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Mail armor was the predominant form of metal body defense for European knights until about 1350. The term derives from the Old French word <em>maille</em> (mesh), implying a protective textile. Each mail garment was constructed of small linked metal rings and "woven" for a specific part of the body. Mail for the torso is a hauberk and typically reached mid-thigh.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- d6988f1ff7af61fa
- Size
- unknown
Document data
- ID
- 104796
- Core
- obj
- Type
- object
DTO data
{
"id": "104796",
"contentType": "object",
"title": "Hauberk",
"description": "Mail armor was the predominant form of metal body defense for European knights until about 1350. The term derives from the Old French word <em>maille</em> (mesh), implying a protective textile. Each mail garment was constructed of small linked metal rings and \"woven\" for a specific part of the body. Mail for the torso is a hauberk and typically reached mid-thigh.",
"date": "c. 1400–1450",
"citation": "https://clevelandart.org/art/1923.1120",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q60779267"
],
"genreSpecific": [
"Arms and Armor"
],
"iiifBase": "https://openaccess-cdn.clevelandart.org/1923.1120/1923.1120_web.jpg",
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1923.1120/1923.1120_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 76.2 cm (30 in.); Sleeves: 43.2 cm (17 in.)",
"cul": [
"Germany (?)"
],
"accession": "1923.112"
}
Context sent to Scholar
Document identity
{
"localId": "104796",
"label": "Hauberk",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "104796",
"contentType": "object",
"title": "Hauberk",
"description": "Mail armor was the predominant form of metal body defense for European knights until about 1350. The term derives from the Old French word <em>maille</em> (mesh), implying a protective textile. Each mail garment was constructed of small linked metal rings and \"woven\" for a specific part of the body. Mail for the torso is a hauberk and typically reached mid-thigh.",
"date": "c. 1400–1450",
"citation": "https://clevelandart.org/art/1923.1120",
"rights": "CC0",
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"language": "en",
"wikidata": [
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1923.1120/1923.1120_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 76.2 cm (30 in.); Sleeves: 43.2 cm (17 in.)",
"cul": [
"Germany (?)"
],
"accession": "1923.112"
}
Document source extras
{
"tec": "steel and brass rings, riveted with modern buckles and straps",
"tombstone": "Hauberk, c. 1400–1450. Germany (?). Steel and brass rings, riveted with modern buckles and straps; overall: 76.2 cm (30 in.); sleeves: 43.2 cm (17 in.). The Cleveland Museum of Art, Gift of John L. Severance, 1923.1120",
"collection": "MED - Arms & Armor",
"relatedWorks": [
{
"id": 104709,
"description": "Barbute (from the Venetian Garrison at Chalcis), c. 1350–1420. North Italy, 14th-15th century. Iron; overall: 29 x 21 x 25 cm (11 7/16 x 8 1/4 x 9 13/16 in.); sleeves: 43.2 cm (17 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. John L. Severance, 1923.1065"
}
],
"formerAccessionNumbers": [
"1923.1065, a"
],
"didYouKnow": "Mail was expensive to make and generally only available to warriors of noble birth unless it could be obtained as war booty.",
"citations": [
{
"citation": "American Art Association.<em> Illustrated Catalogue of Ancient Arms and Armor, Stained Glass, Coffrets and Furniture, Authentic Specimens, in Nearly All Instances European. </em>New York: American Art Association, 1923.",
"page_number": "lot 246"
},
{
"citation": "Gibson, Katharine. <em>The Goldsmith of Florence; A Book of Great Craftsmen.</em> New York: The Macmillan Company, 1929.",
"page_number": "p. 53"
},
{
"citation": "Gilchrist, Helen Ives. <em>Handbook of the Severance Collection of Arms and Armor.</em> Cleveland, Ohio: The Cleveland Museum of Art, 1948.",
"page_number": "Reproduced: p. 21",
"url": "https://archive.org/details/HandbookArmsArmor1948/page/n28"
},
{
"citation": "Cleveland Museum of Art. <em>A Missal for a King</em>. [Cleveland]: [The Museum], 1963.",
"page_number": "no. 107"
},
{
"citation": "Fliegel, Stephen N. <em>Arms and Armor: The Cleveland Museum of Art. </em>[Cleveland, Ohio]: The Museum, 1998.",
"page_number": "pp. 35-41, 71-75, 166, no. 92"
},
{
"citation": "Louis, William Noel, and Daniel H. Weiss. <em>The Book of Kings: Art, War and the Morgan Library's Medieval Picture Bible</em>. Baltimore: Walters Art Museum, 2002.",
"page_number": "pp. 83-97"
},
{
"citation": "Fliegel, Stephen N. <em>Arms & Armor: The Cleveland Museum of Art</em>. [Cleveland, Ohio]: Cleveland Museum of Art, 2007.",
"page_number": "p. 186, cat. no. 83"
},
{
"citation": "Cleveland Museum of Art, and Holger A. Klein. <em>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art</em>. Cleveland, Ohio: Cleveland Museum of Art, 2007.",
"page_number": "p. 284-5, cat. 107"
},
{
"citation": "Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. <em>The Cleveland Museum of Art: Meisterwerke von 300 bis 1550</em>. München: Hirmer, 2007."
}
],
"url": "https://clevelandart.org/art/1923.1120",
"creditline": "Gift of John L. Severance",
"updatedAt": "2026-05-29 05:39:25.974000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/1923.1120/1923.1120_print.jpg",
"sourceId": 104796,
"dept": "Medieval Art",
"coll": "MED - Arms & Armor",
"med": "steel and brass rings, riveted with modern buckles and straps",
"thumbnail_url": null,
"image_url": null
}
Page context
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