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This type of helmet used by the Oro association, is often mistaken for the more common Egungun. While Egungun masquerades are performed to honor an individual's ancestors, Oro masquerades are performed in conjunction with the actual funeral of a Yoruba person. The Oro association is very secretive, and the visibility of helmets like this one is generally restricted. Oro is also responsible for carrying out criminal sentences, such as collecting fines, repossessing goods, and executing those convicted of a capital crime. The female figure suspended from the back of the horns may reference the victims of Oro executions. This work has been attributed to the Esubiyi School of Abeokuta, founded about 1860.

Page data

Page
1
Source index
0
Type
photo
Media ID
dfc5b11faae8a62a
Size
unknown

Document data

ID
144709
Core
obj
Type
object
DTO data
{
    "id": "144709",
    "contentType": "object",
    "title": "Helmet",
    "description": "This type of helmet used by the Oro association, is often mistaken for the more common Egungun. While Egungun masquerades are performed to honor an individual's ancestors, Oro masquerades are performed in conjunction with the actual funeral of a Yoruba person. The Oro association is very secretive, and the visibility of helmets like this one is generally restricted. Oro is also responsible for carrying out criminal sentences, such as collecting fines, repossessing goods, and executing those convicted of a capital crime. The female figure suspended from the back of the horns may reference the victims of Oro executions. This work has been attributed to the Esubiyi School of Abeokuta, founded about 1860.",
    "date": "late 1800s–early 1900s",
    "citation": "https://clevelandart.org/art/1969.5",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Mask"
    ],
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    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1969.5/1969.5_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 62.9 cm (24 3/4 in.)",
    "cul": [
        "Africa, West Africa, Nigeria, Yorùbá-style maker"
    ],
    "accession": "1969.5"
}

Context sent to Scholar

Document identity
{
    "localId": "144709",
    "label": "Helmet",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "144709",
    "contentType": "object",
    "title": "Helmet",
    "description": "This type of helmet used by the Oro association, is often mistaken for the more common Egungun. While Egungun masquerades are performed to honor an individual's ancestors, Oro masquerades are performed in conjunction with the actual funeral of a Yoruba person. The Oro association is very secretive, and the visibility of helmets like this one is generally restricted. Oro is also responsible for carrying out criminal sentences, such as collecting fines, repossessing goods, and executing those convicted of a capital crime. The female figure suspended from the back of the horns may reference the victims of Oro executions. This work has been attributed to the Esubiyi School of Abeokuta, founded about 1860.",
    "date": "late 1800s–early 1900s",
    "citation": "https://clevelandart.org/art/1969.5",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Mask"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1969.5/1969.5_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1969.5/1969.5_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1969.5/1969.5_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 62.9 cm (24 3/4 in.)",
    "cul": [
        "Africa, West Africa, Nigeria, Yorùbá-style maker"
    ],
    "accession": "1969.5"
}
Document source extras
{
    "tec": "Wood and paint",
    "tombstone": "Helmet, late 1800s–early 1900s. Africa, West Africa, Nigeria, Yorùbá-style maker. Wood and paint; overall: 62.9 cm (24 3/4 in.). The Cleveland Museum of Art, Gift of Katherine C. White, 1969.5",
    "collection": "African Art",
    "formerAccessionNumbers": [
        "922.68"
    ],
    "citations": [
        {
            "citation": "Fagg, William, and Cleveland Museum of Art. 1968. <em>African Tribal Images; the Katherine White Reswick Collection</em>. Cleveland: Cleveland Museum of Art, no. 113."
        },
        {
            "citation": "CMA 1970: \"Year in Review 1969,\" CMA Bulletin LVII (Jan., 1970), p. 47, no. 135."
        }
    ],
    "url": "https://clevelandart.org/art/1969.5",
    "creditline": "Gift of Katherine C. White",
    "sketchfabId": "13600dbd9c79478a8380bb90ff8b6df5",
    "sketchfabUrl": "https://sketchfab.com/models/13600dbd9c79478a8380bb90ff8b6df5",
    "updatedAt": "2026-06-18 21:17:03.631000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1969.5/1969.5_print.jpg",
    "sourceId": 144709,
    "dept": "African Art",
    "coll": "African Art",
    "med": "Wood and paint",
    "thumbnail_url": null,
    "image_url": null
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://openaccess-cdn.clevelandart.org/1969.5/1969.5_web.jpg",
    "mediaId": "dfc5b11faae8a62a"
}