Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
This splendid bifolium (a sheet folded in half to form two leaves) once formed part of an important antiphonary produced for an unidentified Benedictine monastery in Bohemia. With its rich illumination, it provides an important example of Bohemian painting during the opening years of the 15th century as well as painting in the city of Prague, one of the great court centers of Europe. The decoration of the leaf is dominated by a majestic initial O that depicts the Nativity. A scene in the background shows the angel Gabriel’s Annunciation to the Shepherds. The initial itself is placed within a square frame outside of which a single Benedictine monk observes the sacred event. The initial introduces the Latin chants for the first vespers of Christmas Day: O iuda et iherusalem (“Oh Judea and Jerusalem”). Framing the text are luxurious, scrolling acanthus leaves. Within the upper margin, two prophets emerge from the lush, foliated tendrils to observe the nativity below. In this way, the foretelling of the birth of Christ in the Old Testament is established visually.
Scholar Source Context
Document identity
localId
148397
label
Bifolio from an Antiphonary: Historiated Initial O with the Nativity
core
obj
dtoType
manuscript
pageCount
1
Source metadata
id
148397
contentType
manuscript
title
Bifolio from an Antiphonary: Historiated Initial O with the Nativity
description
This splendid bifolium (a sheet folded in half to form two leaves) once formed part of an important antiphonary produced for an unidentified Benedictine monastery in Bohemia. With its rich illumination, it provides an important example of Bohemian painting during the opening years of the 15th century as well as painting in the city of Prague, one of the great court centers of Europe. The decoration of the leaf is dominated by a majestic initial O that depicts the Nativity. A scene in the background shows the angel Gabriel’s Annunciation to the Shepherds. The initial itself is placed within a square frame outside of which a single Benedictine monk observes the sacred event. The initial introduces the Latin chants for the first vespers of Christmas Day: O iuda et iherusalem (“Oh Judea and Jerusalem”). Framing the text are luxurious, scrolling acanthus leaves. Within the upper margin, two prophets emerge from the lush, foliated tendrils to observe the nativity below. In this way, the foretelling of the birth of Christ in the Old Testament is established visually.
date
early 1400s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79928816
genreSpecific
Manuscript
imageCount
1
source
import
hasTranscription
no
Source extras
tombstone
Bifolio from an Antiphonary: Historiated Initial O with the Nativity, early 1400s. Bohemia, Prague, 15th century. Ink, tempera, and gold on parchment; sheet: 56.8 x 38.9 cm (22 3/8 x 15 5/16 in.); framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); matted: 71.1 x 55.9 cm (28 x 22 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1976.100
collection
MED - Manuscript Illuminations
dimensions
citations
citation
Austria. <em>Europäische Kunst um 1400: achte Ausstellung unter den Auspizien des Europarates</em>. Wien: Kunsthistorisches Museum, 1962.
page_number
catalogue no. 183, p. 207
citation
Schmidt,Gerhard "Fragmente eines Böhmischen Antiphonariums des frühen 15 Jahrhunderts (ehemals in Seitenstetten) und eine Marientod-Initiale der Rosenwald Collection," <em>Wiener Jahrbuch für Kunstgeschichte</em>, XXII (1969).
page_number
pp. 148-156, figs. 195, 201
citation
J. Kiasa, <em>Umeni </em>18 (1970).
page_number
p. 412, repr.
citation
National Gallery of Art (U.S.), Carl Nordenfalk, Lessing J. Rosenwald, and Edith Goodkind Rosenwald. <em>Medieval & Renaissance Miniatures from the National Gallery of Art: [Catalogue]. </em>[Washington]: The Gallery, 1975.
page_number
p. 154, fig. 41 g
citation
Lee, Sherman E. “The Year in Review for 1976.” <em>The Bulletin of the Cleveland Museum of Art</em> 64, no. 2 (1977).
page_number
p. 74, cat. #27, repr. p. 45
citation
Wixom, William D. “Leaves from a Prague Antiphonary.” <em>The Bulletin of the Cleveland Museum of Art</em> 64, no. 10 (1977).
page_number
p. 309-325, repr. front cover and figs. 1, 7, 8, 9
citation
Lambert, G.; Oberthür, M, "Marc-Antoine Raimondi: Saints et Saintes," <em>Gazette des Beaux-Arts</em>, (July-August 1978).
page_number
p. 20, fig. 43
citation
Boehm, Barbara Drake, and Jiří Fajt. <em>Prague: The Crown of Bohemia,</em> 1347-1437. New York: Metropolitan Museum of Art, 2005.
page_number
ex. cat. no. 116b, p. 269-270
citation
Cleveland Museum of Art, and Holger A. Klein<em>. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art.</em> Cleveland, Ohio: Cleveland Museum of Art, 2007.
page_number
Mentioned and reproduced: P. 234-235, no. 86
citation
Fliegel, Stephen N. <em>Resplendent Faith: Liturgical Treasuries of the Middle Ages</em>. Kent, Ohio: Kent State University Press, 2009.
page_number
Pg. 84, fig. 69
citation
Theisen, Maria,and Eberhard König. <em>Das Wiener Musterbuch: Kommentarband zur Faksimile-Edition des Musterbuchs Inv.-Nr. KK 5003/5004 aus der Kunstkammer des Kunsthistorischen Museums in Wien.</em> Simbach/Inn: Verlag Müller & Schindler, 2012.
page_number
Mentioned: p. 32, 78, note 103; Reproduced: p. 59, fig. 17
citation
Wolf, Fabian. <em>Die Weihnachtsvision der Birgitta von Schweden: Bildkunst und Imagination im Wechselspiel</em>. Regensburg: Schnell + Steiner, 2018.
page_number
Mentioned: p. 343, note 1719; Reproduced: p. 343. Abb. 173
citation
Kubínová, Kateřina, and Klára Benešovská.<em> Imago, imagines I-II: výtvarné dílo a proměny jeho funkcí v českých zemích od 10. do první třetiny 16. století.</em> Praha: Academia, 2019.
page_number
Reproduced: Vol. 1, p. 306, fig. 22
citation
Hamburger, Jeffrey F., Joshua O'Driscoll, and Colin B. Bailey. <em>Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800-1500</em>. 2021.
creditline
Andrew R. and Martha Holden Jennings Fund
updatedAt
2026-05-29 07:37:57.229000
sourceId
148397
tec
ink, tempera, and gold on parchment
dept
Medieval Art
coll
MED - Manuscript Illuminations
cul
Bohemia, Prague, 15th century
med
ink, tempera, and gold on parchment
accession
1976.1
thumbnail_url
image_url
dimensionsRaw
Sheet: 56.8 x 38.9 cm (22 3/8 x 15 5/16 in.); Framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); Matted: 71.1 x 55.9 cm (28 x 22 in.)
Single page context
seq
1
pageIndex
0
type
photo
mediaId
519c75b82b76933f