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Source Description
These maple leaf–shaped saucers, like Yohei III's five shell saucers <a href="http://www.clevelandart.org/art/2022.188">CMA 2022.188</a>, have a long, horizontal box with a separate compartment for each piece. Now a set of five, these dishes were originally a set of ten, stored in two boxes of five each. From their housings, which accommodate differing numbers of objects, one can hypothesize that while some items created by the Seifu studio were intended to be acquired in larger sets, and thus were perhaps made to order, others, like these, may have been items to be purchased of the shelf in set quantities that allowed clients flexibility in scale. <br><br>The box for these five saucers describes them as “heavenly blue[–glazed] porcelain” (<em>tenseiji</em>). The veins of the leaves are slightly raised in the clay so that the glaze pools around them and they stand out as white where the glaze thins. There are longer lines at the points of the leaves and shorter ones following the wall of each indentation so that the design has both a horizontal and a subtle vertical dimension.
Scholar Source Context
Document identity
localId
519574
label
Saucer from Maple Leaf-Shaped Saucers
core
obj
dtoType
object
pageCount
1
Source metadata
id
519574
contentType
object
title
Saucer from Maple Leaf-Shaped Saucers
description
These maple leaf–shaped saucers, like Yohei III's five shell saucers <a href="http://www.clevelandart.org/art/2022.188">CMA 2022.188</a>, have a long, horizontal box with a separate compartment for each piece. Now a set of five, these dishes were originally a set of ten, stored in two boxes of five each. From their housings, which accommodate differing numbers of objects, one can hypothesize that while some items created by the Seifu studio were intended to be acquired in larger sets, and thus were perhaps made to order, others, like these, may have been items to be purchased of the shelf in set quantities that allowed clients flexibility in scale. <br><br>The box for these five saucers describes them as “heavenly blue[–glazed] porcelain” (<em>tenseiji</em>). The veins of the leaves are slightly raised in the clay so that the glaze pools around them and they stand out as white where the glaze thins. There are longer lines at the points of the leaves and shorter ones following the wall of each indentation so that the design has both a horizontal and a subtle vertical dimension.
date
1893–1914
rights
CC0
rightsUri
CC0
language
en
creators
299428
genreSpecific
Ceramic
imageCount
1
source
import
dimensionsRaw
Overall: 2.5 x 9 cm (1 x 3 9/16 in.)
cul
Japan, Meiji period (1868–1912)
accession
2022.191.3
Source extras
tec
One of five dishes from a set of ten; porcelain with blue glaze and molded design
tombstone
Saucer from Maple Leaf-Shaped Saucers, 1893–1914. Seifū Yohei III (Japanese, 1851–1914). One of five dishes from a set of ten; porcelain with blue glaze and molded design; overall: 2.5 x 9 cm (1 x 3 9/16 in.). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.191.3
collection
Japanese Art
didYouKnow
These saucers shaped like maple leaves show Seifū Yohei III’s “heavenly blue glaze.”
creditline
Gift of James and Christine Heusinger
updatedAt
2026-05-29 09:06:52.905000
sourceId
519574
dept
Japanese Art
coll
Japanese Art
med
One of five dishes from a set of ten; porcelain with blue glaze and molded design
creatorTags
male
Asian (from 1900 to present)
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
3598ba2395c661a9