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Source Description
Royal tents were potent symbols of authority, wealth, and power throughout the greater Middle East. Rulers owned thousands of tents. They were used for shelter, shade, and innumerable functions in tent compounds that were essential for imperial ceremonies, travel, and military campaigns. Distinguished by size with elaborately decorated interior walls and ceilings, tents could be as large as castles. Opulent tents were also presented as imperial gifts. <br><br>Tents are only known through documents before 1600. For example, in Baghdad in 809, Caliph Harun al-Rashid owned 4,000 ceremonial tents and 150,000 camping tents that were stored in the imperial Abbasid treasury. An astonishing variety and quantity of tents were housed in the royal Fatimid tent storeroom in Cairo in 1068-69, including "military tents, fortress tents, and castle tents, manufactured of . . . gold-brocaded stuff embroidered with designs of elephants, wild beasts, horses, peacocks, birds." <br><br>Since 1600, Ottoman Turkish tents with elaborate floral decoration have been preserved in Istanbul in the Topkapi Palace Museum and Military Museum, and in European collections as war booty, primarily from the Ottoman Turks' attempt to conquer Vienna in 1683. These tents are not done in the Rasht technique, but rather are applique.<br><br>In contrast, royal tents from Iran are extremely rare. This spectacular ceremonial tent is embroidered with the name of its owner, Muhammad Shah, who ruled Iran from 1834 to 1848 during the Qajar dynasty. The radiant jewellike interior features exuberant flora, blossoming vines, and robust birds made with colored wool embellished with silk-thread embroidery.
Scholar Source Context
Document identity
localId
171610
label
Royal Round Tent made for Muhammad Shah (wall panel with three design units)
core
obj
dtoType
object
pageCount
1
Source metadata
id
171610
contentType
object
title
Royal Round Tent made for Muhammad Shah (wall panel with three design units)
description
Royal tents were potent symbols of authority, wealth, and power throughout the greater Middle East. Rulers owned thousands of tents. They were used for shelter, shade, and innumerable functions in tent compounds that were essential for imperial ceremonies, travel, and military campaigns. Distinguished by size with elaborately decorated interior walls and ceilings, tents could be as large as castles. Opulent tents were also presented as imperial gifts. <br><br>Tents are only known through documents before 1600. For example, in Baghdad in 809, Caliph Harun al-Rashid owned 4,000 ceremonial tents and 150,000 camping tents that were stored in the imperial Abbasid treasury. An astonishing variety and quantity of tents were housed in the royal Fatimid tent storeroom in Cairo in 1068-69, including "military tents, fortress tents, and castle tents, manufactured of . . . gold-brocaded stuff embroidered with designs of elephants, wild beasts, horses, peacocks, birds." <br><br>Since 1600, Ottoman Turkish tents with elaborate floral decoration have been preserved in Istanbul in the Topkapi Palace Museum and Military Museum, and in European collections as war booty, primarily from the Ottoman Turks' attempt to conquer Vienna in 1683. These tents are not done in the Rasht technique, but rather are applique.<br><br>In contrast, royal tents from Iran are extremely rare. This spectacular ceremonial tent is embroidered with the name of its owner, Muhammad Shah, who ruled Iran from 1834 to 1848 during the Qajar dynasty. The radiant jewellike interior features exuberant flora, blossoming vines, and robust birds made with colored wool embellished with silk-thread embroidery.
date
1834–48
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80082262
genreSpecific
Textile
imageCount
1
source
import
dimensionsRaw
Overall: 167.6 x 286.4 cm (66 x 112 3/4 in.)
cul
Iran, Rasht, Qajar period (1779-1925)
accession
2014.388.4
Source extras
tec
Wool with silk embroidery (chain stitch), rope, cotton, leather, tape; Rasht work
tombstone
Royal Round Tent made for Muhammad Shah (wall panel with three design units), 1834–48. Iran, Rasht, Qajar period (1779-1925). Wool with silk embroidery (chain stitch), rope, cotton, leather, tape; Rasht work; overall: 167.6 x 286.4 cm (66 x 112 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2014.388.4
collection
T - Islamic
inscriptions
inscription
Inscriptions: The central design unit of this wall panel has two embroidered inscriptions.
1. Upper inscription (center of the top blossom):
"Muhammad shah sultan-e ghazi."
inscription_translation
Muhammad Shah, Warrior Sultan.
inscription_remark
This inscription indicates that the tent was made for Muhammad Shah, who reigned from 1834-1848.
inscription
2. Lower inscription (on the base of the vase):
"Kamtarin bandeh-ye dargah fath'ali."
inscription_translation
The lowliest slave of the court, Fath 'Ali.
inscription_remark
The "lowliest slave" refers to the master artisan of the tent who is identified in the traditional humble manner. It indicates that the artisan had worked in the workshop of Fath 'Ali Shah (r. 1797-1837), Muhammad Shah's father.
didYouKnow
Rasht work is named after the city on the Caspian Sea in present-day Iran, which was a major silk trade center with numerous textile workshops.
citations
citation
"The Shahs' Tents" with articles by Toby Falk "Royalty in the Field," Jennifer Wearden "Rasht Textiles," and Ian Bennet "A Qajar Masterpiece." <em>HALI; the international journal of Oriental carpets and textiles</em> 59 (October 1991), pp.118-123.
page_number
Mentioned and Reproduced: pp. 118-123
citation
Sotheby's London. <em>European and Oriental Rugs, Carpets and Textiles</em>. 24 April 1991 sale.
citation
Baker, Patricia L. Islamic Textiles. 1995.
page_number
p. 138-39
citation
Atasoy, Nurhan. Otağ-ı Hümayun: Ottoman imperial tent complex. İstanbul: Aygaz, 2000.
citation
Mackie, Louise W. <em>Symbols of Power: Luxury Textiles from Islamic Lands, 7th-21st Century</em>. Cleveland, OH: The Cleveland Museum of Art, 2015.
page_number
Reproduced: pp. 392-393
citation
"The Shah's Tent." <em>HALI; the international journal of Oriental carpets and textiles</em> 185 (Autumn 2015): 94-95.
page_number
Reproduced: figs. 1-4, pp. 94-95
creditline
Purchase from the J. H. Wade Fund
updatedAt
2026-05-29 08:48:51.483000
sourceId
171610
dept
Textiles
coll
T - Islamic
med
Wool with silk embroidery (chain stitch), rope, cotton, leather, tape; Rasht work
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
63d9cf502c5df3a4