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Source Description

Although it is impossible to say whether or not it was always part of the artist’s process to execute a preparatory sketch prior to painting each miniature, we do know that John Smart retained many hundreds of these sketches. A group of preparatory sketches—of which this portrait is one—descended through the Smirke family after Smart’s daughter Sarah gave a sketchbook containing preparatory portrait studies to her friend Mary Smirke, sister of the celebrated Victorian architect Sydney Smirke. This book was probably broken up around 1877 when its contents was divided between Sydney’s daughters Mary Jemmett and Mrs. Lange, whose portions were both sold at auction in 1928. <br>G. C. Williamson was the first to suggest that Smart’s sketches were well known and that they were preparatory studies for the painted miniatures. Williamson listed the names of sitters from the sketches known to him at the time, and they include a Mr. Jones, the title formerly given to the sketch here. This designation was applied only to a paper backing that had been attached after the drawing had been removed from the sketchbook. There is no further evidence for this attribution, however. <br>The sketch is of the sitter’s head only, with a slight suggestion of a high stock collar. His head faces to the left, and his light hair is combed straight back with a flat curl above his right ear. He is depicted in an oval, and the background is unpainted. The number 161 is inscribed in graphite on both the front of the drawing and its paper backing. Upon removal of the paper backing in 1993, an inscription in graphite was revealed. Perhaps written in the artist’s hand, it suggests that the sitter’s name may be Mr. Shippar[d]. There are no known portraits of this gentleman.<br>The work can be dated to about 1776 because of its size, which, when painted on ivory, would have been around 2 inches in height. An inscription on the back of the drawing suggests that the miniature was to be mounted on a bracelet. To this date, the finished ivory for which this preparatory sketch was presumably undertaken has not been discovered.

Scholar Source Context

Document identity
localId
120849
label
Portrait of Mr. Shippard
core
obj
dtoType
object
pageCount
1
Source metadata
id
120849
contentType
object
title
Portrait of Mr. Shippard
description
Although it is impossible to say whether or not it was always part of the artist’s process to execute a preparatory sketch prior to painting each miniature, we do know that John Smart retained many hundreds of these sketches. A group of preparatory sketches—of which this portrait is one—descended through the Smirke family after Smart’s daughter Sarah gave a sketchbook containing preparatory portrait studies to her friend Mary Smirke, sister of the celebrated Victorian architect Sydney Smirke. This book was probably broken up around 1877 when its contents was divided between Sydney’s daughters Mary Jemmett and Mrs. Lange, whose portions were both sold at auction in 1928. <br>G. C. Williamson was the first to suggest that Smart’s sketches were well known and that they were preparatory studies for the painted miniatures. Williamson listed the names of sitters from the sketches known to him at the time, and they include a Mr. Jones, the title formerly given to the sketch here. This designation was applied only to a paper backing that had been attached after the drawing had been removed from the sketchbook. There is no further evidence for this attribution, however. <br>The sketch is of the sitter’s head only, with a slight suggestion of a high stock collar. His head faces to the left, and his light hair is combed straight back with a flat curl above his right ear. He is depicted in an oval, and the background is unpainted. The number 161 is inscribed in graphite on both the front of the drawing and its paper backing. Upon removal of the paper backing in 1993, an inscription in graphite was revealed. Perhaps written in the artist’s hand, it suggests that the sitter’s name may be Mr. Shippar[d]. There are no known portraits of this gentleman.<br>The work can be dated to about 1776 because of its size, which, when painted on ivory, would have been around 2 inches in height. An inscription on the back of the drawing suggests that the miniature was to be mounted on a bracelet. To this date, the finished ivory for which this preparatory sketch was presumably undertaken has not been discovered.
date
c. 1776
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80016514
creators
3691
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 8.5 x 7.3 cm (3 3/8 x 2 7/8 in.); Unframed: 5.7 x 3.7 cm (2 1/4 x 1 7/16 in.)
cul
England, 18th century
accession
1941.571
Source extras
tec
graphite and wash on laid paper
tombstone
Portrait of Mr. Shippard, c. 1776. John I Smart (British, 1741–1811). Graphite and wash on laid paper; framed: 8.5 x 7.3 cm (3 3/8 x 2 7/8 in.); unframed: 5.7 x 3.7 cm (2 1/4 x 1 7/16 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1941.571
supportMaterials
description
paper
collection
DR - British
inscriptions
inscription
inscribed very faintly in graphite on front at upper right: 161; on back (paper backing to which drawing paper was adhered) inscribed in graphite, at top upside down: 161; also on paper backing in graphite, on a slant at lower left: Mr. Jones; inscribed on back of drawing, beneath paper backing, in graphite: Mr Shippar[d] large Bracelet size
didYouKnow
Sketches helped John Smart work out the particulars of a portrait before commencing the miniature on ivory, and they were useful in the event that a duplicate might later be required.
citations
citation
Williamson, George C.<em> The Miniature Collector; A Guide for the Amateur Collector of Portrait Miniatures.</em> New York: Dodd, Mead &amp; Co, 1921.
page_number
p. 146
citation
Cleveland Museum of Art, and Edward Belden Greene.<em> Portrait Miniatures ; The Edward B. Greene Collection.</em> 1951.
page_number
Mentioned and reproduced: p. 31, no. 41, pl. XIV
citation
Foskett, Daphne. <em>John Smart: the Man and His Miniatures</em>. [London]: Cory, Adams &amp; Mackay, 1964.
page_number
p. 67.
citation
Korkow, Cory, and Jon L. Seydl.<em> British Portrait Miniatures: The Cleveland Museum of Art.</em> 2013.
page_number
Cat. no. 41, pp. 177-178
creditline
The Edward B. Greene Collection
updatedAt
2026-05-29 06:14:02.907000
sourceId
120849
dept
Drawings
coll
DR - British
med
graphite and wash on laid paper
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
69f27a1f1924365b