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The meanings of hunchbacks is not well-studied in Panamanian art. But to the north, in Mexico and Guatemala, such physical anomalies marked individuals of great spiritual power. A few of this figure’s features suggest that hunchbacks held similar status in Panama: The figure sits upon a four-legged stool, a symbol of authority, and the mythic creatures painted on each side may connect the figure to the supernatural realm.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 26a9b9b147088a4d
- Size
- unknown
Document data
- ID
- 160196
- Core
- obj
- Type
- object
DTO data
{
"id": "160196",
"contentType": "object",
"title": "Hunchback Seated on a Stool",
"description": "The meanings of hunchbacks is not well-studied in Panamanian art. But to the north, in Mexico and Guatemala, such physical anomalies marked individuals of great spiritual power. A few of this figure’s features suggest that hunchbacks held similar status in Panama: The figure sits upon a four-legged stool, a symbol of authority, and the mythic creatures painted on each side may connect the figure to the supernatural realm.",
"date": "c. 600–800",
"citation": "https://clevelandart.org/art/1998.115",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q60757412"
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1998.115/1998.115_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 25 x 19 x 25.1 cm (9 13/16 x 7 1/2 x 9 7/8 in.)",
"cul": [
"Central Panama, Conte Style, c. 600-800"
],
"accession": "1998.115"
}
Context sent to Scholar
Document identity
{
"localId": "160196",
"label": "Hunchback Seated on a Stool",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "160196",
"contentType": "object",
"title": "Hunchback Seated on a Stool",
"description": "The meanings of hunchbacks is not well-studied in Panamanian art. But to the north, in Mexico and Guatemala, such physical anomalies marked individuals of great spiritual power. A few of this figure’s features suggest that hunchbacks held similar status in Panama: The figure sits upon a four-legged stool, a symbol of authority, and the mythic creatures painted on each side may connect the figure to the supernatural realm.",
"date": "c. 600–800",
"citation": "https://clevelandart.org/art/1998.115",
"rights": "CC0",
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"language": "en",
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],
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"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1998.115/1998.115_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1998.115/1998.115_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 25 x 19 x 25.1 cm (9 13/16 x 7 1/2 x 9 7/8 in.)",
"cul": [
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],
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}
Document source extras
{
"tec": "earthenware with colored slips",
"tombstone": "Hunchback Seated on a Stool, c. 600–800. Central Panama, Conte Style, c. 600-800. Earthenware with colored slips; overall: 25 x 19 x 25.1 cm (9 13/16 x 7 1/2 x 9 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.115",
"collection": "AA - Intermediate Region",
"citations": [
{
"citation": "Cleveland Museum of Art, “Cleveland Acquires Major New Sculpture, Rare Chinese Prints, Contemporary Prints, Drawings & Photographs,” October 30, 1998, Cleveland Museum of Art Archives.",
"url": "https://archive.org/details/cmapr4215"
},
{
"citation": "Sims, Lowery Stokes. <em>The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2006.",
"page_number": "Mentioned and reproduced: P. 54, no. 14"
}
],
"url": "https://clevelandart.org/art/1998.115",
"creditline": "John L. Severance Fund",
"updatedAt": "2026-05-29 08:19:34.522000",
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"sourceId": 160196,
"dept": "Art of the Americas",
"coll": "AA - Intermediate Region",
"med": "earthenware with colored slips",
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"image_url": null
}
Page context
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