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In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth, which provided support for heavy decorative beadwork that was added by hand. Often the fabric was a dark color, providing dramatic contrast for the multicolored beads. Rather than encrusting the entire garment, beadwork was confined to cuffs, “epaulettes,” bib-like plackets and yokes, rectangular panels sewn to leggings, shirts, and dresses, and the like.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 9fcd8edb7bebc7de
- Size
- unknown
Document data
- ID
- 134331
- Core
- obj
- Type
- object
DTO data
{
"id": "134331",
"contentType": "object",
"title": "Cuff",
"description": "In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth, which provided support for heavy decorative beadwork that was added by hand. Often the fabric was a dark color, providing dramatic contrast for the multicolored beads. Rather than encrusting the entire garment, beadwork was confined to cuffs, “epaulettes,” bib-like plackets and yokes, rectangular panels sewn to leggings, shirts, and dresses, and the like.",
"date": "late 1800s",
"citation": "https://clevelandart.org/art/1956.788.2",
"rights": "CC0",
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"source": "import",
"dimensionsRaw": "Overall: 12.1 x 29.8 cm (4 3/4 x 11 3/4 in.)",
"cul": [
"Northeast Woodlands, Great Lakes Region, Anishinaabe (Ojibwe) or Nehiyawak (Cree) People?"
],
"accession": "1956.788.2"
}
Context sent to Scholar
Document identity
{
"localId": "134331",
"label": "Cuff",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "134331",
"contentType": "object",
"title": "Cuff",
"description": "In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth, which provided support for heavy decorative beadwork that was added by hand. Often the fabric was a dark color, providing dramatic contrast for the multicolored beads. Rather than encrusting the entire garment, beadwork was confined to cuffs, “epaulettes,” bib-like plackets and yokes, rectangular panels sewn to leggings, shirts, and dresses, and the like.",
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"cul": [
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],
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}
Document source extras
{
"tec": "Velvet, satin, glass beads",
"tombstone": "Cuff, late 1800s. Northeast Woodlands, Great Lakes Region, Anishinaabe (Ojibwe) or Nehiyawak (Cree) People?. Velvet, satin, glass beads; overall: 12.1 x 29.8 cm (4 3/4 x 11 3/4 in.). The Cleveland Museum of Art, Anonymous gift in memory of Sarah Ann Morrison, 1956.788.2",
"collection": "T - Native North American",
"formerAccessionNumbers": [
"1956.789"
],
"url": "https://clevelandart.org/art/1956.788.2",
"creditline": "Anonymous gift in memory of Sarah Ann Morrison",
"updatedAt": "2026-05-29 06:52:38.210000",
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"dept": "Textiles",
"coll": "T - Native North American",
"med": "Velvet, satin, glass beads",
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Page context
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