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When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.
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- Page
- 1
- Source index
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- Type
- photo
- Media ID
- 5093d3294f9b5cc0
- Size
- unknown
Document data
- ID
- 153607
- Core
- obj
- Type
- object
DTO data
{
"id": "153607",
"contentType": "object",
"title": "Pair of naga finials",
"description": "When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.",
"date": "1100s",
"citation": "https://clevelandart.org/art/1987.14",
"rights": "CC0",
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"language": "en",
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"Q79939550"
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"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.)",
"cul": [
"Cambodia, probably Angkor"
],
"accession": "1987.14"
}
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Document identity
{
"localId": "153607",
"label": "Pair of naga finials",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "153607",
"contentType": "object",
"title": "Pair of naga finials",
"description": "When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.",
"date": "1100s",
"citation": "https://clevelandart.org/art/1987.14",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q79939550"
],
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"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1987.14/1987.14_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1987.14/1987.14_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.)",
"cul": [
"Cambodia, probably Angkor"
],
"accession": "1987.14"
}
Document source extras
{
"tec": "bronze",
"tombstone": "Pair of naga finials, 1100s. Cambodia, probably Angkor. Bronze; overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.14",
"collection": "Cambodian Art",
"citations": [
{
"citation": "Turner, Evan H. “The Year in Review for 1987.” <em>The Bulletin of the Cleveland Museum of Art</em> 75, no. 2 (February 1988): 30–71.",
"page_number": "Mentioned and reproduced: p. 70-71, no. 211",
"url": "http://www.jstor.org/stable/25160017"
}
],
"url": "https://clevelandart.org/art/1987.14",
"creditline": "Leonard C. Hanna Jr. Fund",
"sketchfabId": "05a8ca5e91bd468eb07726086627b906",
"sketchfabUrl": "https://sketchfab.com/models/05a8ca5e91bd468eb07726086627b906",
"galleryDonorText": "Nancy F. & Joseph P. Keithley Gallery",
"updatedAt": "2026-06-18 21:16:32.264000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/1987.14/1987.14_print.jpg",
"sourceId": 153607,
"dept": "Indian and Southeast Asian Art",
"coll": "Cambodian Art",
"med": "bronze",
"thumbnail_url": null,
"image_url": null
}
Page context
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