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The style is typically Nasca: modeling is minimal and the surface is decorated with the vibrant, earth-colored slips that are a hallmark of Nasca ceramic art. Male figures are a well-known category of Nasca ceramic production, although the shape of this one, which stands upright on two legs and is additionally supported from behind by a long loincloth, is unusual.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- ccf76eeb338234ce
- Size
- unknown
Document data
- ID
- 169863
- Core
- obj
- Type
- object
DTO data
{
"id": "169863",
"contentType": "object",
"title": "Male Effigy Vessel",
"description": "The style is typically Nasca: modeling is minimal and the surface is decorated with the vibrant, earth-colored slips that are a hallmark of Nasca ceramic art. Male figures are a well-known category of Nasca ceramic production, although the shape of this one, which stands upright on two legs and is additionally supported from behind by a long loincloth, is unusual.",
"date": "100–650 CE (thermoluminescence date, 410–1010 CE)",
"citation": "https://clevelandart.org/art/2012.116",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q60755817"
],
"genreSpecific": [
"Ceramic"
],
"iiifBase": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 28.8 x 16 x 17 cm (11 5/16 x 6 5/16 x 6 11/16 in.)",
"cul": [
"Peru, South Coast, Nasca, Early Intermediate Period"
],
"accession": "2012.116"
}
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Document identity
{
"localId": "169863",
"label": "Male Effigy Vessel",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "169863",
"contentType": "object",
"title": "Male Effigy Vessel",
"description": "The style is typically Nasca: modeling is minimal and the surface is decorated with the vibrant, earth-colored slips that are a hallmark of Nasca ceramic art. Male figures are a well-known category of Nasca ceramic production, although the shape of this one, which stands upright on two legs and is additionally supported from behind by a long loincloth, is unusual.",
"date": "100–650 CE (thermoluminescence date, 410–1010 CE)",
"citation": "https://clevelandart.org/art/2012.116",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q60755817"
],
"genreSpecific": [
"Ceramic"
],
"iiifBase": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 28.8 x 16 x 17 cm (11 5/16 x 6 5/16 x 6 11/16 in.)",
"cul": [
"Peru, South Coast, Nasca, Early Intermediate Period"
],
"accession": "2012.116"
}
Document source extras
{
"tec": "ceramic and slip",
"tombstone": "Male Effigy Vessel, 100–650 CE (thermoluminescence date, 410–1010 CE). Peru, South Coast, Nasca, Early Intermediate Period. Ceramic and slip; overall: 28.8 x 16 x 17 cm (11 5/16 x 6 5/16 x 6 11/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2012.116",
"collection": "AA - Andes",
"didYouKnow": "This figure holds a human head, which the Nasca viewed as a source of great power.",
"url": "https://clevelandart.org/art/2012.116",
"creditline": "Severance and Greta Millikin Purchase Fund",
"updatedAt": "2026-05-29 08:43:11.986000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_print.jpg",
"sourceId": 169863,
"dept": "Art of the Americas",
"coll": "AA - Andes",
"med": "ceramic and slip",
"thumbnail_url": null,
"image_url": null
}
Page context
{
"seq": 1,
"pageIndex": 0,
"type": "photo",
"url": "https://openaccess-cdn.clevelandart.org/2012.116/2012.116_web.jpg",
"mediaId": "ccf76eeb338234ce"
}