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Although best known as a sculptor, Roche was a versatile and prolific artist who worked in many mediums. Loïe Fuller, the pioneer of modern dance who took Paris by storm in 1892, was one of his favorite subjects. He portrayed her in clay, bronze, marble, plaster, and in a series of gypsographs that illustrated an essay by the art critic Roger Marx. The book was described as "a precious monument to Loïe Fuller."
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- a9a5a867767a2892
- Size
- unknown
Document data
- ID
- 159251
- Core
- obj
- Type
- object
DTO data
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Document identity
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Document source metadata
{
"id": "159251",
"contentType": "object",
"title": "Decorative Motif and Standing Woman with Hands on her Head",
"description": "Although best known as a sculptor, Roche was a versatile and prolific artist who worked in many mediums. Loïe Fuller, the pioneer of modern dance who took Paris by storm in 1892, was one of his favorite subjects. He portrayed her in clay, bronze, marble, plaster, and in a series of gypsographs that illustrated an essay by the art critic Roger Marx. The book was described as \"a precious monument to Loïe Fuller.\"",
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Document source extras
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"tombstone": "La Loïe Fuller, by Roger Marx: Decorative Motif and Standing Woman with Hands on her Head, 1904. Pierre Roche (French, 1855–1922), Les Cents Bibliophiles. Gypsograph. The Cleveland Museum of Art, John L. Severance Fund, 1995.54.l",
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Page context
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