Ask the Scholar

Document scope · 1 page
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

Though this portrait has had the title “Portrait of a Man” since 1942 when it entered the museum’s collection, the <br>sitter was identified by previous owners, including Leo Schidlof and Edward Greene, as a member of the famous Baring banking family, of whom G. C. Williamson mentions several members in his biography of George Engleheart.<br>Thomas Baring (1772–1848) was not elevated to the baronetcy until 1810. Thomas was a member of Parliament, <br>partner in the firm Baring Brothers &amp; Co. from 1804, and chairman of the London and Southwestern Railroad from 1832 to 1833. Baring Brothers &amp; Co. brokered the $15 million Louisiana Purchase in 1802, which doubled the size of the United States and financially refueled Napoleon’s war effort. <br>Thomas wears a dark blue coat with brass buttons, white waistcoat with a high white collar, bow, and frill down the front, all of which was standard attire for British gentlemen at the turn of the century. His hair is worn à l’antique (hair cut short and worn in curls, especially around the forehead), a style sported by men after the turn of the century that evokes the coiffures of statesmen of ancient Rome. The back of the frame contains plaited brown hair. There is a small area of pigment loss located at the lower right edge of the sitter’s coat.

Scholar Source Context

Document identity
localId
121269
label
Portrait of Sir Thomas Baring, 2nd Baronet
core
obj
dtoType
object
pageCount
1
Source metadata
id
121269
contentType
object
title
Portrait of Sir Thomas Baring, 2nd Baronet
description
Though this portrait has had the title “Portrait of a Man” since 1942 when it entered the museum’s collection, the <br>sitter was identified by previous owners, including Leo Schidlof and Edward Greene, as a member of the famous Baring banking family, of whom G. C. Williamson mentions several members in his biography of George Engleheart.<br>Thomas Baring (1772–1848) was not elevated to the baronetcy until 1810. Thomas was a member of Parliament, <br>partner in the firm Baring Brothers &amp; Co. from 1804, and chairman of the London and Southwestern Railroad from 1832 to 1833. Baring Brothers &amp; Co. brokered the $15 million Louisiana Purchase in 1802, which doubled the size of the United States and financially refueled Napoleon’s war effort. <br>Thomas wears a dark blue coat with brass buttons, white waistcoat with a high white collar, bow, and frill down the front, all of which was standard attire for British gentlemen at the turn of the century. His hair is worn à l’antique (hair cut short and worn in curls, especially around the forehead), a style sported by men after the turn of the century that evokes the coiffures of statesmen of ancient Rome. The back of the frame contains plaited brown hair. There is a small area of pigment loss located at the lower right edge of the sitter’s coat.
date
1803
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80017055
creators
3709
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 8.6 x 7 cm (3 3/8 x 2 3/4 in.); Unframed: 8 x 6.3 cm (3 1/8 x 2 1/2 in.)
cul
England, 19th century
accession
1942.114
Source extras
tec
watercolor on ivory in a gilt metal frame with plaited brown hair in glazed reserve on back
tombstone
Portrait of Sir Thomas Baring, 2nd Baronet, 1803. George Engleheart (British, 1752–1829). Watercolor on ivory in a gilt metal frame with plaited brown hair in glazed reserve on back; framed: 8.6 x 7 cm (3 3/8 x 2 3/4 in.); unframed: 8 x 6.3 cm (3 1/8 x 2 1/2 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1942.1140
collection
Mod Euro - Painting 1800-1960
inscriptions
inscription
signed right: E
didYouKnow
Engleheart also painted miniatures of Baring's wife and elder sons whose names are listed in the artists fee book; he was charging from 12 to 15 guineas for a miniature painting.
citations
citation
Cleveland Museum of Art. <em>Portrait Miniatures </em>; <em>The Edward B. Greene Collection.</em> Cleveland, OH: The Cleveland Museum of Art, 1951.
page_number
Reproduced: p. 27, no. 13, pl. XVIII
citation
Cleveland Museum of Art, and Alan Chong.<em> European &amp; American Painting in the Cleveland Museum of Art: A Summary Catalogue</em>. Cleveland, Ohio: Cleveland Museum of Art, 1993.
page_number
p. 286
citation
Korkow, Cory, and Dario Robleto. <em>Disembodied: Portrait Miniatures and Their Contemporary Relatives. </em>2013.
page_number
Mentioned: p.85
citation
Korkow, Cory, and Jon L. Seydl.<em> British Portrait Miniatures: The Cleveland Museum of Art.</em> 2013.
page_number
Cat. no. 63, pp. 244-246
creditline
The Edward B. Greene Collection
updatedAt
2026-05-29 06:14:49.017000
sourceId
121269
dept
Modern European Painting and Sculpture
coll
Mod Euro - Painting 1800-1960
med
watercolor on ivory in a gilt metal frame with plaited brown hair in glazed reserve on back
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
5b107831dbdb07c2