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Source Description

Dazzling ikat velvet robes, the most sumptuous, expensive, and prestigious type of ikat, were worn throughout Central Asia by men and women. This resplendent robe with a V-shaped neckline, fitted torso, and slightly flaring skirt features stylized blossoming plants, pomegranates, and auspicious curved ram’s horns, all with irregular contours of the resist-dye ikat technique. Such female robes were culturally significant in Central Asia. Made for wedding dowries with fabric from the groom’s family, women wore <em>munisaks</em> for rites of passage throughout their lives, as a bride, at family festivals, and funerals.

Scholar Source Context

Document identity
localId
167454
label
Woman’s Robe (munisak)
core
obj
dtoType
object
pageCount
1
Source metadata
id
167454
contentType
object
title
Woman’s Robe (munisak)
description
Dazzling ikat velvet robes, the most sumptuous, expensive, and prestigious type of ikat, were worn throughout Central Asia by men and women. This resplendent robe with a V-shaped neckline, fitted torso, and slightly flaring skirt features stylized blossoming plants, pomegranates, and auspicious curved ram’s horns, all with irregular contours of the resist-dye ikat technique. Such female robes were culturally significant in Central Asia. Made for wedding dowries with fabric from the groom’s family, women wore <em>munisaks</em> for rites of passage throughout their lives, as a bride, at family festivals, and funerals.
date
1850–75
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79999274
genreSpecific
Garment
imageCount
1
source
import
dimensionsRaw
Overall: 132.1 x 150 cm (52 x 59 1/16 in.)
cul
Uzbekistan, Bukhara
accession
2009.267
Source extras
tec
Silk: velvet ikat
tombstone
Woman’s Robe (munisak), 1850–75. Uzbekistan, Bukhara. Silk: velvet ikat; overall: 132.1 x 150 cm (52 x 59 1/16 in.). The Cleveland Museum of Art, Gift of Arlene C. Cooper, 2009.267
collection
T - Islamic
citations
citation
Gervers, V. “Construction of Türkmen Coats.” <em>Textile History</em> 14, no. 1 (1983):
page_number
p. 3-27
citation
Thompson, Jon, and Thomas J. Farnham. <em>Timbuktu to Tibet: Exotic Rugs &amp; Textiles from New York Collectors</em>. New York, NY: Hajji Baba Club, 2008.
page_number
Mentioned and Reproduced: pl. 3, pp. 60-61
citation
Mackie, Louise. "Embroidered Surcoat." <em>Cleveland Museum of Art Members Magazine,</em> 54 no. 1 (January/February 2014): 27.
page_number
Mentioned and Reproduced: p. 27
citation
Highet, Juliet. "Silks from Islamic Lands."<em> The Asian Art Newspaper: Monthly for Collectors, Dealers, Museums and Galleries</em> 17, issue 5 (March 2014):16-18.
page_number
Reproduced: p. 18
citation
Mackie, Louise W. Symbols of Power: <em>Luxury Textiles from Islamic Lands, 7th-21st Century</em>. Cleveland, OH; New Haven, CT: The Cleveland Museum of Art; Yale University Press, 2015.
page_number
Mentioned and Reproduced: fig. 9.60, p. 400
citation
"The Ubiquitous Ikat." <em>HALI; the international journal of Oriental carpets and textile</em>s. Issue 200. Summer 2019. London: Oguz Press, 1978- London : Hali Publications
page_number
p. 60-63
creditline
Gift of Arlene C. Cooper
updatedAt
2026-05-29 08:37:43.674000
sourceId
167454
dept
Textiles
coll
T - Islamic
med
Silk: velvet ikat
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
5f287507e044f3a4