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The predominant motifs on this mirror, the lion and the grapevine, were both foreign to China. The popularity of this mirror type, which lasted until the fall of the Tang dynasty, demonstrates the cosmopolitan tastes of wealthy Chinese during this extremely prosperous and artistically vigorous period.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 2b1e31cc6128434f
- Size
- unknown
Document data
- ID
- 108542
- Core
- obj
- Type
- object
DTO data
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"title": "Mirror",
"description": "The predominant motifs on this mirror, the lion and the grapevine, were both foreign to China. The popularity of this mirror type, which lasted until the fall of the Tang dynasty, demonstrates the cosmopolitan tastes of wealthy Chinese during this extremely prosperous and artistically vigorous period.",
"date": "618–907",
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Document identity
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Document source metadata
{
"id": "108542",
"contentType": "object",
"title": "Mirror",
"description": "The predominant motifs on this mirror, the lion and the grapevine, were both foreign to China. The popularity of this mirror type, which lasted until the fall of the Tang dynasty, demonstrates the cosmopolitan tastes of wealthy Chinese during this extremely prosperous and artistically vigorous period.",
"date": "618–907",
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Document source extras
{
"tec": "bronze",
"tombstone": "Mirror, 618–907. China, Tang dynasty (618–907). Bronze; diameter: 21 cm (8 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.248",
"collection": "China - Tang Dynasty",
"citations": [
{
"citation": "Neils, Jenifer. “The Twain Shall Meet.” <em>The Bulletin of the Cleveland Museum of Art</em> 72, no. 6 (October 1985): 326–59.",
"page_number": "Reproduced: p. 345, fig. 35",
"url": "https://www.jstor.org/stable/25159914"
}
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"creditline": "Dudley P. Allen Fund",
"updatedAt": "2026-05-29 05:48:45.825000",
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Page context
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