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In the 1870s a renewed emphasis on natural landscapes ushered in a generation of cottage gardeners who delighted in planting perennials in large quantities. Louis Comfort Tiffany was among those who championed the lush, sometimes wild-looking displays of varied floral species in the garden at his Long Island estate, Laurelton Hall. Tiffany encouraged his designers to take inspiration from his garden by shipping fresh cuttings almost weekly to his studios. Ohio native Clara Wolcott Driscoll and her team of female designers created floral patterns for lamps and mosaics based on the colorful blooms of spring that became among the most sought after and commercially successful of Tiffany’s production.

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Page
1
Source index
0
Type
photo
Media ID
50fbef021144f00e
Size
unknown

Document data

ID
300132
Core
obj
Type
object
DTO data
{
    "id": "300132",
    "contentType": "object",
    "title": "Peony Border Floor Lamp",
    "description": "In the 1870s a renewed emphasis on natural landscapes ushered in a generation of cottage gardeners who delighted in planting perennials in large quantities. Louis Comfort Tiffany was among those who championed the lush, sometimes wild-looking displays of varied floral species in the garden at his Long Island estate, Laurelton Hall. Tiffany encouraged his designers to take inspiration from his garden by shipping fresh cuttings almost weekly to his studios. Ohio native Clara Wolcott Driscoll and her team of female designers created floral patterns for lamps and mosaics based on the colorful blooms of spring that became among the most sought after and commercially successful of Tiffany’s production.",
    "date": "c. 1905–10",
    "citation": "https://clevelandart.org/art/2018.269",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q79874501"
    ],
    "creators": [
        356976,
        292194
    ],
    "genreSpecific": [
        "Lamp"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "200.7 cm (79 in.); Diameter: 61 cm (24 in.)",
    "cul": [
        "America"
    ],
    "accession": "2018.269"
}

Context sent to Scholar

Document identity
{
    "localId": "300132",
    "label": "Peony Border Floor Lamp",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "300132",
    "contentType": "object",
    "title": "Peony Border Floor Lamp",
    "description": "In the 1870s a renewed emphasis on natural landscapes ushered in a generation of cottage gardeners who delighted in planting perennials in large quantities. Louis Comfort Tiffany was among those who championed the lush, sometimes wild-looking displays of varied floral species in the garden at his Long Island estate, Laurelton Hall. Tiffany encouraged his designers to take inspiration from his garden by shipping fresh cuttings almost weekly to his studios. Ohio native Clara Wolcott Driscoll and her team of female designers created floral patterns for lamps and mosaics based on the colorful blooms of spring that became among the most sought after and commercially successful of Tiffany’s production.",
    "date": "c. 1905–10",
    "citation": "https://clevelandart.org/art/2018.269",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q79874501"
    ],
    "creators": [
        356976,
        292194
    ],
    "genreSpecific": [
        "Lamp"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "200.7 cm (79 in.); Diameter: 61 cm (24 in.)",
    "cul": [
        "America"
    ],
    "accession": "2018.269"
}
Document source extras
{
    "tec": "leaded glass, bronze",
    "tombstone": "Peony Border Floor Lamp, c. 1905–10. Probably by Clara Wolcott Driscoll (American, 1861–1944), Tiffany Studios (United States, New York, 1902–32). Leaded glass, bronze; 200.7 cm (79 in.); diameter: 61 cm (24 in.). The Cleveland Museum of Art, Bequest of Charles Maurer, 2018.269",
    "collection": "Decorative Arts",
    "inscriptions": [
        {
            "inscription": "Shade impressed: TIFFANY STUDIOS NEW YORK 1574"
        },
        {
            "inscription": "Base impressed: TIFFANY STUDIOS/NEW YORK/376"
        }
    ],
    "didYouKnow": "Standing floor models of this size were among the most expensive of Louis Comfort Tiffany's lamps.",
    "url": "https://clevelandart.org/art/2018.269",
    "creditline": "Bequest of Charles Maurer",
    "updatedAt": "2026-05-29 08:53:49.796000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_print.jpg",
    "sourceId": 300132,
    "dept": "Decorative Art and Design",
    "coll": "Decorative Arts",
    "med": "leaded glass, bronze",
    "creatorTags": [
        "female",
        "Cleveland Institute of Art (alumni)",
        "gender unknown"
    ],
    "thumbnail_url": null,
    "image_url": null
}
Page context
{
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    "type": "photo",
    "url": "https://openaccess-cdn.clevelandart.org/2018.269/2018.269_web.jpg",
    "mediaId": "50fbef021144f00e"
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