
drawing
title
Paris and Oenone
description
Although he identified himself first and foremost as a sculptor, John Flaxman’s greatest fame and most lasting influence rest with his drawings. Engravings made after his spare designs illustrating classical epics by Homer, Dante, and Hesiod became the most celebrated work in his oeuvre and spread his stylized linearity widely. This highly finished, signed and dated drawing was made while Flaxman was in Rome and needed to supplement his income while trying to obtain commissions for sculpture. Flaxman chose an obscure classical subject: the famous Trojan shepherd, Paris, with his first love, the nymph Oenone. The scene takes place on Mount Ida, in an idyllic time of peace before Paris was called upon to judge the beauty of the goddesses Hera, Athena, and Aphrodite, thus instigating the Trojan War.
date
1791
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79997142
creators
56968
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Sheet: 30.3 x 48.8 cm (11 15/16 x 19 3/16 in.); Secondary Support: 35.1 x 53.6 cm (13 13/16 x 21 1/8 in.)
cul
England, 18th century
accession
2008.35
Source extras
tec
brush and gray wash with pen and pale gray-black ink with graphite and brown ink
tombstone
Paris and Oenone, 1791. John Flaxman (British, 1755–1826). Brush and gray wash with pen and pale gray-black ink with graphite and brown ink; sheet: 30.3 x 48.8 cm (11 15/16 x 19 3/16 in.); secondary support: 35.1 x 53.6 cm (13 13/16 x 21 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2008.35
supportMaterials
description
cream wove paper
collection
DR - British
inscriptions
inscription
signed and dated, in black ink, at lower left: Flaxman, Roma / 1791
didYouKnow
John Flaxman called his drawings "outlines," referring to their sparse style.
citations
citation
Lemonedes, Heather. "'Graceful in the Extreme': A Neoclassical Drawing by John Flaxman," Nineteenth-Century Art Worldwide (Summer 2012).
page_number
Mentioned and reproduced
citation
Lemonedes, Heather. <em>British Drawings: The Cleveland Museum of Art. </em>Exh. Cat. Cleveland, OH: Cleveland Museum of Art, 2013.
page_number
Mentioned: pp. 46-47, 145, no. 12; Reproduced: p. 47
citation
Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.
page_number
Mentioned and reproduced: P. 160
creditline
Purchase from the J. H. Wade Fund
updatedAt
2026-05-29 08:36:18.925000
sourceId
166628
dept
Drawings
coll
DR - British
med
brush and gray wash with pen and pale gray-black ink with graphite and brown ink
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
2c1d045fab90145f