Ask the Scholar

Document scope · 1 page
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

This is the first of a set of three woodblock printed albums by Kamisaka Sekka, the artist considered the last major exponent of the Rinpa style of painting and design associated with the artists Tawaraya Sōtatsu (died about 1640) and Ogata Kōrin (1658-1716). <em>Momoyogusa,</em> in addition to meaning "flowers of a hundred worlds," is a classical name for the chrysanthemum. It appears in a poem by Mimube no Tarukuni (dates unknown) written in 755 and contained in the first Japanese imperial poetry anthology, <em>Collection of Ten Thousand Leaves </em>(<em>Man'yōshū)</em>. In the poem, Tarukuni, who was posted in northern Kyushu as a guard at the time, asked a missed beloved in his home province to be well for a hundred nights, like the chrysanthemums growing in his parents' garden. Chrysanthemums are traditionally associated with longevity, and in some cases immortality. This volume of Sekka's series includes a preface poem by the Kyoto-based physician and poet Sugawa Nobuyuki (1839-1917) that may be glossed as follows:<br><br>As we move forward <br>in the spirit of the new age,<br>"flowers of a hundred worlds"<br>sown by seed, now blossom<br>in distinctive colors and scents<br><br>(translation by John T. Carpenter)

Scholar Source Context

Document identity
localId
154129
label
Flowers of a Hundred Worlds (Momoyogusa), Vol. 1
core
obj
dtoType
object
pageCount
1
Source metadata
id
154129
contentType
object
title
Flowers of a Hundred Worlds (Momoyogusa), Vol. 1
description
This is the first of a set of three woodblock printed albums by Kamisaka Sekka, the artist considered the last major exponent of the Rinpa style of painting and design associated with the artists Tawaraya Sōtatsu (died about 1640) and Ogata Kōrin (1658-1716). <em>Momoyogusa,</em> in addition to meaning "flowers of a hundred worlds," is a classical name for the chrysanthemum. It appears in a poem by Mimube no Tarukuni (dates unknown) written in 755 and contained in the first Japanese imperial poetry anthology, <em>Collection of Ten Thousand Leaves </em>(<em>Man'yōshū)</em>. In the poem, Tarukuni, who was posted in northern Kyushu as a guard at the time, asked a missed beloved in his home province to be well for a hundred nights, like the chrysanthemums growing in his parents' garden. Chrysanthemums are traditionally associated with longevity, and in some cases immortality. This volume of Sekka's series includes a preface poem by the Kyoto-based physician and poet Sugawa Nobuyuki (1839-1917) that may be glossed as follows:<br><br>As we move forward <br>in the spirit of the new age,<br>"flowers of a hundred worlds"<br>sown by seed, now blossom<br>in distinctive colors and scents<br><br>(translation by John T. Carpenter)
date
1909–10
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79940699
creators
1115
genreSpecific
Bound Volume
imageCount
1
source
import
dimensionsRaw
Sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.)
cul
Japan, Meiji period (1868–1912)
accession
1988.23.1
Source extras
tec
one of a set of three woodblock-printed folding-books; ink, color, gold, and silver on paper
tombstone
Flowers of a Hundred Worlds (Momoyogusa), Vol. 1, 1909–10. Kamisaka Sekka (Japanese, 1866–1942). One of a set of three woodblock-printed folding-books; ink, color, gold, and silver on paper; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1988.23.1
collection
Japanese Art
formerAccessionNumbers
1988.23
creditline
Norman O. Stone and Ella A. Stone Memorial Fund
updatedAt
2026-05-29 07:58:07.354000
sourceId
154129
dept
Japanese Art
coll
Japanese Art
med
one of a set of three woodblock-printed folding-books; ink, color, gold, and silver on paper
creatorTags
gender unknown
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
e764fe09d10fe016