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Source Description
When the late 16th-century shogun (military ruler) of Japan, Toyotomi Hideyoshi, invaded Korea in 1593, and then again in 1597, he made several momentous discoveries which were to change the course of Japanese cultural history. Hideyoshi's troops reported the existence of a sophisticated ceramic industry using large, multichambered kilns to produce high-fired porcelain wares. Since this technology did not exist in Japan, Hideyoshi ordered the resettlement of skilled potters in Japan. Not long thereafter this new kiln technology transformed tea taste and ceramic art in Japan. Subsequently, Korean potters uncovered for the first time in Japan the kaolin deposits fundamental to high-fired porcelain production. So beginning in the mid-1600s, the earliest white Japanese porcelains appeared, produced by Korean potters who transmitted traditional Korean ceramic shapes and surface decoration to their fellow Japanese workers. This small sake flask is a second generation example of that heritage and illustrates a fundamental cultural linkage between Korean and Japanese art.
Scholar Source Context
Document identity
localId
156280
label
Sake Bottle
core
obj
dtoType
object
pageCount
1
Source metadata
id
156280
contentType
object
title
Sake Bottle
description
When the late 16th-century shogun (military ruler) of Japan, Toyotomi Hideyoshi, invaded Korea in 1593, and then again in 1597, he made several momentous discoveries which were to change the course of Japanese cultural history. Hideyoshi's troops reported the existence of a sophisticated ceramic industry using large, multichambered kilns to produce high-fired porcelain wares. Since this technology did not exist in Japan, Hideyoshi ordered the resettlement of skilled potters in Japan. Not long thereafter this new kiln technology transformed tea taste and ceramic art in Japan. Subsequently, Korean potters uncovered for the first time in Japan the kaolin deposits fundamental to high-fired porcelain production. So beginning in the mid-1600s, the earliest white Japanese porcelains appeared, produced by Korean potters who transmitted traditional Korean ceramic shapes and surface decoration to their fellow Japanese workers. This small sake flask is a second generation example of that heritage and illustrates a fundamental cultural linkage between Korean and Japanese art.
date
mid- to late 1600s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79945375
genreSpecific
Ceramic
imageCount
1
source
import
dimensionsRaw
Diameter: 10.2 cm (4 in.); Overall: 20 cm (7 7/8 in.)
cul
Japan, Edo period (1615–1868)
accession
1992.117
Source extras
tec
porcelain with underglaze blue (Hizen ware, Arita type, Imari style)
tombstone
Sake Bottle, mid- to late 1600s. Japan, Edo period (1615–1868). Porcelain with underglaze blue (Hizen ware, Arita type, Imari style); diameter: 10.2 cm (4 in.); overall: 20 cm (7 7/8 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 1992.117
collection
Japanese Art
didYouKnow
Sake may be served heated or chilled, and, as with wine, the recommended serving temperature of sake varies greatly by type.
citations
citation
Turner, Evan H. "The Year in Review for 1992." <em>The Bulletin of the Cleveland Museum of Art</em> 80, no. 2 (1993): 38-79.
page_number
Reproduced: p. 53; Mentioned: p. 79
creditline
The Severance and Greta Millikin Purchase Fund
updatedAt
2026-05-29 08:07:37.969000
sourceId
156280
dept
Japanese Art
coll
Japanese Art
med
porcelain with underglaze blue (Hizen ware, Arita type, Imari style)
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
f2b1cfc35e202698