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Source Description
Anne Annesley (née Courtenay, 1774–1835) was the eighth daughter of William 2nd Viscount Courtenay, and sister of William 3rd Viscount Courtenay, who commissioned numerous paintings of himself and his six sisters from Richard Cosway in oil and miniature. William’s expenditure for these works between 1790 and 1812 reached £1,370, a bill that wasn’t paid in full until 1820. Anne married George Annesley, later 2nd Earl of Mountnorris, in September 1790. Cosway, who frequently depicted female sitters in gauzy white gowns, lavished attention on Anne’s attire. Her pale yellow coat is lined with fur that is sensitively delineated with a combination of short brushstrokes distinct from those that form her dark, wavy hair. Fur-trimmed jackets like this one would probably have been worn indoors by women during the colder months.
Scholar Source Context
Document identity
localId
121266
label
Portrait of the Hon. Anne Annesley, later Countess of Mountnorris
core
obj
dtoType
object
pageCount
1
Source metadata
id
121266
contentType
object
title
Portrait of the Hon. Anne Annesley, later Countess of Mountnorris
description
Anne Annesley (née Courtenay, 1774–1835) was the eighth daughter of William 2nd Viscount Courtenay, and sister of William 3rd Viscount Courtenay, who commissioned numerous paintings of himself and his six sisters from Richard Cosway in oil and miniature. William’s expenditure for these works between 1790 and 1812 reached £1,370, a bill that wasn’t paid in full until 1820. Anne married George Annesley, later 2nd Earl of Mountnorris, in September 1790. Cosway, who frequently depicted female sitters in gauzy white gowns, lavished attention on Anne’s attire. Her pale yellow coat is lined with fur that is sensitively delineated with a combination of short brushstrokes distinct from those that form her dark, wavy hair. Fur-trimmed jackets like this one would probably have been worn indoors by women during the colder months.
date
c. 1800
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80017046
creators
3700
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 9 x 7.3 cm (3 9/16 x 2 7/8 in.); Unframed: 8.3 x 6.4 cm (3 1/4 x 2 1/2 in.)
cul
England, 19th century
accession
1942.1138
Source extras
tec
watercolor on ivory in a gold frame
tombstone
Portrait of the Hon. Anne Annesley, later Countess of Mountnorris, c. 1800. Richard Cosway (British, 1742–1821). Watercolor on ivory in a gold frame; framed: 9 x 7.3 cm (3 9/16 x 2 7/8 in.); unframed: 8.3 x 6.4 cm (3 1/4 x 2 1/2 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1942.1138
collection
Mod Euro - Painting 1800-1960
didYouKnow
Another version of this portrait is nearly identical to the Cleveland miniature and was likely for another friend or member of Anne's family.
citations
citation
Williamson, George C. <em>Richard Cosway, R.A., and His Wife and Pupils: Miniaturists of the Eighteenth Century.</em> London: George Bell & Sons, 1897.
page_number
facing p. 2
citation
Cleveland Museum of Art. <em>Portrait Miniatures </em>; <em>The Edward B. Greene Collection.</em> Cleveland, OH: The Cleveland Museum of Art, 1951.
page_number
Mentioned: p. 26, no. 9; Reproduced: pl. XVII
citation
Cleveland Museum of Art, and Alan Chong. <em>European & American Painting in the Cleveland Museum of Art: A Summary Catalogue</em>. Cleveland, Ohio: Cleveland Museum of Art, 1993.
page_number
p. 282
citation
Korkow, Cory, and Dario Robleto. <em>Disembodied: Portrait Miniatures and Their Contemporary Relatives</em>. 2013.
page_number
Mentioned: p.86
citation
Korkow, Cory, and Jon L. Seydl. <em>British Portrait Miniatures: The Cleveland Museum of Art. 2</em>013.
page_number
Cat. no. 66, pp. 252-254
creditline
The Edward B. Greene Collection
updatedAt
2026-05-29 06:14:48.319000
sourceId
121266
dept
Modern European Painting and Sculpture
coll
Mod Euro - Painting 1800-1960
med
watercolor on ivory in a gold frame
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
7fed4c4918e1a495