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Source Description

The giving of coins or other valuable items was a powerful symbol of engagement and marriage in Europe in the 1600s and 1700s. Often these valuables were presented and kept in elaborate caskets that remained the property of the wife throughout the marriage, to be drawn upon in time of need, or as a symbol of their wealth and prosperity. This silver and hardstone casket was the gift of Pier Gregorio Boncompagni Ludovisi upon his marriage to Francesca Ottoboni in 1731. Their marriage represented the merger of two very powerful Italian noble families—the Boncompagni Ludovisi from Bologna and the Ottoboni from Venice. Both families had settled in Rome in the 17th century, and each were closely aligned with the papacy, having produced numerous cardinals and popes. Appropriately adorned with scenes from the myth of Cupid and Psyche, in which the two lovers work to overcome obstacles to their marriage, the casket is a masterwork of Roman silversmithing in the Baroque taste prevalent at that time throughout Europe.

Scholar Source Context

Document identity
localId
147991
label
Boncompagni-Ludovisi-Ottoboni Marriage Casket
core
obj
dtoType
object
pageCount
1
Source metadata
id
147991
contentType
object
title
Boncompagni-Ludovisi-Ottoboni Marriage Casket
description
The giving of coins or other valuable items was a powerful symbol of engagement and marriage in Europe in the 1600s and 1700s. Often these valuables were presented and kept in elaborate caskets that remained the property of the wife throughout the marriage, to be drawn upon in time of need, or as a symbol of their wealth and prosperity. This silver and hardstone casket was the gift of Pier Gregorio Boncompagni Ludovisi upon his marriage to Francesca Ottoboni in 1731. Their marriage represented the merger of two very powerful Italian noble families—the Boncompagni Ludovisi from Bologna and the Ottoboni from Venice. Both families had settled in Rome in the 17th century, and each were closely aligned with the papacy, having produced numerous cardinals and popes. Appropriately adorned with scenes from the myth of Cupid and Psyche, in which the two lovers work to overcome obstacles to their marriage, the casket is a masterwork of Roman silversmithing in the Baroque taste prevalent at that time throughout Europe.
date
1731
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79927887
genreSpecific
Silver
imageCount
1
source
import
dimensionsRaw
Overall: 19.1 x 40.7 x 22.9 cm (7 1/2 x 16 x 9 in.)
cul
Italy, Rome
accession
1974.86
Source extras
tec
silver, partially gilt, malachite, lapis lazuli, enamel
tombstone
Boncompagni-Ludovisi-Ottoboni Marriage Casket, 1731. Italy, Rome. Silver, partially gilt, malachite, lapis lazuli, enamel; overall: 19.1 x 40.7 x 22.9 cm (7 1/2 x 16 x 9 in.). The Cleveland Museum of Art, John L. Severance Fund, 1974.86
collection
Decorative Arts
inscriptions
inscription
engraved arms of Boncompagni-Ludovisi and Boncompagni-Ludovisi-Ottoboni families. (Probably made in honor of wedding of Maria Francesca Ottoboni and Pier Gregorio Boncompagni-Ludovisi.) Inscribed on the lid's central cartouche: AMOR / GIGNIT AMOREM / ROMAE MDCCXXXI
didYouKnow
The Latin inscription on this marriage casket, "amor gignit amorem," means "love begets love," an appropriate prediction for an impending union.
citations
citation
Lee, Sherman E. “The Year in Review for 1974.” <em>The Bulletin of the Cleveland Museum of Art</em> 62, no. 3 (March 1975): 62–102.
page_number
Reproduced: p. 75; mentioned: p. 98, no. 37
citation
Hawley, Henry H. “The Boncompagni-Ludovisi-Ottoboni Casket.” <em>The Bulletin of the Cleveland Museum of Art</em> 62, no. 7 (September 1975): 219–228.
page_number
Reproduced: p. 218, 220-224, cover; Mentioned: p. 219-228
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
page_number
reproduced P 140
citation
Walker, Stefanie, and Frederick Hammond, eds. <em>Life and the Arts in the Baroque Palaces of Rome: Ambiente Barocco</em>. New Haven: Yale University Press, 1999.
page_number
mentioned P 146, cat. no. 25
citation
Olszewski, Edward J. "The Enlightened Patronage of Cardinal Pietro Ottobini (1667-1740)." <em>Artibus et Historiae </em>23, no. 45 (2002): 139-165.
page_number
mentioned P 155
url
www.jstor.org/stable/1483685
citation
Olszewski, Edward J. “Liturgical Silver Commissioned by Cardinal Pietro Ottoboni (1667-1740).” <em>Cleveland Studies in the History of Art</em> 8 (2003): 96–119.
page_number
Mentioned: p. 109-113; reproduced: p. 96, fig.1, p. 110-112, fig. 17-20
citation
Olszewski, Edward J. <em>The Inventory of Paintings of Cardinal Pietro Ottoboni (1667-1740)</em>. New York: Peter Lang, 2004.
page_number
mentioned P 302
citation
Olszewski, Edward J. <em>Cardinal Pietro Ottoboni (1667-1740) and the Vatican Tomb of Pope Alexander VIII.</em> Philadelphia: American Philosophical Society, 2004.
page_number
mentioned P 57
creditline
John L. Severance Fund
updatedAt
2026-06-03 11:06:04.136000
sourceId
147991
dept
Decorative Art and Design
coll
Decorative Arts
med
silver, partially gilt, malachite, lapis lazuli, enamel
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
3f9f35efa00335a9