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Elite Nigerian men wore voluminous status garments variously called <em>riga</em> (Hausa), <em>agbádá</em> (Yorùbá), <em>boubou</em> (French), or <em>mbubb</em> (Wolof). Punctuated with white silk, this strip-woven riga’s inky blue was achieved by repeatedly dipping threads into indigo dye before weaving them. Embroiderers were often skilled Arabic calligraphers; the motifs here once had protective Islamic symbolism. The front pocket features the pointed “eight knives” (<em>aska takwas</em>) and a leaf (<em>gambiya</em>) associated with the Nupe peoples. At back, a spiral leads the wearer toward God. Magenta silk imported via trans-Saharan routes lines the hem. Rigan historically held transcultural appeal; today, they are pan-Nigerian male national dress.
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- 1
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- Type
- photo
- Media ID
- 67ad7493877e4cdc
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- unknown
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- ID
- 171144
- Core
- obj
- Type
- object
DTO data
{
"id": "171144",
"contentType": "object",
"title": "Prestige robe (riga)",
"description": "Elite Nigerian men wore voluminous status garments variously called <em>riga</em> (Hausa), <em>agbádá</em> (Yorùbá), <em>boubou</em> (French), or <em>mbubb</em> (Wolof). Punctuated with white silk, this strip-woven riga’s inky blue was achieved by repeatedly dipping threads into indigo dye before weaving them. Embroiderers were often skilled Arabic calligraphers; the motifs here once had protective Islamic symbolism. The front pocket features the pointed “eight knives” (<em>aska takwas</em>) and a leaf (<em>gambiya</em>) associated with the Nupe peoples. At back, a spiral leads the wearer toward God. Magenta silk imported via trans-Saharan routes lines the hem. Rigan historically held transcultural appeal; today, they are pan-Nigerian male national dress.",
"date": "late 1800s–by 1910",
"citation": "https://clevelandart.org/art/2013.6",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q80081025"
],
"genreSpecific": [
"Garment"
],
"iiifBase": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 120 x 226 cm (47 1/4 x 89 in.)",
"cul": [
"Africa, West Africa, Nigeria, probably Hausa-style or Nupe-style weavers and embroiders"
],
"accession": "2013.6"
}
Context sent to Scholar
Document identity
{
"localId": "171144",
"label": "Prestige robe (riga)",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "171144",
"contentType": "object",
"title": "Prestige robe (riga)",
"description": "Elite Nigerian men wore voluminous status garments variously called <em>riga</em> (Hausa), <em>agbádá</em> (Yorùbá), <em>boubou</em> (French), or <em>mbubb</em> (Wolof). Punctuated with white silk, this strip-woven riga’s inky blue was achieved by repeatedly dipping threads into indigo dye before weaving them. Embroiderers were often skilled Arabic calligraphers; the motifs here once had protective Islamic symbolism. The front pocket features the pointed “eight knives” (<em>aska takwas</em>) and a leaf (<em>gambiya</em>) associated with the Nupe peoples. At back, a spiral leads the wearer toward God. Magenta silk imported via trans-Saharan routes lines the hem. Rigan historically held transcultural appeal; today, they are pan-Nigerian male national dress.",
"date": "late 1800s–by 1910",
"citation": "https://clevelandart.org/art/2013.6",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
"Q80081025"
],
"genreSpecific": [
"Garment"
],
"iiifBase": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"thumbnailUrl": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 120 x 226 cm (47 1/4 x 89 in.)",
"cul": [
"Africa, West Africa, Nigeria, probably Hausa-style or Nupe-style weavers and embroiders"
],
"accession": "2013.6"
}
Document source extras
{
"tec": "Cotton, silk, and indigo",
"tombstone": "Prestige robe (riga), late 1800s–by 1910. Africa, West Africa, Nigeria, probably Hausa-style or Nupe-style weavers and embroiders. Cotton, silk, and indigo; overall: 120 x 226 cm (47 1/4 x 89 in.). The Cleveland Museum of Art, Alma Kroeger Fund, 2013.6",
"collection": "African Art",
"didYouKnow": "Its owner's movements would have revealed a flash of magenta silk (an expensive trade good) along the hem of this <em>riga</em>, emphasizing his high status.",
"citations": [
{
"citation": "Green, James, et al. <em>Bámigbóyè : A Master Sculptor of the Yorùbá Tradition</em>. Yale University Art Gallery, 2022.",
"page_number": "p. 55-56."
},
{
"citation": "Picton, John, and John Mack. <em>African Textiles</em>. London: Published for the Trustees of the British Museum by British Museum Publications, 1989.",
"page_number": "p. 192 illus"
},
{
"citation": "Gillow, John. African Textiles: Colour and Creativity Across a Continent. London: Thames & Hudson, 2003.",
"page_number": "p. 100-103"
},
{
"citation": "Mackie, Louise W. “2013 Acquisitions: Textiles.” <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 2 (March/April 2014): 26-27.",
"page_number": "Reproduced and Mentioned: p. 26",
"url": "https://archive.org/details/CMAMM2014-02"
},
{
"citation": "Green, James. \"Islamic Influence in the Work of Yorùbá Sculptor Bámigbóyè,\" <em>ÌMỌ̀ DÁRA</em>, October 16, 2022.",
"page_number": "Reproduced.",
"url": "https://www.imodara.com/magazine/islamic-influence-bamigboye/"
}
],
"url": "https://clevelandart.org/art/2013.6",
"creditline": "Alma Kroeger Fund",
"updatedAt": "2026-05-29 08:47:45.505000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_print.jpg",
"sourceId": 171144,
"dept": "African Art",
"coll": "African Art",
"med": "Cotton, silk, and indigo",
"thumbnail_url": null,
"image_url": null
}
Page context
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"type": "photo",
"url": "https://openaccess-cdn.clevelandart.org/2013.6/2013.6_web.jpg",
"mediaId": "67ad7493877e4cdc"
}