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Source Description

A knight depended on his horse both as a weapon and a means of defense. He therefore had to take great care to protect his charger. From the 1100s on, knights first covered their steeds in trappings of fabric and later of mail. By around 1400, full steel plate armor for horses was complete. It is possible that this armor made for both man and horse originally belonged to a "garniture," an armor with multiple customized exchange elements that could convert the basic suit to various field and sporting uses. With different pieces of the garniture attached, this suit could have been worn either in battle or in various tournament games. The total combined weight of both the man's and horse's armor is 114 pounds. The etched decoration of this armor is of a type that became fashionable in northern Italy during the late 1500s. It consists of ornamental bands of etched figures, animals, portrait busts, and armor trophies. In addition, a coat of arms is represented seven times in different places—the center of the breastplate and blackplate, the front and back of each pauldron (shoulder defense), and the center of the peytral (horse's breastplate). The coat of arms is that of the Colonna family quartered with another, still unidentified family. It probably belonged to an unknown member of the Völs-Colonna family from the South Tyrol, now part of northern Italy.

Scholar Source Context

Document identity
localId
141444
label
Armor for Man and Horse with Völs-Colonna Arms
core
obj
dtoType
object
pageCount
1
Source metadata
id
141444
contentType
object
title
Armor for Man and Horse with Völs-Colonna Arms
description
A knight depended on his horse both as a weapon and a means of defense. He therefore had to take great care to protect his charger. From the 1100s on, knights first covered their steeds in trappings of fabric and later of mail. By around 1400, full steel plate armor for horses was complete. It is possible that this armor made for both man and horse originally belonged to a "garniture," an armor with multiple customized exchange elements that could convert the basic suit to various field and sporting uses. With different pieces of the garniture attached, this suit could have been worn either in battle or in various tournament games. The total combined weight of both the man's and horse's armor is 114 pounds. The etched decoration of this armor is of a type that became fashionable in northern Italy during the late 1500s. It consists of ornamental bands of etched figures, animals, portrait busts, and armor trophies. In addition, a coat of arms is represented seven times in different places—the center of the breastplate and blackplate, the front and back of each pauldron (shoulder defense), and the center of the peytral (horse's breastplate). The coat of arms is that of the Colonna family quartered with another, still unidentified family. It probably belonged to an unknown member of the Völs-Colonna family from the South Tyrol, now part of northern Italy.
date
c. 1575
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60756886
genreSpecific
Arms and Armor
imageCount
1
source
import
cul
North Italy, 16th century
accession
1964.88
Source extras
tec
steel
tombstone
Armor for Man and Horse with Völs-Colonna Arms, c. 1575. North Italy, 16th century. Steel. The Cleveland Museum of Art, John L. Severance Fund, 1964.88
supportMaterials
description
etched bands ("Pisan" Style)
collection
MED - Arms & Armor
didYouKnow
The Vols-Colonna family crest is found seven times in prominent locations on this armor set for horse and rider.
citations
citation
Dean, Bashford. "Mr. Riggs as a Collector of Armor." <em>The Metropolitan Museum of Art Bulletin</em> 9, no. 3 (1914).
page_number
p. 72
citation
Dean, Bashford. <em>Handbook of Arms and Armor European and Oriental: Including the William H. Riggs Collection. </em>New York: The Metropolitain Museum of Art, 1921.
page_number
p. 72
citation
Stone, George Cameron. <em>A Glossary of the Construction, Decoration and Use of Arms and Armor in All Countries and in All Times,</em> Together with Some Closely Related Subjects. Portland, Me: Southworth Press, 1934.
page_number
p. 96, fig. 123, no. 4
citation
Artley, A. S., M. Monroe, and H. M. Robinson. <em>Open Highways Book 6</em>. Book 6. Sacramento: California State Deparment of Education, 1966.
page_number
p. 233
citation
Fliegel, Stephen N. <em>Arms and Armor: The Cleveland Museum of Art. </em>[Cleveland, Ohio]: The Museum, 1998.
page_number
pp. 20, 57, 162; cat. no. 6
citation
Olsen, Kirstin. <em>All Things Shakespeare. An Encyclopedia of Shakespeare's World 2 </em>2. Westport, Conn: Greenwood Press, 2002.
page_number
p. 44
citation
Bolzano (Trentino-Alto Adige, Italy). <em>Bolzano 1700-1800: la città e le arti. </em>Cinisello Balsamo, Milano: Silvana, 2004.
page_number
p. 77, fig. 9
citation
Fliegel, Stephen N. <em>Arms &amp; Armor: The Cleveland Museum of Art. </em>[Cleveland, Ohio]: Cleveland Museum of Art, 2007.
citation
Carrara, Elena. "“Mon Cher Ami Et Frère D’armes”: Letters from Costantino Ressman to William Riggs, Collectors of Arms and Armor in Nineteenth-Century Paris." <em>Metropolitan Museum Journal</em> 47, no. 1 (2012).
page_number
p. 169
citation
Shafer, Jason. "You Ask, We Answer." <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 59, no. 1 (January/February 2019): 22.
page_number
Mentioned and reproduced: p. 22
citation
Gertsman, Elina, and Stephen N. Fliegel. Collectors, Commissioners, Curators: Studies in Medieval Art for Stephen N. Fliegel. Berlin ; Boston : De Gruyter ; [Kalamazoo, Michigan] : Medieval Institute Publications, 2023.
page_number
Mentioned and reproduced: pp. 133-134, Fig. 7.1.
creditline
John L. Severance Fund
sketchfabId
faca2ad557f64809b598c3a646a8804f
galleryDonorText
Jack, Joseph, and Morton Mandel Armor Court
updatedAt
2026-06-18 21:15:53.857000
sourceId
141444
dept
Medieval Art
coll
MED - Arms & Armor
med
steel
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
6bd586657be1fcaa