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The decoration on this bowl—a vine with a little nude, accompanied by musicians drinking wine from a rhyton—is related to the Hellenistic cult of Dionysos, or Bacchus, which was brought to Iran by the Greeks and became absorbed into the cult of Anahita.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 685a73464f0b2e2c
- Size
- unknown
Document data
- ID
- 139701
- Core
- obj
- Type
- object
DTO data
{
"id": "139701",
"contentType": "object",
"title": "Bowl",
"description": "The decoration on this bowl—a vine with a little nude, accompanied by musicians drinking wine from a rhyton—is related to the Hellenistic cult of Dionysos, or Bacchus, which was brought to Iran by the Greeks and became absorbed into the cult of Anahita.",
"date": "300–500 CE",
"citation": "https://clevelandart.org/art/1963.478",
"rights": "CC0",
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"language": "en",
"wikidata": [
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1963.478/1963.478_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 6.4 x 14 cm (2 1/2 x 5 1/2 in.)",
"cul": [
"Iran, Sasanian Empire (224–651 CE)"
],
"accession": "1963.478"
}
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Document identity
{
"localId": "139701",
"label": "Bowl",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "139701",
"contentType": "object",
"title": "Bowl",
"description": "The decoration on this bowl—a vine with a little nude, accompanied by musicians drinking wine from a rhyton—is related to the Hellenistic cult of Dionysos, or Bacchus, which was brought to Iran by the Greeks and became absorbed into the cult of Anahita.",
"date": "300–500 CE",
"citation": "https://clevelandart.org/art/1963.478",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1963.478/1963.478_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 6.4 x 14 cm (2 1/2 x 5 1/2 in.)",
"cul": [
"Iran, Sasanian Empire (224–651 CE)"
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}
Document source extras
{
"tec": "silver",
"tombstone": "Bowl, 300–500 CE. Iran, Sasanian Empire (224–651 CE). Silver; overall: 6.4 x 14 cm (2 1/2 x 5 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1963.478",
"collection": "Near Eastern Art",
"citations": {
"1": {
"citation": "Lee, Sherman E. “Year in Review for 1963.” <em>The Bulletin of the Cleveland Museum of Art </em>50, no. 10 (December 1963): 263–294.",
"page_number": "Mentioned: p. 295, no. 150",
"url": "https://www.jstor.org/stable/25151974"
},
"2": {
"citation": "Shepherd, Dorothy G. “Sasanian Art in Cleveland.” <em>The Bulletin of the Cleveland Museum of Art </em>51, no. 4 (April 1964): 66–92.",
"page_number": "Mentioned and Reproduced: p. 86-88, figs. 25-27.",
"url": "https://www.jstor.org/stable/25151993"
},
"3": {
"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 15",
"url": "https://archive.org/details/CMAHandbook1966/page/n39"
},
"4": {
"citation": "Shepherd, Dorothy G., and Joseph Ternbach. “Two Silver Rhyta.” <em>The Bulletin of the Cleveland Museum of Art</em> 53, no. 8 (October 1966): 289–317.",
"page_number": "Mentioned and reproduced: p. 300-303, figs. 12, 15",
"url": "http://www.jstor.org/stable/25152114"
},
"5": {
"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 15",
"url": "https://archive.org/details/CMAHandbook1969/page/n37"
},
"6": {
"citation": "Overlaet, Bruno, ed. <em>Hofkunst van de Sassanieden, Het Perzische Rijk Tussen Rome En China (224-642)</em>. Brussels, KMKG, 1993.",
"page_number": "Discussed p. 105, Plate 93."
},
"7": {
"citation": "Duchesne-Guillemin, Marcelle. \"Les Instruments De Musique Dans L'art Sassanide.\" <em>Iranica Antiqua / Suppléments</em>, Belgium: 1993.",
"page_number": "Reproduced p. 88, fig. 29"
},
"8": {
"citation": "Carter, Martha L. “Three Silver Vessels from Tibet’s Earliest Historical Era: A Preliminary Study.” <em>Cleveland Studies in the History of Art</em> 3 (1998): 22–47.",
"page_number": "Mentioned and reproduced: p. 28, fig. 7",
"url": "http://www.jstor.org/stable/20079697"
},
"9": {
"citation": "Kosmin, Paul. \"Banqueting on the Move.\" In <em>Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings</em>.Susanne Ebbinghaus,ed., 310-341. Cambridge, MA: Harvard Art Museums, 2018.",
"page_number": "Mentioned: p. 330 and 363; Reproduced: pp. 330, 331, fig. 7.23; p. 363, cat. 56"
},
"10": {
"citation": "Chen, Yi. \"Drinking Like a Chinese, or Not? New Drinking Vessels and Practices in China's Middle Period.\" In <em>A Movable Feast: The Culture of Food and Drink in China, e</em>dited by Nicole T. C. Chiang, 59-86. Hong Kong: Hong Kong Palace Museum, 2025.",
"page_number": "Mentioned and reproduced: p. 68-69, fig. 3.10"
}
},
"url": "https://clevelandart.org/art/1963.478",
"creditline": "John L. Severance Fund",
"updatedAt": "2026-05-29 07:09:04.084000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/1963.478/1963.478_print.jpg",
"sourceId": 139701,
"dept": "Egyptian and Ancient Near Eastern Art",
"coll": "Near Eastern Art",
"med": "silver",
"thumbnail_url": null,
"image_url": null
}
Page context
{
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"mediaId": "685a73464f0b2e2c"
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