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Source Description

Scholars generally agree that Rosalba Carriera (1675-1757) developed the art of painting miniatures on ivory, in place of the traditional support of vellum, a fine animal skin. Although she became famous as a pastel painter, in her early career, Carriera decorated ivory snuff boxes-containers used to hold powdered tobacco taken by sniffing up the nostrils-for tourists. This miniature likely served as a lid to a snuff box, due to its elliptical shape in contrast to the oval or occasionally round shapes of most other miniatures. Although painters of ivory snuff boxes used watercolor, the same media artists used on vellum, the finished images on ivory were crude in comparison to those painted on vellum because ivory presents a greasy, non-absorbent surface, causing watercolor to run. Carriera revolutionized the art of watercolor painting on ivory through a process she termed her fondelli, or foundation. She developed a way in which to work in watercolor on ivory that emulated the soft powdery sophistication of her pastels. She used opaque gouache, essentially watercolor paint mixed with a gummy white, a combination of media which adhered to the oily surface of ivory. News of Carriera's innovation spread through Europe, and in the first few decades of the 1700s, most miniaturists abandoned vellum in favor of ivory.

Scholar Source Context

Document identity
localId
119017
label
A Woman Putting Flowers in Her Hair
core
obj
dtoType
object
pageCount
1
Source metadata
id
119017
contentType
object
title
A Woman Putting Flowers in Her Hair
description
Scholars generally agree that Rosalba Carriera (1675-1757) developed the art of painting miniatures on ivory, in place of the traditional support of vellum, a fine animal skin. Although she became famous as a pastel painter, in her early career, Carriera decorated ivory snuff boxes-containers used to hold powdered tobacco taken by sniffing up the nostrils-for tourists. This miniature likely served as a lid to a snuff box, due to its elliptical shape in contrast to the oval or occasionally round shapes of most other miniatures. Although painters of ivory snuff boxes used watercolor, the same media artists used on vellum, the finished images on ivory were crude in comparison to those painted on vellum because ivory presents a greasy, non-absorbent surface, causing watercolor to run. Carriera revolutionized the art of watercolor painting on ivory through a process she termed her fondelli, or foundation. She developed a way in which to work in watercolor on ivory that emulated the soft powdery sophistication of her pastels. She used opaque gouache, essentially watercolor paint mixed with a gummy white, a combination of media which adhered to the oily surface of ivory. News of Carriera's innovation spread through Europe, and in the first few decades of the 1700s, most miniaturists abandoned vellum in favor of ivory.
date
c. 1710
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80014209
creators
3670
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 10.6 x 12.7 cm (4 3/16 x 5 in.); Unframed: 8.6 x 10.5 cm (3 3/8 x 4 1/8 in.)
cul
Italy, 18th century
accession
1940.1203
Source extras
tec
watercolor on ivory in a tortoiseshell pique-point frame
tombstone
A Woman Putting Flowers in Her Hair, c. 1710. Rosalba Carriera (Italian, 1675–1757). Watercolor on ivory in a tortoiseshell pique-point frame; framed: 10.6 x 12.7 cm (4 3/16 x 5 in.); unframed: 8.6 x 10.5 cm (3 3/8 x 4 1/8 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1940.1203
collection
P - Italian 18th Century
didYouKnow
Its extraordinary thickness indicates that this is one of Carriera's earliest experiments painting on ivory.
citations
citation
Oberer, Angela, and Rosalba Carriera. <em>Rosalba Carriera</em>. London: Lund Humphries, 2023.
page_number
Mentioned and reproduced: pp. 27-28, fig. 15
citation
Gesellschaft der Bilder- und Miniaturenfreunde (Vienna, Austria), and Leo Schidlof. <em>Katalog der Internationalen Miniaturen-Ausstellung in der Albertina, Wien, mai-juni, 1924. </em>Wien: Gesellschaft der Bilder- und Miniaturenfreunde, 1924.
page_number
cat. no. 133
citation
Cleveland Museum of Art, and Edward Belden Greene. Portrait Miniatures ; <em>The Edward B. Greene Collection.</em> 1951.
page_number
Mentioned: p. 38, cat. 84, p. 21; Reproduced: plate XXXVII
citation
Lister, Raymond, "The Edward B. Greene Collection of Portrait Miniatures", <em>Apollo</em> LV (Jan. 1952).
page_number
p. 20
citation
Harris, Ann Sutherland, and Linda Nochlin.<em> Women Artists, 1550-1950.</em> Los Angeles: Los Angeles County Museum of Art, 1976.
page_number
cat. no. 42
citation
"Review of exhibition Women Artists: 1550-1950 at the Museum of Art, Carnegie Institute", <em>Museologist </em>no. 141 (June 1977).
page_number
p. 5
citation
Sani, Bernardina. 1981. "Pastelli e miniature di Rosalba Carriera nella collezione di Giovanni Guglielmo Pfalz". <em>Itinerari</em>. 133-143.
page_number
p. 136, illus. pl. 61a
citation
Eschwey, Maymie. <em>Portraits in Miniature: An Introductory Guide.</em> Edina, Mn: Alpha editions, 1988.
page_number
p. 32
citation
Carriera, Rosalba, and Bernardina Sani. <em>Rosalba Carriera.</em> Torino: U. Allemandi, 1988.
page_number
p. 277, cat no. 17, fig. 15
citation
Sani, Bernardina, and Rosalba Carriera. <em>Rosalba Carriera: 1673-1757 : maestra del pastello nell'Europa ancien régime</em>. Torino: U. Allemandi, 2007.
page_number
p. 71, no. 18
citation
Arenas, Amelia, and Tetsuo Kinoshita.<em> Efude o totta redi: josei gaka no gohyakunen</em>. Kyōto: Tankōsha, 2008.
page_number
pp. 58-9
citation
Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.
page_number
Mentioned and reproduced: P. 196-197
citation
Gentileschi, Artemisia, Eve Straussman-Pflanzer, Oliver Tostmann, and Sheila Barker. By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800. Detroit, Michigan : Detroit Institute of Arts, 2021.
page_number
Mentioned and reproduced: pp. 164-165, no. 55
citation
Oberer, Angela. "The 'White Rose' of Venice." In <em>Rosalba Carriera: Perfection in Pastel </em>edited by Roland Enke and Katja Paul, 43-54. Exh. cat. Dresden: Staatliche Kunstsammlungen Dresden, 2023
page_number
Mentioned and Reproduced: p. 44, fig. 1
citation
Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen. <em>Making Her Mark: A History of Women Artists in Europe, 1400-1800</em>. Fredericton, New Brunswick : Goose Lane Editions ; Toronto, Ontario : AGO ; Baltimore, Maryland : Baltimore Museum of Art, 2023.
page_number
Mentioned, p. 203, cat. 97, p. 204, illus. p. 204
creditline
The Edward B. Greene Collection
updatedAt
2026-05-29 06:09:11.870000
sourceId
119017
dept
European Painting and Sculpture
coll
P - Italian 18th Century
med
watercolor on ivory in a tortoiseshell pique-point frame
creatorTags
female
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
6d73aec7062755ab