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Source Description
Rank badges (also called rank insignia or Mandarin squares) were used in China during the Ming (1368–1644) and Qing (1644–1911) dynasties to demonstrate the wearer’s rank. In 1391, new clothing regulations directed court officials to wear decorative squares indicating their rank—birds for civil officials and animals for military officials. During the Qing dynasty rank badge design was regulated, and certain creatures were associated with specific ranks. Qing badges depict a representation of the universe with a landscape and a central creature, surrounded by clouds and facing the sun. The sun represented the emperor and this composition showed the official’s loyalty to him. An official’s wife wore rank badges that mirrored her husband’s. Most of the examples in CMA’s collection depict creatures facing a sun on the left. Attached to the front and back of a ceremonial robe, rank badges were woven in pairs with identical imagery. One was divided vertically up the center to attach to the front of a robe with a center opening. Rank badges are generally square or rectangular, although round examples exist. They are typically satin weave or slit tapestry weave (<em>kesi</em>) silk. Satin weave badges often have dark backgrounds with silk and/or metal thread embroidery. Some badges incorporate peacock feathers or beads. Late in the Qing dynasty appliqué replaced embroidery to allow for quicker production and a change in rank.
Scholar Source Context
Document identity
localId
126566
label
Rank Badge (buzi)
core
obj
dtoType
object
pageCount
1
Source metadata
id
126566
contentType
object
title
Rank Badge (buzi)
description
Rank badges (also called rank insignia or Mandarin squares) were used in China during the Ming (1368–1644) and Qing (1644–1911) dynasties to demonstrate the wearer’s rank. In 1391, new clothing regulations directed court officials to wear decorative squares indicating their rank—birds for civil officials and animals for military officials. During the Qing dynasty rank badge design was regulated, and certain creatures were associated with specific ranks. Qing badges depict a representation of the universe with a landscape and a central creature, surrounded by clouds and facing the sun. The sun represented the emperor and this composition showed the official’s loyalty to him. An official’s wife wore rank badges that mirrored her husband’s. Most of the examples in CMA’s collection depict creatures facing a sun on the left. Attached to the front and back of a ceremonial robe, rank badges were woven in pairs with identical imagery. One was divided vertically up the center to attach to the front of a robe with a center opening. Rank badges are generally square or rectangular, although round examples exist. They are typically satin weave or slit tapestry weave (<em>kesi</em>) silk. Satin weave badges often have dark backgrounds with silk and/or metal thread embroidery. Some badges incorporate peacock feathers or beads. Late in the Qing dynasty appliqué replaced embroidery to allow for quicker production and a change in rank.
date
1736–95
citation
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79906128
genreSpecific
Embroidery
imageCount
1
source
import
dimensionsRaw
Overall: 27.3 x 26 cm (10 3/4 x 10 1/4 in.)
cul
China, Qing dynasty (1644–1911), Qianlong reign (1736–95)
accession
1948.72
Source extras
tec
silk, satin weave; silk and metal thread embroidery
tombstone
Rank Badge (buzi), 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Silk, satin weave; silk and metal thread embroidery; overall: 27.3 x 26 cm (10 3/4 x 10 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1948.72
collection
Textiles
didYouKnow
A mythical, deerlike creature with a single horn, called a <em>xiezhi</em>, would adorn the rank badge for a censor of the imperial government.
citations
citation
Cammann, Schuyler. “The Development of the Mandarin Square.” <em>Harvard Journal of Asiatic Studies</em> 8, no. 2 (1944): 71–130.
citation
Cammann, Schuyler. “Embroidery Techniques in Old China.” <em>Archives of the Chinese Art Society of America</em> 16 (1962): 16–40.
citation
Cammann, Schuyler. “Costume in China, 1644 to 1912.” <em>Philadelphia Museum of Art Bulletin</em> 75, no. 326 (1979).
page_number
p. 3–19
citation
Cammann, Schuyler V.R." Other Mandarin Squares: Korean, Annamese and Unfamiliar Examples."<em> Arts of Asia</em>. [Kowloon, Hong Kong]: [Arts of Asia Publications], (March-April 1992).
page_number
p. 115-126
citation
香港市政局與香港東方陶瓷學會合辦 ; 遼寧省博物館協辦 ; 香港藝術館籌劃 = Heavens' embroidered cloths : one thousand years of Chinese textiles / jointly presented by the Urban Council, Hong Kong and the Oriental Ceramic Society of Hong Kong ; in association with the Liaoning Provincial Museum ; organized by the Hong Kong Museum of Art, Hong Kong. Urban Council, Hong Kong. Urban Council, Hong Kong Museum of Art, Oriental Ceramic Society of Hong Kong, 遼寧省博物館, Hong Kong Museum of Art, Oriental Ceramic Society of Hong Kong, and Liaoning Sheng bo wu guan. 錦繡羅衣巧天工. Hong Kong: Urban Council, 1995.
citation
Wrigglesworth, Linda. "Making the Grade", the Badge of Rank III: Ming (1368-1644) and Qing (1644-1911) Dynasties : December 4th to 24th 1996, London. London: Linda Wrigglesworth, 1996.
citation
Jackson, Beverley, and David Hugus. <em>Ladder to the Clouds: Intrigue and Tradition in Chinese Rank</em>. Berkeley, Calif: Ten Speed Press, 1999.
citation
Hall, Chris. <em>Power Dressing: Textiles for Rulers and Priests from the Chris Hall Collection</em>. Singapore: Asian Civilisations Museum, 2006.
citation
Watt, James C. Y. “The Giraffe As the Mythical Qilin in Chinese Art: A Painting and a Rank Badge in the Metropolitan Museum.” <em>Metropolitan Museum Journal</em> 43 (2008): 111–15.
creditline
Purchase from the J. H. Wade Fund
updatedAt
2026-05-29 06:31:59.285000
sourceId
126566
dept
Textiles
coll
Textiles
med
silk, satin weave; silk and metal thread embroidery
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
1e00167e1e7fb9a6