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Tubular eyes and the fringe of carved leopard canine teeth identify this mask as male. Such masks appeared only during very important moments. The dancer wore a leopard skin over his head and shoulders, held an elephant's tusk in his hand, and had his face painted white. The masks function as peacemakers; they led soldiers into battle, and administered justice.

Page data

Page
1
Source index
0
Type
photo
Media ID
009253468fd10600
Size
unknown

Document data

ID
146107
Core
obj
Type
object
DTO data
{
    "id": "146107",
    "contentType": "object",
    "title": "Face Mask (Tehe gla)",
    "description": "Tubular eyes and the fringe of carved leopard canine teeth identify this mask as male. Such masks appeared only during very important moments. The dancer wore a leopard skin over his head and shoulders, held an elephant's tusk in his hand, and had his face painted white. The masks function as peacemakers; they led soldiers into battle, and administered justice.",
    "date": "early 1900s",
    "citation": "https://clevelandart.org/art/1971.294",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Mask"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 38.1 cm (15 in.)",
    "cul": [
        "Africa, West Africa, Côte d'Ivoire or Liberia, Wè-style carver"
    ],
    "accession": "1971.294"
}

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Document identity
{
    "localId": "146107",
    "label": "Face Mask (Tehe gla)",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "146107",
    "contentType": "object",
    "title": "Face Mask (Tehe gla)",
    "description": "Tubular eyes and the fringe of carved leopard canine teeth identify this mask as male. Such masks appeared only during very important moments. The dancer wore a leopard skin over his head and shoulders, held an elephant's tusk in his hand, and had his face painted white. The masks function as peacemakers; they led soldiers into battle, and administered justice.",
    "date": "early 1900s",
    "citation": "https://clevelandart.org/art/1971.294",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Mask"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 38.1 cm (15 in.)",
    "cul": [
        "Africa, West Africa, Côte d'Ivoire or Liberia, Wè-style carver"
    ],
    "accession": "1971.294"
}
Document source extras
{
    "tec": "Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint",
    "tombstone": "Face Mask (Tehe gla), early 1900s. Africa, West Africa, Côte d'Ivoire or Liberia, Wè-style carver. Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint; overall: 38.1 cm (15 in.). The Cleveland Museum of Art, Gift of Katherine C. White, 1971.294",
    "collection": "African Art",
    "formerAccessionNumbers": [
        "830.68"
    ],
    "didYouKnow": "The masquerader who wore this mask also had a body costume of layers of raffia and matching anklets; cloth covered their head.",
    "citations": [
        {
            "citation": "Boyer, Alain-Michel. We. Milano: 5 Continents Editions, 2020.",
            "page_number": "p. 28, ill. pl. 10 and p. 109"
        },
        {
            "citation": "Fagg, William. <em>African Tribal Images; the Katherine White Reswick Collection</em>. [Cleveland]: Cleveland Museum of Art, 1968.",
            "page_number": "Mentioned and reproduced: no. 60"
        },
        {
            "citation": "“New Acquisitions.” <em>African Arts</em> 5, no. 4 (Summer 1972): 77–78.",
            "page_number": "Reproduced: P. 78",
            "url": "http://www.jstor.org/stable/3334598"
        },
        {
            "citation": "Cleveland Museum of Art, and Henry John Drewal. <em>African Art: A Brief Guide to the Collection: the Cleveland Museum of A</em>rt. [Cleveland]: The Museum, 1989.",
            "page_number": "Mentioned and reproduced: P. 6, fig. 8"
        },
        {
            "citation": "Petridis, Constantijn. <em>South of the Sahara: Selected Works of African Art.</em> [Cleveland]: Cleveland Museum of Art, 2003.",
            "page_number": "Mentioned and reproduced: P. 58-59, no. 14"
        }
    ],
    "url": "https://clevelandart.org/art/1971.294",
    "creditline": "Gift of Katherine C. White",
    "updatedAt": "2026-05-29 07:29:42.209000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_print.jpg",
    "sourceId": 146107,
    "dept": "African Art",
    "coll": "African Art",
    "med": "Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint",
    "thumbnail_url": null,
    "image_url": null
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://openaccess-cdn.clevelandart.org/1971.294/1971.294_web.jpg",
    "mediaId": "009253468fd10600"
}