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Printed books of hours were produced between 1485 and 1520. Significantly less expensive than handwritten production, printing made the popularity of books of hours soar. More than 1,775 different versions were printed during this time, allowing much customization. This hybrid version has printed text but hand-colored images and comes from Paris, a major center of book production.

Page data

Page
1
Source index
0
Type
photo
Media ID
385ef9fbdd30e9d3
Size
unknown

Document data

ID
167464
Core
obj
Type
object
DTO data
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    "id": "167464",
    "contentType": "object",
    "title": "Printed Book of Hours (Use of Rome)",
    "description": "Printed books of hours were produced between 1485 and 1520. Significantly less expensive than handwritten production, printing made the popularity of books of hours soar. More than 1,775 different versions were printed during this time, allowing much customization. This hybrid version has printed text but hand-colored images and comes from Paris, a major center of book production.",
    "date": "1510",
    "citation": "https://clevelandart.org/art/2009.276",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
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        58485,
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    "genreSpecific": [
        "Bound Volume"
    ],
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    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/2009.276/2009.276_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 16.7 x 10.5 x 3 cm (6 9/16 x 4 1/8 x 1 3/16 in.)",
    "cul": [
        "France, Paris"
    ],
    "accession": "2009.276"
}

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Document identity
{
    "localId": "167464",
    "label": "Printed Book of Hours (Use of Rome)",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "167464",
    "contentType": "object",
    "title": "Printed Book of Hours (Use of Rome)",
    "description": "Printed books of hours were produced between 1485 and 1520. Significantly less expensive than handwritten production, printing made the popularity of books of hours soar. More than 1,775 different versions were printed during this time, allowing much customization. This hybrid version has printed text but hand-colored images and comes from Paris, a major center of book production.",
    "date": "1510",
    "citation": "https://clevelandart.org/art/2009.276",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
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    ],
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        447742
    ],
    "genreSpecific": [
        "Bound Volume"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/2009.276/2009.276_web.jpg",
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    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/2009.276/2009.276_web.jpg",
    "imageCount": 1,
    "source": "import",
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    "cul": [
        "France, Paris"
    ],
    "accession": "2009.276"
}
Document source extras
{
    "tec": "112 printed folios on parchment, bound",
    "tombstone": "Printed Book of Hours (Use of Rome), 1510. Printed by Guillaume Le Rouge (French, Paris, active 1493–1517), miniatures by Master of the Très Petites Heures of Anne of Brittany (French, Paris, active c.1480–1510). 112 printed folios on parchment, bound; overall: 16.7 x 10.5 x 3 cm (6 9/16 x 4 1/8 x 1 3/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.276",
    "collection": "MED - Manuscript Illuminations",
    "didYouKnow": "The workshop of Guillaume le Rouge was in the Neuve Notre-Dame near Paris’s Notre Dame Cathedral.",
    "citations": [
        {
            "citation": "Brunet, Jacques-Charles. Notice sur les Heures gothiques imprimées à Paris: à la fin du quinzième siècle et dans une partie du seizième, par J.-C. Brunet. VI Paris: Impr. Firmin Didot frères, 1864.",
            "page_number": "no. 354 and supplement, I, col. 620"
        },
        {
            "citation": "MONCEAUX, Henri. Les Le Rouge De Chablis II 1470-1531. [A List of Works Published by Members of the Family with Short Biographical Notices.]. 1895.",
            "page_number": "no. 58 and pp. 32-33"
        },
        {
            "citation": "Lacombe, Paul. Livres d'heures imprimés su XVe et au XVe siècle conservés dans les bibliothèque publiques de Paris: catalogue. Nieuwkoop: B. de Graaf, 1963.",
            "page_number": "nos. 210 and 211"
        },
        {
            "citation": "Moreau, Brigitte, Philippe Renouard, and Stéphanie Öhlund-Rambaud. Inventaire chronologique des éditions Parisiennes du XVIe siècle. Paris: Service des Travaux Historiques de la Ville de Paris, 1972.",
            "page_number": "1510, no. 119"
        },
        {
            "citation": "Tenschert, Heribert, and Ina Nettekoven. Horae B.M.V. 158 Stundendrucke der Sammlung Bibermühle, 1490 - 1550 3 3. Rotthalmünster: Tenschert, 2003.",
            "page_number": "pp. 122-28, 690 ff."
        },
        {
            "citation": "Nettekoven, Ina. Der Meister der Apokalypsenrose der Sainte Chapelle und die Pariser Buchkunst um 1500. Turnhout: Brepols, 2004."
        },
        {
            "citation": "Hindman, Sandra. <em>Pen to Press, Paint to Print: Manuscript Illumination and Early Prints in the Age of Gutenberg. </em>Paris: Les Enluminures, 2009.",
            "page_number": "no. 14"
        },
        {
            "citation": "Crist, Amy. \"A Revolution in Publishing.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 50, no. 4 (July/August 2010): 13-15.",
            "page_number": "Mentioned and reproduced: p. 13-15",
            "url": "https://archive.org/details/CMAMM2010-04/page/n11/mode/2up"
        }
    ],
    "url": "https://clevelandart.org/art/2009.276",
    "creditline": "Purchase from the J. H. Wade Fund",
    "updatedAt": "2026-05-29 08:37:41.306000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/2009.276/2009.276_print.jpg",
    "sourceId": 167464,
    "dept": "Medieval Art",
    "coll": "MED - Manuscript Illuminations",
    "med": "112 printed folios on parchment, bound",
    "creatorTags": [
        "male"
    ],
    "thumbnail_url": null,
    "image_url": null
}
Page context
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