Ask the Scholar

Page 1 of 1
I can add historical knowledge about this page.

Page image

Page 1

Document source description

The museum bought this sculpture in 1941, when study of ancient American arts was in its infancy. It has many odd features, a few perhaps revealing an attempt to make the subject—the Aztec deity Quetzalcoatl (Feathered Serpent)—palatable to modern viewers. But it cannot absolutely be declared fake because some real Aztec sculptures are unusual. Analysis of the surface so far provides no help. Especially odd is the arrangement of the coils into bulges that suggest the pectorals, knees, and buttocks of a human body, as though the sculpture represents a human in a serpent costume. Real Aztec sculpture usually portrays the serpent's dangerous body more realistically. Also, the mouth mask—the insignia of a wind deity related to Quetzalcoatl and, thus, perhaps appropriate—is much larger in genuine sculptures. This suggests that, because the mask and its authentic proportion are strange to our eyes, a forger scaled it down. Other uncommon features include the incomplete carving of the ears, the fact that the human head does not emerge from a serpent's mouth, and more.

Page data

Page
1
Source index
0
Type
photo
Media ID
79b68c22948e037e
Size
unknown

Document data

ID
120726
Core
obj
Type
object
DTO data
{
    "id": "120726",
    "contentType": "object",
    "title": "Feathered Serpent (Quetzalcoatl)",
    "description": "The museum bought this sculpture in 1941, when study of ancient American arts was in its infancy. It has many odd features, a few perhaps revealing an attempt to make the subject—the Aztec deity Quetzalcoatl (Feathered Serpent)—palatable to modern viewers. But it cannot absolutely be declared fake because some real Aztec sculptures are unusual. Analysis of the surface so far provides no help. Especially odd is the arrangement of the coils into bulges that suggest the pectorals, knees, and buttocks of a human body, as though the sculpture represents a human in a serpent costume. Real Aztec sculpture usually portrays the serpent's dangerous body more realistically. Also, the mouth mask—the insignia of a wind deity related to Quetzalcoatl and, thus, perhaps appropriate—is much larger in genuine sculptures. This suggests that, because the mask and its authentic proportion are strange to our eyes, a forger scaled it down. Other uncommon features include the incomplete carving of the ears, the fact that the human head does not emerge from a serpent's mouth, and more.",
    "date": "1325–1521",
    "citation": "https://clevelandart.org/art/1941.46",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q80016256"
    ],
    "genreSpecific": [
        "Stone"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 27.7 x 20.1 x 22 cm (10 7/8 x 7 15/16 x 8 11/16 in.)",
    "cul": [
        "Central Mexico, Aztec or modern, Post-Classic Period or modern"
    ],
    "accession": "1941.46"
}

Context sent to Scholar

Document identity
{
    "localId": "120726",
    "label": "Feathered Serpent (Quetzalcoatl)",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "120726",
    "contentType": "object",
    "title": "Feathered Serpent (Quetzalcoatl)",
    "description": "The museum bought this sculpture in 1941, when study of ancient American arts was in its infancy. It has many odd features, a few perhaps revealing an attempt to make the subject—the Aztec deity Quetzalcoatl (Feathered Serpent)—palatable to modern viewers. But it cannot absolutely be declared fake because some real Aztec sculptures are unusual. Analysis of the surface so far provides no help. Especially odd is the arrangement of the coils into bulges that suggest the pectorals, knees, and buttocks of a human body, as though the sculpture represents a human in a serpent costume. Real Aztec sculpture usually portrays the serpent's dangerous body more realistically. Also, the mouth mask—the insignia of a wind deity related to Quetzalcoatl and, thus, perhaps appropriate—is much larger in genuine sculptures. This suggests that, because the mask and its authentic proportion are strange to our eyes, a forger scaled it down. Other uncommon features include the incomplete carving of the ears, the fact that the human head does not emerge from a serpent's mouth, and more.",
    "date": "1325–1521",
    "citation": "https://clevelandart.org/art/1941.46",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q80016256"
    ],
    "genreSpecific": [
        "Stone"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 27.7 x 20.1 x 22 cm (10 7/8 x 7 15/16 x 8 11/16 in.)",
    "cul": [
        "Central Mexico, Aztec or modern, Post-Classic Period or modern"
    ],
    "accession": "1941.46"
}
Document source extras
{
    "tec": "stone",
    "tombstone": "Feathered Serpent (Quetzalcoatl), 1325–1521. Central Mexico, Aztec or modern, Post-Classic Period or modern. Stone; overall: 27.7 x 20.1 x 22 cm (10 7/8 x 7 15/16 x 8 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1941.46",
    "collection": "AA - Mesoamerica",
    "citations": [
        {
            "citation": "Flint Institute of Arts. <em>Art Marches on!: The Opening and Dedicating Exhibition of the New Flint Institute of Arts, Flint, Michigan, November 14-December 13, 1941</em>. Flint, Mich.: The Institute, 1941.",
            "page_number": "Mentioned and reproduced: p. 27, cat. no. 46"
        },
        {
            "citation": "Flint Institute of Arts. <em>Art Marches on!: The Opening and Dedicating Exhibition of the New Flint Institute of Arts</em>, Flint, Michigan, November 14-December 13, 1941. Flint, Mich: The Institute.",
            "page_number": "Mentioned and Reproduced: p. 27, no. 46"
        },
        {
            "citation": "Cleveland Museum of Art, and Jay I. Kislak Reference Collection (Library of Congress). <em>Art of the Americas.</em> Cleveland: The Cleveland Museum of Art, 1946.",
            "page_number": "Reproduced: p. 21",
            "url": "https://archive.org/details/ArtoftheAmericas"
        },
        {
            "citation": "Society of the Four Arts (Palm Beach, Fla), and Gordon F. Ekholm. <em>Pre-Columbian Art, the Native Art of America Before the Conquest: Jan. 10-Feb. 1, 1953</em>. Palm Beach: Society of the Four Arts, 1952.",
            "page_number": "Mentioned: cat. no. 49"
        },
        {
            "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
            "page_number": "Mentioned and Reproduced: cat. no. 363",
            "url": "https://archive.org/details/CMAHandbook1958/page/n69"
        }
    ],
    "url": "https://clevelandart.org/art/1941.46",
    "creditline": "Purchase from the J. H. Wade Fund",
    "updatedAt": "2026-05-29 06:13:35.736000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_print.jpg",
    "sourceId": 120726,
    "dept": "Art of the Americas",
    "coll": "AA - Mesoamerica",
    "med": "stone",
    "thumbnail_url": null,
    "image_url": null
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://openaccess-cdn.clevelandart.org/1941.46/1941.46_web.jpg",
    "mediaId": "79b68c22948e037e"
}