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Japanese reading stands often incorporate motifs associated with seasonal poetry. The combination of long, narrow, miscanthus grass, bush clover with its small, ovoid leaves, and chrysanthemum with its many-petaled blossoms is classic autumnal imagery. One lacquer technique featured prominently on the stand is sprinkled gold in low relief (<em>hiramaki-e</em>). Pear-skin ground design (<em>nashiji-e</em>) is used for the slopes of the ground and in some of the leaves.
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- Page
- 1
- Source index
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- Type
- photo
- Media ID
- 634e158fd87ccb88
- Size
- unknown
Document data
- ID
- 148696
- Core
- obj
- Type
- object
DTO data
{
"id": "148696",
"contentType": "object",
"title": "Reading Stand with Chrysanthemums and Autumn Grasses",
"description": "Japanese reading stands often incorporate motifs associated with seasonal poetry. The combination of long, narrow, miscanthus grass, bush clover with its small, ovoid leaves, and chrysanthemum with its many-petaled blossoms is classic autumnal imagery. One lacquer technique featured prominently on the stand is sprinkled gold in low relief (<em>hiramaki-e</em>). Pear-skin ground design (<em>nashiji-e</em>) is used for the slopes of the ground and in some of the leaves.",
"date": "early 1600s",
"citation": "https://clevelandart.org/art/1976.15",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q79929069"
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"Lacquer"
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"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 53.3 x 30.5 x 45.7 cm (21 x 12 x 18 in.)",
"cul": [
"Japan, Momoyama period (1573–1615)"
],
"accession": "1976.15"
}
Context sent to Scholar
Document identity
{
"localId": "148696",
"label": "Reading Stand with Chrysanthemums and Autumn Grasses",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "148696",
"contentType": "object",
"title": "Reading Stand with Chrysanthemums and Autumn Grasses",
"description": "Japanese reading stands often incorporate motifs associated with seasonal poetry. The combination of long, narrow, miscanthus grass, bush clover with its small, ovoid leaves, and chrysanthemum with its many-petaled blossoms is classic autumnal imagery. One lacquer technique featured prominently on the stand is sprinkled gold in low relief (<em>hiramaki-e</em>). Pear-skin ground design (<em>nashiji-e</em>) is used for the slopes of the ground and in some of the leaves.",
"date": "early 1600s",
"citation": "https://clevelandart.org/art/1976.15",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q79929069"
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"Lacquer"
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"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1976.15/1976.15_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1976.15/1976.15_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 53.3 x 30.5 x 45.7 cm (21 x 12 x 18 in.)",
"cul": [
"Japan, Momoyama period (1573–1615)"
],
"accession": "1976.15"
}
Document source extras
{
"tec": "Wood with lacquer, sprinkled gold powder (maki-e), and metal fittings",
"tombstone": "Reading Stand with Chrysanthemums and Autumn Grasses (菊秋草蒔絵書見台), early 1600s. Japan, Momoyama period (1573–1615). Wood with lacquer, sprinkled gold powder (maki-e), and metal fittings; overall: 53.3 x 30.5 x 45.7 cm (21 x 12 x 18 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1976.15",
"titleInOriginalLanguage": "菊秋草蒔絵書見台",
"collection": "Japanese Art",
"didYouKnow": "Dew on chrysanthemum is seasonal imagery symbolizing the approach of winter.",
"citations": [
{
"citation": "Lee, Sherman E. “The Year in Review for 1976.” <em>The Bulletin of the Cleveland Museum of Art</em> 64, no. 2 (February 1977): 39–79.",
"page_number": "Mentioned and Reproduced: no. 160, pp. 69 and 79",
"url": "https://www.jstor.org/stable/25152676"
},
{
"citation": "Yoshimura Motoo 吉村元雄. <em>Kōdaiji makie </em>高台寺蒔絵. [Kyōto-shi]: Kyoto National Museum 京都国立博物館, 1971."
},
{
"citation": "Cunningham, Michael R. <em>The Triumph of Japanese Style: 16th-Century Art in Japan</em>. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with the Indiana University Press, 1991.",
"page_number": "Mentioned and Reproduced: p. 118"
},
{
"citation": "Grossman, Nancy, James T. Ulak, Marjorie Williams, and Laurence Channing. <em>Art of Japan: Masterpieces from the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2005.",
"page_number": "Mentioned and Reproduced: p. 81"
}
],
"url": "https://clevelandart.org/art/1976.15",
"creditline": "Andrew R. and Martha Holden Jennings Fund",
"updatedAt": "2026-05-29 07:38:10.355000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/1976.15/1976.15_print.jpg",
"sourceId": 148696,
"dept": "Japanese Art",
"coll": "Japanese Art",
"med": "Wood with lacquer, sprinkled gold powder (maki-e), and metal fittings",
"thumbnail_url": null,
"image_url": null
}
Page context
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